Gender Power And Identity In The Films Of Stanley Kubrick

This volume features a set of thought-provoking and long overdue approaches to situating Stanley Kubrick’s films in contemporary debates around gender, race, and age—with a focus on women’s representations. Offering new historical and critical perspectives on Kubrick’s cinema, the book asks how his work should be viewed bearing in mind issues of gender equality, sexual harassment, and abuse. The authors tackle issues such as Kubrick’s at times questionable relationships with his actresses and former wives; the dynamics of power, misogyny, and miscegenation in his films; and auteur "apologism," among others. The selections delineate these complex contours of Kubrick’s work by drawing on archival sources, engaging in close readings of specific films, and exploring Kubrick through unorthodox venture points. With an interdisciplinary scope and social justice-centered focus, this book offers new perspectives on a well-established area of study. It will appeal to scholars and upper-level students of film studies, media studies, gender studies, and visual culture, as well as to fans of the director interested in revisiting his work from a new perspective.

This book brings together a diverse range of contemporary scholarship around both Anthony Burgess’s novel (1962) and Stanley Kubrick’s film, A Clockwork Orange (US 1971; UK 1972). This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubrick’s film and the 60th anniversary of Burgess’s novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgess’s recently discovered ‘sequel’ The Clockwork Condition; the cold war context of both texts; the history of the script; the politics of authorship; and the legacy of both—including their influence on the songwriting and personas of David Bowie!

Twenty years after its release, Stanley Kubrick's Eyes Wide Shut remains a complex, visually arresting film about marriage, jealousy, domesticity, adultery, sexual disturbance, and dreams. This was the final enigmatic work from its equally enigmatic creator. It has left an indelible mark on our popular culture and remains as relevant as ever. Much maligned and much misunderstood when it first came out, Eyes Wide Shut has since been the subject of an animated debate and discussion among critics, fans and academics. It has been explored from a wide variety of disciplines and methodological perspectives. This collection brings scholars from diverse disciplinary backgrounds together with those who worked on the film to explore Eyes Wide Shut’s legacy, discuss its impact, and consider its position within Kubrick’s oeuvre and the wider visual and socio-political culture.

Between the late 1950s and mid-1970s, British cinema experienced an explosion of X-certificated films. In parallel with an era marked by social, political, and sexual ferment and upheaval, British filmmakers and censors pushed and guarded the permissible limits of violence, horror, revolt, and sexuality on screen. Adult Themes is the first volume entirely devoted to the exploration of British X certificate films across this transformative period, since identified as 'the long 1960s'. How did the British Board of Film Censors, harried on one side by the censorious and moralistic, and beset on the other by demands for greater artistic freedom, oversee and manage this provocative body of films? How did the freedoms and restrictions of the X certificate hasten, determine, and reshape post-war British cinema into an artistic, exploitational, and unapologetically adult medium? Contributors to this collection consider these central questions as they take us to swinging parties, on youthful crime sprees, into local council meetings, on police raids of cinemas, and around Soho strip clubs, and introduce us to mass murderers, lesbian vampires, apoplectic protestors, eroticised middle-aged women, and rebellious working-class men. Adult Themes examines both the workings and negotiations of British film censorship, the limits of artistic expression, and a wider culture of X certificate cinema. This is an important volume for students and scholars of British Film History and censorship, Media Studies, the 1960s, and Cultural and Sexuality Studies, while simultaneously an entertaining read for all connoisseurs of British cinema at its most vivid and scandalous.

Most documentaries deal with men, but what do they actually say about masculinity? In this groundbreaking volume Sara Martín analyses more than forty 21st-century documentaries to explore how they represent American men and masculinity. From Jennifer Siebel Newsom’s The Mask You Live In to Raoul Peck’s I Am Not Your Negro, this volume explores sixteen different faces of American masculinity: the good man, the activist, the politician, the whistleblower, the criminal, the sexual abuser, the wrongly accused, the dependent man, the soldier, the capitalist, the adventurer, the sportsman, the architect, the photographer, the musician, and the writer. The collective portrait drawn by the documentaries discloses a firm critical stance against the contradictions inherent in patriarchy, which makes American men promises of empowerment it cannot fulfill. The filmmakers’ view of American masculinity emphasizes the vulnerability of disempowered men before the abuses of the patriarchal system run by hegemonic men and a loss of bearings about how to be a man after the impact of feminism, accompanied nonetheless by a celebration of resilient masculinity and of the good American man. Firmly positioning documentaries as an immensely flexible, relevant tool to understand 21st-century American men and masculinity, their past, present, and future, this book will interest students and scholars of film studies, documentary film, American cultural studies, gender, and masculinity.

