Georgics

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.

A collection of ten classic essays on Vergil's Georgics, written between 1970 and 1999. The contributions represent recent developments in Vergilian scholarship, and are placed in context in a specially written Introduction.

John Dryden called Virgil's Georgics, written between 37 and 30 B.C.E., "the best poem by the best poet." The poem, newly translated by the poet and translator David Ferry, is one of the great songs, maybe the greatest we have, of human accomplishment in difficult--and beautiful--circumstances, and in the context of all we share in nature. The Georgics celebrates the crops, trees, and animals, and, above all, the human beings who care for them. It takes the form of teaching about this care: the tilling of fields, the tending of vines, the raising of the cattle and the bees. There's joy in the detail of Virgil's descriptions of work well done, and ecstatic joy in his praise of the very life of things, and passionate commiseration too, because of the vulnerability of men and all other creatures, with all they have to contend with: storms, and plagues, and wars, and all mischance.

From Thomas Jefferson's Monticello to Michelle Obama's White House organic garden, the image of America as a nation of farmers has persisted from the beginnings of the American experiment. In this rich and evocative collection of agrarian writing from the past two centuries, writers from Hector St. Jean de Crevecoeur to Wendell Berry reveal not only the great reach and durability of the American agrarian ideal, but also the ways in which society has contested and confronted its relationship to agriculture over the course of generations. Drawing inspiration from Virgil's agrarian epic poem, Georgics, this collection presents a complex historical portrait of the American character through its relationship to the land. From the first European settlers eager to cultivate new soil, to the Transcendentalist, utopian, and religious thinkers of the nineteenth century, American society has drawn upon the vision of a pure rural life for inspiration. Back-to-the-land movements have surged and retreated in the past centuries yet provided the agrarian roots for the environmental movement of the past forty years. Interpretative essays and a sprinkling of illustrations accompany excerpts from each of these periods of American agrarian thought, providing a framework for understanding the sweeping changes that have confronted the nation's landscape.

Playing the Farmer reinvigorates our understanding of Vergil’s Georgics, a vibrant work written by Rome’s premier epic poet shortly before he began the Aeneid. Setting the Georgics in the social context of its day, Philip Thibodeau for the first time connects the poem’s idyllic, and idealized, portrait of rustic life and agriculture with changing attitudes toward the countryside in late Republican and early Imperial Rome. He argues that what has been seen as a straightforward poem about agriculture is in fact an enchanting work of fantasy that elevated, and sometimes whitewashed, the realities of country life. Drawing from a wide range of sources, Thibodeau shows how Vergil’s poem reshaped agrarian ideals in its own time, and how it influenced Roman poets, philosophers, agronomists, and orators. Playing the Farmer brings a fresh perspective to a work that was praised by Dryden as "the best poem by the best poet."

Virgil's "Georgics "is a paean to the earth and all that grows and grazes there. It is an ancient work, yet one that speaks to our times as powerfully as it did to the poet's. This unmatched translation presents the poem in an American idiom that is elegant and sensitive to the meaning and rhythm of the original. Janet Lembke brings a faithful version of Virgil's celebratory poem to modern readers who are interested in classic literature and who relish reading about animals and gardens.