Girl Pages

An activist in the Girls Movement provides a unique resource that's chock-full of information to help girls develop their interests and skills and discover what they love.

When best friends Aggie and Fiona drift apart in fifth grade, Aggie grows to understand that fading friendships are normal, and she makes a new friend who shares more of her interests.

Despite numerous advancements and achievements across the world, the issue of women rights, equality, and safety continue to remain an unsolved issue. While women status varies widely across the globe, one common thread (among many others) that links women together is the issue of sexual abuse. This is a reality that exists in almost every nation, whether developed, developing, or underdeveloped. It also transcends religious boundaries. The other startling reality is that most women do not report sexual abuse due to various reasons and society at large tends to also pass judgments on women who speak up. The issue of sexual abuse is more complicated in our Indian society due largely due to the stigma attached to discussing sexual topics with our children or with other family members. Most often, the perpetrators of sexual abuse are either part of the extended family, friends, or acquaintances. This book aims to tackle these issues directly by sharing the author personal experiences and showcases the grit shown by her in overcoming trauma.

A contemporary classic, Good Night Stories for Rebel Girls reinvents fairy tales, inspiring girls with the stories of 100 heroic women. Readers will rule ancient Egypt with Cleopatra, make groundbreaking discoveries with Marie Curie, fly through the sky with Amelia Earhart, and defy gravity with Simone Biles. Illustrated by 60 female artists from every corner of the globe, this is the most funded original book in the history of crowdfunding. Plus, scannable codes inside unlock audio stories from the Rebel Girls app!

For fans of Ruta Septys and Monica Hesse comes a lush historical mystery set in post-World War II America against the flashy backdrop of Hollywood's film studios about a shocking murder that threatens to unearth the ghosts of a young German immigrant's past. Hollywood, 1946. The war is over, and eighteen-year-old Clara Berg spends her days shelving reels as a vault girl at Silver Pacific Studios, with all her dreams pinned on getting a break in film editing. That and a real date with handsome yet unpredictable screenwriter Gil. But when she returns a reel of film to storage one night, Clara stumbles across the lifeless body of a woman in Vault 5. The costume, the makeup, the ash-blond hair are unmistakable--it has to be Babe Bannon, A-list star. And it looks like murder. Suddenly Clara's world is in free-fall, her future in movies upended--not to mention that her refugee parents are planning to return to Germany and don't want her to set foot on the studio lot again. As the Silver Blonde murder ignites Tinseltown, rumors and accusations swirl. The studio wants a quick solve, but the facts of the case keep shifting. Nothing is what it seems—not even the victim. Clara finds herself drawn, inevitably, to the murder investigation, and the dark side of Hollywood. But how far is she willing to go to find the truth?

The first study of the role of the newspaperwoman in American literary culture at the turn of the twentieth century, this book recaptures the imaginative exchange between real-life reporters like Nellie Bly and Ida B. Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady. It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms. Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-novelists such as Willa Cather and Djuna Barnes, Jean Marie Lutes finds in women's journalism a rich and complex source for modern American fiction. Female journalists, cast as both standard-bearers and scapegoats of an emergent mass culture, created fictions of themselves that far outlasted the fleeting news value of the stories they covered. Front-Page Girls revives the spectacular stories of now-forgotten newspaperwomen who were not afraid of becoming the news themselves—the defiant few who wrote for the city desks of mainstream newspapers and resisted the growing demand to fill women's columns with fashion news and household hints. It also examines, for the first time, how women's journalism shaped the path from news to novels for women writers.

#1 NEW YORK TIMES BESTSELLER "A haunting, beautiful, and necessary book."—Nicola Yoon, #1 New York Times bestselling author of Everything, Everything Charlotte Davis is in pieces. At seventeen she’s already lost more than most people do in a lifetime. But she’s learned how to forget. The broken glass washes away the sorrow until there is nothing but calm. You don’t have to think about your father and the river. Your best friend, who is gone forever. Or your mother, who has nothing left to give you. Every new scar hardens Charlie’s heart just a little more, yet it still hurts so much. It hurts enough to not care anymore, which is sometimes what has to happen before you can find your way back from the edge. A deeply moving portrait of a girl in a world that owes her nothing, and has taken so much, and the journey she undergoes to put herself back together. Kathleen Glasgow's debut is heartbreakingly real and unflinchingly honest. It’s a story you won’t be able to look away from. And don’t miss Kathleen Glasgow's novels You’d Be Home Now and How to Make Friends with the Dark, both raw and powerful stories of life.