George Washington Williams

A biography of fhe life of the amateur scholar who wrote the first history of African Americans in the United States: A HISTORY OF THE NEGRO RACE IN AMERICA (1882).

George Washington Williams, a soldier, minister, journalist, lawyer and historian, was Ohio's first African-American legislator, serving in the Ohio General Assembly from 1880 through 1881.

With an introduction by award-winning novelist Barbara Kingsolver In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce the population by half. . While he did all this, he carefully constructed an image of himself as a deeply feeling humanitarian. Winner of the Duff Cooper Prize in 1999, King Leopold’s Ghost is the true and haunting account of this man’s brutal regime and its lasting effect on a ruined nation. It is also the inspiring and deeply moving account of a handful of missionaries and other idealists who travelled to Africa and unwittingly found themselves in the middle of a gruesome holocaust. Instead of turning away, these brave few chose to stand up against Leopold. Adam Hochschild brings life to this largely untold story and, crucially, casts blame on those responsible for this atrocity.

After two years of fighting, Great Britain felt confident that the American rebellion would be crushed in 1777, the "Year of the Hangman." Britain devised a bold new strategy. Turning its attention to the frontiers, Britain enlisted its provincial rangers and allied warriors, principally from the Iroquois Confederacy, to wage a brutal backwoods war in support of General John Burgoyne's offensive as it swept southward from Canada. With the defeat of Burgoyne at Saratoga, the Continental command decided to end any further threat along the frontier. In the award-winning Year of the Hangman: George Washington's Campaign Against the Iroquois, historian Glenn F. Williams recreates the riveting events surrounding the largest coordinated American military action against American Indians during the Revolution, including the checkered story of European and Indian alliances, the bitter frontier wars, and the bloody battles of Oriskany and Newtown.

George Washington Williams was an American Civil War veteran, minister, politician, lawyer, journalist, and groundbreaking historian of African-American history. Shortly before his death he travelled to King Leopold II's Congo Free State. Shortly before his death he travelled to King Leopold II's Congo Free State. Shocked by what he saw, he wrote an open letter to Leopold about the suffering of the region's inhabitants at the hands of Leopold's agents, which spurred the first public outcry against the regime running the Congo under which millions lost their lives.

In his 1903 hit "Congo Love Song," James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song's title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium's brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, "Congo Love Song" emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. In this book, Ira Dworkin examines black Americans' long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, he brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Dworkin offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism.