Gender Companionship And Travel

Over the last couple of decades there has been a strong academic interest in how individuals interact with each other while en route. Yet, even if various studies have informed us about present-day realities of travel companionships, we know little about the influence of gender both on these realities, as well as on the discourse in which these are being narrated. This book aims to establish an agenda for the study of companionship in travel writing by offering a collection of new essays which study texts that belong to the broad category of pre-modern and modern travel literature. Chapters explore the differences and similarities in the ways that women and men in the past chose to describe their experiences with, and/or their ideas about companionship, and specifically reveals the influence of gender norms, conventions, restrictions, and stereotypes. This is the first book which looks at the long-term, interdisciplinary, and genuinely international history of gendered discourses on companionship in travel writing. It will be of interest to scholars and students from a wide variety of disciplines, including cultural and social history, as well as cultural, literary, gender, travel, and tourism studies.

Routledge Handbook of the Tourist Experience offers a comprehensive synthesis of contemporary research on the tourist experience. It draws together multidisciplinary perspectives from leading tourism scholars to explore emergent tourist behaviours and motivations. This handbook provides up-to-date, critical discussions of established and emergent themes and issues related to the tourist experience from a primarily socio-cultural perspective. It opens with a detailed introduction which lays down the framework used to examine the dynamic parameters of the tourist experience. Organised into five thematic sections, chapters seek to build and enhance knowledge and understanding of the significance and meaning of diverse elements of the tourist experience. Section 1 conceptualises and understands the tourist experience through an exploration of conventional themes such as tourism as authentic and spiritual experience, as well as emerging themes such as tourism as an embodied experience. Section 2 investigates the new, developing tourist demands and motivations, and a growing interest in the travel career. Section 3 considers the significance, motives, practices and experiences of different types of tourists and their roles such as the tourist as photographer. Section 4 discusses the relevance of ‘place’ to the tourist experience by exploring the relationship between tourism and place. The last section, Section 5, scrutinises the role of the tourist in creating their experiences through themes such as ‘transformations in the tourist role’ from passive receiver of experiences to co-creator of experiences, and ‘external mediators in creating tourist experiences'. This handbook is the first to fill a notable gap in the tourism literature and collate within a single volume critical insights into the diverse elements of the tourist experience today. It will be of key interest to academics and students across the fields of tourism, hospitality management, geography, marketing and consumer behaviour.

Essay from the year 2010 in the subject Tourism - Miscellaneous, grade: 1,7, York University (History Department), course: Travel & Tourism in 19th and 20th Century Britain, language: English, abstract: Prior the middle of the twentieth century, women were discouraged for travelling at all, unless they were planning a journey through safe, civilised territory. Even then they were typically chaperoned by male relatives. Clothing gear for travel related activities like bicycling, horseback riding, and mountain climbing were originally designed only for males. This essay will try to deduce what kinds of difficulties women had to confront and how British women’s and girl’s travel experiences differed from the experiences of British men in the 19th century. To certify my thought I will analyse some letters and books written by travelling women.

The Routledge Companion to Media and Tourism provides a comprehensive overview of the research into the convergence of media and tourism and specifically investigates the concept of mediatized tourism. This Companion offers a holistic look at the relationship between media and tourism by drawing from a global range of contributions by scholars from disciplines across the humanities and social sciences. The book is divided into five parts, covering diverse aspects of mediatization of tourism including place and space, representation, cultural production, and transmedia. It features a comprehensive theoretical introduction and an afterword by leading scholars in this emerging field, delving into the ways in which different forms of media content and consumption converge, and the consequential effects on tourism and tourists. The collection is an invaluable resource for students and scholars of tourism studies, cultural studies, and media and communication, as well as those with a particular interest in mediatization, convergence culture, and contemporary culture.

This edited collection poses crucial questions about the relationship between gender and genre in travel writing, asking how gender shapes formal and thematic approaches to the various generic forms employed to represent and recreate travel. While the question of the genre of travel writing has often been debated (is it a genre, a hybrid genre, a sub-genre of autobiography?), and recent years have been much attention to travel writing and gender, these have rarely been combined. This book sheds light on how the gendered nature of writing and reading about travel affect the genre choices and strategies of writers, as well as the way in which travel writing is received. It reconsiders traditional and frequently studied forms of travel writing, both European and non-European. In addition, it pursues questions about the connections between travel writing and other genres, such as the novel and films, minor forms including journalism and blogging, and new sub-genres such as the 'new nature writing'; focusing in particular on the political ramifications of genre in travel writing. The collection is international in focus with discussions of works by authors from Europe, Asia, Australia, and both North and South America; consequently, it will be of great interest to scholars and historians in those regions.

Gender and Tourism: Challenges and Entrepreneurial Opportunities provides a comprehensive collection of new insights for traditional paradigms, approaches and methods, as well as exploring more recent developments in research methodology in the context of gender and tourism studies.

The Indian Diary of Vera Luboshinsky narrates life at the Indian princely court of Bhopal, during the 1940s. Vera was the daughter of Professor M. J. Herzenstein, a member of the State Duma in pre-revolutionary Russia, and married to Count Mark Luboshinsky. After the Bolshevik revolution, they emigrated to Czechoslovakia where they met Hamidullah Khan, Nawab of Bhopal, an important political figure during the last decades of the British Empire and India's fight for independence. Impressed by Mark Luboshinsky's managerial abilities, the Nawab invited him to come to India to manage his estates. The couple spent seven years in India (winter 1938 - winter 1945). They stayed in and around Bhopal taking part in palace business or travelling across India accompanying the Nawab's family on long journeys. The Diary is a unique and completely unknown text to the Anglophone world: a rich primary source for historians of India's princely states, providing an interesting and uncommon depiction of the Nawab, his family, acquaintances, associates, and more generally, the life of Indians and foreigners in India during World War II. With literary flair, Vera describes not only her life in India, but also her intimate relationship with the Begum and British residents of Bhopal as well as meetings with well-known people like Jawaharlal Nehru, Sarojini Naidu, Fatima Jinnah, or Anandamayi Ma, and Paul Brunton. Importantly, the Diary also offers an extremely rare Eastern European female voice in late colonial India: a voice that both submits to and transgresses the Orientalist moods of its time.