Ghosts Of Passion

The question of what caused the Spanish Civil War (1936–39) is the central focus of modern Spanish historiography. In Ghosts of Passion, Brian D. Bunk argues that propaganda related to the revolution of October 1934 triggered the broader conflict by accentuating existing social tensions surrounding religion and gender. Through careful analysis of the images produced in books, newspapers, posters, rallies, and meetings, Bunk contends that Spain’s civil war was not inevitable. Commemorative imagery produced after October 1934 bridged the gap between rhetoric and action by dehumanizing opponents and encouraging violent action against them. In commemorating the uprising, revolutionaries and conservatives used the same methods to promote radically different political agendas: they deployed religious imagery to characterize the political situation as a battle between good and evil, with the fate of the nation hanging in the balance, and exploited traditional gender stereotypes to portray themselves as the defenders of social order against chaos. The resulting atmosphere of polarization combined with increasing political violence to plunge the country into civil war.

The themes in this fabulous book range from young and tender love to old and bitter hatreds. From the misery of bed-sit poverty of London in the 1960s to the power of immense wealth in the 1990s. AN ENGLISH-AMERICAN LOVE STORY; set in London, Massachusetts, Paris and Stockholm.

Janice M. Del Negro's unique storyteller's voice enlivens this collection of eight original tales about strong, resolute females.

A delightful, funny story of friendship, ghost chores, a spooky house and a professional haunter. Meet Sir Simon, Super Scarer. He's a professional ghost who has been transferred to his first house. And just in time! He was getting tired of haunting bus stops and forests and potatoes. And to top it off, this house is occupied by an old lady -- they're the easiest to haunt! But things don't go as planned when it turns out a KID comes with this old lady. Chester spots Simon immediately and peppers him with questions. Simon is exasperated. . . until he realizes he can trick Chester into doing his ghost chores. Spooky sounds, footsteps in the attic, creaks on the stairs -- these things don't happen on their own, you know! After a long night of haunting, it seems that maybe Chester isn't cut out to be a ghost, so Simon decides to help with Chester's human chores. Turns out Simon isn't cut out for human chores either. But maybe they're both cut out to be friends . . .

When Indonesia becomes a dangerous place for the LGBTQ+ community, Ghost and her family are forced to leave their home and escape to freedom in Canada. Ghost's Journey is inspired by the true story of two gay refugees, Rainer and Eka, and their cat Ghost, with illustrations created from Rainer's photographs. Written by award-winning author, Robin Stevenson, Ghost's Journey is a perfect fit to teach young audiences about family diversity, human rights, and social justice.

A respectable marriage reveals private passions and dangerous secrets in this “sensual and intriguing” Victorian romance (Publishers Weekly). Lucy Ashton had long ago given up her quest for true love. Instead, she plays the expected role of a society lady: flirting, dancing, and dabbling in the new fashion of spiritualism. She even marries when—and who—she’s supposed to. If the stuffy Duke of Sussex cannot spark the passion she craves, he can at least give her a family and a home of her own. But when her polite marriage reveals a caring and sensual man, Lucy begins to wonder if she can indeed have it all. As a member of a secretive organization, Lord Sussex is not the man London society has come to admire. Meanwhile, Lucy harbors a few troublesome ghosts of her own. Thus, when a blackmail scheme turns to threats of danger, the newfound peace of the Sussex marriage is cast upon the rocks. Passion has a price, Lucy learns. And not all ghosts stay buried.

This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write ‘life itself.’ Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of ‘life itself,’ an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the ‘hospitable’ space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.