George Santayana Ppr

From the late nineteenth century to the middle of the twentieth, George Santayana was a highly esteemed and widely read writer of philosophy, poetry, essays, memoirs, and even a best-selling novel, The Last Puritan. After a period of relative neglect, interest in his work has revived. A complete edited edition of his works is in progress and he has become the object of renewed scholarly activity. Contributing significantly to the renewal was John McCormick's 1987 biography, the first full-scale volume to treat an elusive figure's life and thought in the detail they deserve. Santayana's life was rich in its interior and outer associations. There was his birth and early childhood in Spain followed by a move to Boston, where he came under the influence of William James at Harvard. This led to his career at Harvard as a professor, where Wallace Stevens, Robert Frost, Conrad Aiken, Franklin D. Roosevelt, and Walter Lippmann were among his devoted students. We see Santayana in correspondence and conversation with Bertrand Russell, G.E. Moore, Ezra Pound, and Robert Lowell. Predominant in Santayana's life was his philosophical work. Hostile to the dominant empiricism of Anglo-American philosophy, he left the academy and remained detached from both the political and ideological movements of early decades of the twentieth century. McCormick relates his skepticism and materialism to a form of idealism deriving from his classical education in Plato and Aristotle, together with his readings in Descartes and Spinoza. He presents Santayana as a supreme stylist in English, who lived a long life always consistent with his stoic epicureanism. John McCormick is professor emeritus of comparative literature at Rutgers University, and an honorary fellow of English and other literatures at the University of York, England. He is the author of Seagoing: Memoirs, Bullfighting: Art, Technique, and Spanish Society, Fiction as Knowledge, American and European Literary Imagination, and Catastrophe and Imagination: English and American Writings from 1870 to 1950, all published by Transaction.

The editor of this new edition, John McGormick, reminds us that The Sense of Beauty is the first work in aesthetics written in the United States. Santayana was versed in the history of his subject, from Plato and Aristotle to Schopenhauer and Taine in the nineteenth century.

This work aims to show that sociology is indeed an art form, one that had strong kinship with literature, painting, Romantic history, and philosophy in the 19th century, the age in which sociology came into full stature.

This book offers an up-to-date insight into the early philosophical debate on Einsteinian relativity. The essays explore the reception and interpretation of Einstein’s ideas by some of the most important philosophical schools of the time, such as logical positivism (Reichenbach), neo-Kantianism (Cassirer, Natorp), critical realism (Sellars), and radical empiricism (Mach). The book is aimed at physicists and historians of science researching the epistemological implications of the theory of relativity, as well as to scholars in philosophy interested in understanding how leading philosophical figures of the early twentieth century reacted to the relativistic revolution.