Genres Of Emergency

Genres of Emergency offers literary genre as a way to understand and negotiate the varied states of emergency and crisis that have become a fixture of our contemporary world. Building on a critical study of the literature written during and about the State of Emergency declared by Prime Minister Indira Gandhi in India (1975 - 1977), the study establishes emergency and its genres as an important interpretative site: an exceptionally violent episode marked as a one-off crisis, which also functions as a locus for an ongoing renegotiation of a modern polity and culture. Reading a wide-ranging archive of English-language texts - from prison memoir to popular magazine, from high-brow literary fiction to boilerplate thriller, from the unrelentingly realistic to the mythically allegorical - Genres of Emergency traces the tension between crisis and continuity that these genres mediate. In addressing this tension, the authors of Emergency fiction take seriously the genres in which they write and use them to mobilize literary conventions as political interventions. More specifically, these novels use the conventions of realism, epic, allegory, and the thriller to reach back in time and across cultures and languages, invoking past iterations of these genres and histories and anticipating those to come. Combining literary criticism with cultural history, Genres of Emergency thus has implications for the study of literary genre, for the historical events that these genres recount, and for understanding the politics of literary form.

When her boyfriend goes missing and a woman turns up dead, Charlotte must connect the dots for herself before she becomes the suspect, or the next victim. Charlotte, a mid-thirties Long Island woman, has felt so alone since her promising career in neuroscience imploded. But she has an online support group; she has Rachel, a friend who has seen her through the worst of it; and now she also has Peter, a mysterious new boyfriend who has asked that their budding romance remain a total secret. That is why she is too scared to report his disappearance to the authorities when he van­ishes without a word. Weeks later, police contact her to make an ID on a body, and she fears the worst for her missing beau. Instead, she arrives at the morgue and feels a terrible relief when she sees a woman she has never met on the table in front of her. But relief is replaced by confusion, then terror, when Charlotte realizes she has become a person of interest. Why did Jane Doe have Charlotte listed as her emergency contact? Was it revenge or a warning? And where exactly does Peter factor into all this? As Charlotte becomes the prime murder suspect, she enters into a race against the clock to find out the truth about the dead woman and the connections they shared. But what she discovers is beyond anything she could have ever imagined.

Long before the hit TV show E.R., emergency room doctor Mark Brown decided that the world just had to know about real life in a hospital's E.R. The emergency room is a cauldron of human emotions. The anguish, fear, need, and gore is wearing. As the protective layer of the self is weakened, the pain seeps through and begins to stain the soul. The protective layer grows thicker. But the patients’ needs call out to a sensitive heart, and a balance is struck. Survival in this place requires a deep kindness nestled in a very dark sense of humor, and a strong faith tempered with cynicism. The people who work in this place refer to it as the Pit. What follows is a collection of true stories from all over the country about what the ER doors bring. These stories are irreverent, funny, horrifying, and heartbreaking. They will buffet you. These stories are presented randomly, not neatly categorized as one might desire but in the disorderly manner in which the doors might bring them. They are written not by writers and reporters but in the words of the doctors, nurses, and paramedics who were there.—From the Introduction

Drawing on an original UK-wide study of public responses to humanitarian issues and how NGOs communicate them, this timely book provides the first evidence-based psychosocial account of how and why people respond or not to messages about distant suffering. The book highlights what NGOs seek to achieve in their communications and explores how their approach and hopes match or don’t match what the public wants, thinks and feels about distant suffering

This book, based on revised papers originally delivered at the VII International Systemic Functional Workshop in Valencia in 1995, explores some of the choices open to speakers and writers for the expression of meaning in different socio-cultural contexts. Many of the papers draw their inspiration from models of language developed by Michael Halliday and in particular recent theories of variation in relation to texts and genres explored by Halliday and his followers. There is an emphasis on the interdependence and interaction of linguistic choices across sentence boundaries and speaking turns, and also a consistent focus across many papers on the importance of lexicogrammar in the construction of texts. Several papers examine the differences between native-speaker and non-native-speaker choices in speech and writing. The volume also contributes to our understanding of differences and similarities between spoken and written varieties of English and of the central significance of interpersonal functions in the communication of messages. By drawing on naturally-occurring data collected on a range of genres as diverse as philosophy articles, scientific research papers, emergency telephone calls, and casual conversation, contributors both refine descriptions of the relations between text and context and offer numerous new insights and analyses.

This engaging text explores how everyday talk--the ordinary kinds of communicating that people do in schools, workplaces, and among family and friends--expresses who we are and who we want to be. The authors interweave rhetorical and cultural perspectives on the "little stuff" of conversation: what we say and how we say it, the terms used to refer to others, the content and style of stories we tell, and more. Numerous detailed examples show how talk is the vehicle through which people build relationships. Students gain skills for thinking more deeply about their own and others' communicative practices, and for understanding and managing interactional difficulties. New to This Edition *Updated throughout to incorporate the latest discourse analysis research. *Chapter on six specific speech genres (for example, organizational meetings and personal conversation). *Two extended case studies with transcripts and discussion questions. *Coverage of digital communication, texting, and social media. *Additional cross-cultural examples. Pedagogical Features Include: *A preview and summary in every chapter. *Accessible explanations of core concepts. *End-of-book glossary. *Endnotes that identify key authors and suggest further reading.

Twenty-five years in the ER could become a résumé for despair, but for bestselling author Dr. Robert D. Lesslie, it's a foundation for inspiring stories of everyday "angels"—friends, nurses, doctors, patients, and even strangers who offer love, help, and support in the midst of trouble. "The ER is a difficult and challenging place to be. Yet the same pressures and stresses that make this place so challenging also provide an opportunity to experience some of life's greatest wonders and mysteries." Dr. Lesslie illuminates messages of hope while sharing fast-paced, captivating stories about discovering lessons from the ER frontline watching everyday miracles unfold holding on to faith during tragedy and triumph embracing the healing balm of hope For anyone who enjoys true stories of the wonders of the human spirit, this immensely popular book is a reminder that hope can turn emergencies into opportunities and trials into demonstrations of God's grace.

DISCOVER MORE: EMERGENCY VEHICLES is full of facts and engaging pictures of rescue vehicles hard at work. Large photographs reveal exciting details of how fire engines, ambulances, police cars, motorbikes, and helicopters really work. Alongside are details of more unusual vehicles that do amazing jobs, from superscoopers to fireboats. Clear layouts, simple words, and word-picture relationships make these books perfect for children first encountering information books and reading. DISCOVER MORE: EMERGENCY VEHICLES comes with a free digital book featuring extra content and activities.