Giorgio Vasari S Teachers

This book examines the artistic, cultural, and historical influence of Giorgio Vasari's teachers, mentors, and patrons on his sacred and profane paintings. As a Maniera artist, Vasari learns to admire and assimilate the art of the ancient masters. With the guidance of Dante's literary writings and Marsilio Ficino's Neoplatonic philosophy, Vasari reveals a moral and didactic vision in his art. Additionally, Vasari's artistic patronage is influenced by the political views of Niccolò Machiavelli. In the integration of both ancient art and myths with the didactic legacy of biblical figures and moral personifications, Vasari manifests his artistic theory and symbolism in his sacred and profane paintings.

Giorgio Vasari was one of the few artists in the history of art who built, designed, and decorated his homes. This book is the first to focus on Vasari's decorative cycles for his homes in Arezzo and Florence, revealing the significance of the artistic, cultural, and historical milieu of the sixteenth century. This study breaks new ground in two ways: First, in a personal and original manner, the imagery is related to Vasari's artistic ideas on history painting and the role of the artist. And second, Vasari's imagery portrays visual galleries applauding his teachers, antiquity and the creation of art.

Giorgio Vasari (1511-1574), Florentine painter, architect, art collector and writer, is best known for his Vite de' più eccellenti architetti, pittori et scultori italiani, da Cimabue insino a' tempi nostri (Lives of the Most Excellent Architects, Painters and sculptors of Italy, from Cimabue to our present time) which was first published in 1550. By virtue of this text, Vasari was knows as the "first art historian" since Pliny the Elder. This volume provides an opportunity to study and understand the art, theory, and visual culture of Giorgio Vasari and sixteenth century Italy. For the first time all of Vasari's Prefaces from the Lives of the Artists (1568) are included in the original Italian and in English translation. Through the eyes of Vasari, this book captures the creative achievements of his fellow artists--how they adopt nature and the classical tradition as their muses and how they ingeniously interpret the secular and religious themes of the past and present.

Traduzione in inglese delle tre introduzioni alle arti dell'architettura, scultura e pittura alle Vite di Giorgio Vasari.

One of the principal resources for study of Italian Renaissance art and artists, Vasari's Lives offers colorful, detailed portraits of the era's most representative figures. This single-volume edition spotlights 8 prominent artists.

Explores through keywords how Vasari's Lives is designed to address a variety of compelling, culturally determined ideas.

The fame and influence of Michelangelo Buonarroti (1475–1564) were as immediate as they were unprecedented. It is not surprising, therefore, that he was the only living artist Giorgio Vasari included in the first edition of Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550. Revised and expanded in 1568, Vasari’s monumental work comprises more than two hundred biographies; for centuries it has been recognized as a seminal text in art history and one of the most important sources on the Italian Renaissance. Vasari’s biography of Michelangelo, the longest in his Lives, presents Michelangelo’s oeuvre as the culminating achievement of Renaissance painting, sculpture, and architecture. He tells the grand story of the artist’s expansive career, profiling his working habits; describing the creation of countless masterpieces, from the David to the Sistine Chapel ceiling; and illuminating his relationships with popes and other illustrious patrons. A lifelong friend, Vasari also quotes generously from the correspondence between the two men; the narrative is further enhanced by an abundance of colorful anecdotes. The volume’s forty-two illustrations convey the range and richness of Michelangelo’s art. An introduction by the scholar David Hemsoll traces the textual development of Vasari’s Lives and situates his biography of Michelangelo in the broader context of Renaissance art history.