Giambattista Tiepolo 1696 1770

Published in conjunction with an exhibit which opened in Venice in 1996 and at the Metropolitan Museum of Art in New York during the first part of 1997. The exhibit organizers aimed to show Tiepolo as one of the presiding geniuses of the European imagination. In essays and entries on every work shown, the text illuminates his formation; his mastery of mythological and poetic subjects; his religious pictures; his excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas--small- scale sketches--to large canvases and frescoes. Beautifully produced, the volume makes a stunning impact, and will have to suffice for those who can't make it to the exhibit itself. Distributed by Abrams. 10x12"Annotation copyrighted by Book News, Inc., Portland, OR

This volume, which accompanies the tricentenary exhibition of Tiepolo's work held at the Museo del Settecento Veneziano, Ca' Rezzonico in Venice and The Metropolitan Museum of Art in New York, explores the various aspects of Tiepolo's artistic production. In essays and in entries on every work shown, eight American and European authorities illuminate his formation (still poorly understood); his mastery of mythological and poetic subjects; his deeply moving religious pictures; his rare excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas - realized in dazzling small-scale oil sketches - to large canvases and frescoes. Written for the scholar and general reader alike, these texts are lavishly supported by illustrations of Tiepolo's works and those of his predecessors and contemporaries. A documented chronology of Tiepolo's life and art, detailed provenances, references, and a bibliography are provided.

Giambattista Tiepolo (1696-1770) was the greatest Italian painter of the eighteenth century, best known for his monumental frescoes and epic altarpieces. The scale of these paintings is immense, even overpowering. Yet some of Tiepolo's finest work can be found in the small oil sketches that he often made in preparation for these grand commissions. Published to coincide with an exhibition at the J. Paul Getty Museum, Giambattista Tiepolo: Fifteen Oil Sketches brings together a group of the artist's oil sketches from the Courtauld Institute in London that spans his entire career and reveals the amazing confidence and fluidity with which he created these paintings. The unusual intimacy of these preparatory sketches-made directly on the canvas with no preliminary underdrawing-reveals a great artist's vigorous imagination at work. The exhibit will run from May 3, 2005, to September 4, 2005. An introductory essay situates these works within the context of eighteenth-century art and Tiepolo's life and career.

This is the first work to concentrate on the great religious paintings of Giambattista Tiepolo (1696-1770), who produced some of the most ravishing devotional images in Western Art. Scrutinizing both iconography and technique, Barcham shows that Tiepolo's religious art represented the ultimate artistic embodiment of the Venetian Republic's sentiments in that it expressed Venetian patriotism, tradition, and national identity.

Celebrating the 300th anniversary of the birth of the Venetian painter, draftsman, and printmaker Giambattista Tiepolo (1696-1770), this volume brings together the paintings, drawings, and prints of Giambattista and his two sons, Domenico and Lorenzo Tiepolo that are preserved in Dutch collections -- including the rich holdings of the Rijksmuseum and the Institut Neerlandais in Paris. Together they do justice to the versatility and virtuosity of the Venetian master of the Baroque and his studio.

Giovanni Battista Tiepolo (1696 - 1770), also known as Gianbattista or Giambattista Tiepolo, was an Italian painter and printmaker from the Republic of Venice. He was prolific, and worked not only in Italy, but also in Germany and Spain.Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi and Francesco Guardi forms the traditional great Old Masters of that period.

The exhibition reunites surviving preparatory drawings and paintings, as well as documentary photos, for an extraordinary lost fresco cycle by the Venetian painter Giambattista Tiepolo (1696-1770). The frescos were painted for Palazzo Archinto in Milan and destroyed in a bombing of the city during World War II.