Ghost Stories Of Venice

Ghost stories of the Venice, Fl, region with enough history to set the story. Venice was a John Nolen planned community dating to 1925-26. The "Ghosts" represent the years since then and include the days when the Ringling Bros. Circus wintered in Venice. Each story was related by the person who witnessed the ghost or was told about the ghosts.

Includes touching stories of treasured pets who return to comfort their grieving owners and warn them of imminent danger, fire, or intruders. This book also includes many more supernatural experiences and encounters with beloved pets that simply cannot be explained away.

A present contains a monstrous secret. An uninvited guest haunts a Christmas party. A shadow slips across the floor by firelight. A festive entertainment ends in darkness and screams. Who knows what haunts the night at the dark point of the year? This collection of seasonal chillers looks beneath Christmas cheer to a world of ghosts and horrors, mixing terrifying modern fiction with classic stories by masters of the macabre. From Neil Gaiman and M. R. James to Muriel Spark and E. Nesbit, there are stories here to make the hardiest soul quail - so find a comfy chair, lock the door, ignore the cold breath on your neck and get ready to welcome in the real spirits of Christmas.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

A crumbling palazzo in nineteenth-century Venice holds a buried secret. After she nearly ruins her family with a terrible misstep, Elena Spira is sent to Venice to escape disgrace and to atone by caring for the ailing Samuel Farber. But the crumbling and decaying Ca' Basilio palazzo, where Samuel is ensconced, holds tragic secrets, and little does Elena know how profoundly they will impact her. Soon she begins to sense that she is being watched by something. And when Samuel begins to have hallucinations that make him violent and unpredictable, she can't deny she's in mortal danger. Then impoverished nobleman Nero Basilio, Samuel's closest friend and the owner of the palazzo, arrives. Elena finds herself entangled with both men in a world where the past seeps into the present and nothing is as it seems. As Elena struggles to discover the haunting truth before it destroys her, a dark force seems to hold Samuel and the Basilio in thrall--is it madness, or something more sinister?

The author of The Woman in Black returns to the realm of supernatural hauntings in a tale that “chills the blood gently like fine wine” (The Guardian, UK). When Oliver returns to Cambridge, he makes sure to pay a visit to his former professor, now retired and living in a small college apartment. Oliver can’t help but notice a peculiar painting on the wall; a mysterious depiction of masked revelers at the Venice carnival. Yet in the foreground, there is an anachronistically modern figure. On this cold winter’s night, the old professor has decided to reveal the painting’s eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.

Jasmine, a young anthropology student arrives in Venice, Italy, to research ghost stories. She meets a mysterious young woman who is trapped in a world as ancient and violent as any ghost story. Jasmine starts to help her new friend to escape her mausoleum of a life, and the man who is her beguiling tormentor, but gradually she too starts to fall under his spell.