Hybrid Documentary and Beyond explores the theories, production techniques, ethics, and impact of hybrid documentaries. Often described as simply a blend of fact and fiction, the author challenges this definition of hybrid documentary through an interrogative examination of not only why and how they are made, but also of their real-world impact upon subjects, filmmakers and audiences. Combining theoretical analysis withe real-world case studies and interviews with luminaries in the field she effectively demonstrates that hybrid documentaries can be creatively liberating for all involved and why their appeal and impact are growing globally. Offering a fresh and bold perspective on hybrid documentary filmmaking that goes far beyond the existing canon on the subject, this book will be an essential resource for practitioners, scholars and students working in the areas of media arts and production, film studies and documentary.

Director of some of the most controversial films of the twentieth century, Stanley Kubrick created a reputation as a Hollywood outsider as well as a cinematic genius. His diverse yet relatively small oeuvre—he directed only thirteen films during a career that spanned more than four decades—covers a broad range of the themes that shaped his century and continues to shape the twenty-first: war and crime, gender relations and class conflict, racism, and the fate of individual agency in a world of increasing social surveillance and control. In Depth of Field, leading screenwriters and scholars analyze Kubrick's films from a variety of perspectives. They examine such groundbreaking classics as Dr. Strangelove and 2001: A Space Odyssey and later films whose critical reputations are still in flux. Depth of Field ends with three viewpoints on Kubrick's final film, Eyes Wide Shut, placing it in the contexts of film history, the history and theory of psychoanalysis, and the sociology of sex and power. Probing Kubrick's whole body of work, Depth of Field is the first truly multidisciplinary study of one of the most innovative and controversial filmmakers of the twentieth century.

KUBRICK'S MINDSCAPES: AN EXPLORATION OF PSYCHOLOGICAL, PHILOSOPHICAL, AND SYMBOLIC THEMES IN HIS FILMS Discover the captivating world of Stanley Kubrick and his groundbreaking films with "KUBRICK'S MINDSCAPES". This comprehensive guide offers a deep dive into the mind of one of the most influential filmmakers of our time and the themes that pervade his filmography. Through this book, readers will gain a greater appreciation for the sophistication and complexity of Kubrick's works and the impact he has had on modern cinema. With chapters exploring the psychological depths of his characters, the philosophical aspects of his film techniques, the significance of family and relationships, the exploration of human nature, and the power of sound and music, this book provides a comprehensive analysis of Kubrick's contributions to the art of cinema. Whether you are a film lover, an art connoisseur, or simply a curious mind, this book offers a rich and rewarding journey into the visionary world of Stanley Kubrick. So why wait? Get your copy today and experience the magic of Kubrick's films in a whole new light! CONTENT (40 CHAPTERS) The Visionary World Of Stanley Kubrick: An Introduction 2001: A Space Odyssey: A Study Of Evolution And Technology A Clockwork Orange: A Study Of Free Will And Morality The Shining: A Study Of Madness, Isolation, And The Paranormal Full Metal Jacket: A Study Of War, Trauma, And The Human Condition Dr. Strangelove: A Study Of Cold War Politics And The Absurd Eyes Wide Shut: A Study Of Sexuality, Power, And The Occult The Art Of Kubrick: An Analysis Of His Visual Style Kubrick's Use Of Symbolism In Film Themes Of Existentialism In Kubrick's Narratives The Psychological Depths Of Kubrick's Characters The Concept Of Time In Kubrick's Film Theory The Study Of Ethics And Social Issues In Kubrick's Film Themes The Exploration Of Human Nature In Kubrick's Film Characterizations The Significance Of Family And Relationships In Kubrick's Film Themes The Power Of Sound And Music In Kubrick's Film Scores The Use Of Humor In Kubrick's Film Techniques The Philosophical Aspects Of Kubrick's Film Techniques The Legacy Of Stanley Kubrick: A Reflection On His Contribution To Film And Art Kubrick's Impact On Modern Cinema: An Assessment The Art Of Cinematography In Kubrick's Films Gender And Power In Kubrick's Narratives The Role Of Technology And Progress In Kubrick's Works The Importance Of Setting And Location In Kubrick's Films The Dynamics Of Leadership And Authority In Kubrick's Characters The Use Of Color And Lighting In Kubrick's Visual Style Kubrick's Exploration Of Identity And Selfhood The Representation Of Race And Ethnicity In Kubrick's Films The Significance Of Dreams And Nightmares In Kubrick's Narratives The Role Of Memory And Trauma In Kubrick's Characters The Influence Of Literature And Art On Kubrick's Films The Use Of Propaganda And Mass Media In Kubrick's Works The Philosophy Of Violence And Aggression In Kubrick's Films The Use Of Satire And Irony In Kubrick's Film Techniques The Role Of Religion And Spirituality In Kubrick's Narratives The Exploration Of Madness And Insanity In Kubrick's Characters The Representation Of Class And Social Hierarchy In Kubrick's Works The Power Of Language And Communication In Kubrick's Films The Philosophy Of Time And Space In Kubrick's Films The Legacy Of Kubrick's Films On Popular Culture And Modern Art