Geoffrey Tristram

For nearly thirty years, Geoffrey Oliver Tristram (GOT) was the celebrated Organist and Master of the Choristers at Christchurch Priory. He set a high standard for both organ performance and choral direction still widely revered and celebrated. This book charts GOT’s life from his birth in Stourbridge, Worcestershire, in 1917 to his sudden death at the age of just 61. It looks at his career as student, teacher, choirmaster, accompanist and, especially, celebrated recitalist, at home and abroad. Drawing heavily on primary source material, including family archives and photographs, the book is complemented and underpinned by the memories and reminiscences of relations, friends, colleagues, peers, and others. It includes many contemporary reviews of his performances, right from his early days as a teenage Fellow of the Royal College of Organists until his last masterly recitals. Appendices give details about Tristram’s recitals, broadcasts, and recordings, alongside specifications of the instruments at Christchurch Priory. The book also provides access to a selection of previously unreleased recordings made in the 1960s and early 1970s. Geoffrey Tristram: A Very British Organist, paints a rich picture of the man (husband, father, friend) and the musician, a player who had a significant influence on generations of organists and singers.

Debrett's Peerage & Baronetage is the only up-to-date printed reference guide to the United Kingdom's titled families: the hereditary peers, life peers and peeresses, and baronets, and their descendants who form the fascinating tapestry of the peerage. This is the first ebook edition of Debrett's Peerage &Baronetage, and it also contains information relating to:The Royal FamilyCoats of ArmsPrincipal British Commonwealth OrdersCourtesy titlesForms of addressExtinct, dormant, abeyant and disclaimed titles.Special features for this anniversary edition include:The Roll of Honour, 1920: a list of the 3,150 people whose names appeared in the volume who were killed in action or died as a result of injuries sustained during the First World War.A number of specially commissioned articles, including an account of John Debrett's life and the early history of Debrett's Peerage and Baronetage, a history of the royal dukedoms, and an in-depth feature exploring the implications of modern legislation and mores on the ancient traditions of succession.

The meanings originally communicated by Elizabethan and Jacobean dress have long been confined to history. Why, then, have doublets, hose, ruffs and farthingales featured in many Shakespeare productions staged since the turn of the 21st century? This book scrutinizes the popular practice of costuming Shakespeare's plays in Elizabethan and Jacobean dress. It considers why this approach to design appeals to contemporary directors, designers and audiences, and how it has shaped the meaning of Shakespeare's works in specific performance contexts. Informed by original interviews with several prominent theatre practitioners, including Emma Rice, Gregory Doran, Jenny Tiramani, Simon Godwin, Stephen Brimson Lewis and Tom Piper, Shakespeare in Elizabethan Costume explores how various 21st-century Shakespeare productions have drawn on myths and desires associated with early modern clothing. Its discussions range from the practicalities of historical reconstruction to the appeal of early modern sartorial culture as an embodiment of wonder, spectacle and the supernatural. Productions discussed include Shakespeare's Globe's production of Henry V (1997), the National Theatre's Twelfth Night (2017) and the Royal Shakespeare Company's The Tempest (2016). Ella Hawkins examines the minutiae of modern design -- how seams are sewn, whence fabrics are sourced -- as well as the widespread cultural movements that have produced our modern relationship with the period of Shakespeare's lifetime. This is the first book to explore fully the significance of Elizabethan-inspired design in contemporary Shakespearean performance. Shakespeare in Elizabethan Costume reframes so-called 'period' costuming as a dynamic collection of practices capable of refashioning textual meanings, reflecting present-day political and societal shifts and confronting contemporary injustices.

Radical Welcome: Embracing God, The Other, and the Spirit of Transformation is at once a theological, inspirational, and practical guide for congregations that want to move beyond diversity and inclusion to present a vision for the church of the future: one where the transforming gifts, voices and power of marginalized cultures and groups bring new life to the mainline church. The book is based on two years of work and over 200 interviews with people in congregations around the United States--in urban, suburban, and rural settings, in the Northeast, South, Midwest, West, and Pacific Northwest--asking the question, How do we face our fears and welcome transformation in order to become God's radically welcoming people? Each chapter introduces a particular congregation and the challenges it faced, and lays out the theological underpinnings of tackling fears head-on and embracing change as a welcome part of community life. Additional resources and study guide available for free download at ChurchPublishing.org

How do religious traditions create strangers and neighbors? How do they construct otherness? Or, instead, work to overcome it? In this exciting collection of interdisciplinary essays, scholars and activists from various traditions explore these questions. Through legal and media studies, they reveal how we see religious others. They show that Jewish, Christian, Islamic, and Sikh texts frame others in open-ended ways. Conflict resolution experts and Hindu teachers, they explain, draw on a shared positive psychology. Jewish mystics and Christian contemplatives use powerful tools of compassionate perception. Finally, the authors explain how Christian theology can help teach respectful views of difference. They are not afraid to discuss how religious groups have alienated one another. But, together, they choose to draw positive lessons about future cooperation.

In its first edition Dictionary of Literary Pseudonyms established itself as a comprehensive dictionary of pseudonyms used by literary writers in English from the 16th century to the present day. This new Second Edition increases coverage by 35%! There are two sequences: Part I - which now includes more than 17,000 entries- is an alphabetical list of pseudonyms followed by the writer's real name. Part II is an alphabetical list of writers cited in Part I-more than 10,000 writers included-providing brief biographical details followed by pseudonyms used by the wrter and titles published under those pseudonyms. Dictionary or Literary Pseudonyms has now become a standard reference work on the subject for teachers, student, and public, high school, and college/universal librarians. The Second Edition will, we believe, consolidate that reputation.

This book explores the role of musicians in the call for peace in the Russia-Ukraine conflict. As Russia’s unprecedented invasion of Ukraine progresses, musicians there, and around the world, join talents in concerts to voice their protest and show solidarity against the universally condemned conflict. They play and sing for peace, calling for solidarity with the Ukrainian people. Performing artists have been at the forefront of a global response to express outrage against the Russian invasion. Benefit concerts seek to raise funds to be directed toward the humanitarian crisis that has affected the daily lives of innocent people, including hundreds of thousands of orphaned and wounded children. Artists-activists come together to praise Ukrainians’ struggle for self-determination, democracy, and freedom with music performances and engage in opportunities to use their platform to assist those affected by the conflict, calling for an immediate end to the war.