Girl Walks Out Of A Bar

Lisa Smith was a bright, young lawyer at a prestigious firm in NYC in the early nineties when alcoholism started to take over her life. What was once a way of escaping her insecurity and negativity became a means of coping with the anxiety and stress of an impossible workload. Girl Walks Out of a Bar is Smith's darkly comic and wrenchingly honest story of her formative years, the decade of alcohol and drug abuse, divorce, and her road to recovery. Smith describes how her spiraling circumstances conspired with her predisposition to depression and self-medication, nurturing an environment ripe for addiction to flourish. Girl Walks Out of a Bar is a candid portrait of alcoholism through the lens of gritty New York realism. Beneath the façade of success lies the reality of addiction.

The former Saturday Night Live comedienne recounts her midlife career slump, long-distance relationship, and unplanned motherhood, which culminated in uproarious childcare activities and the bewilderment of friends and family members.

From the glittering skyscrapers of Manhattan’s media elite to the slacker haven of a fashionably low-rent L.A. bar, Strawberry Saroyan traces her journey from girl- to womanhood, as well as from fantasy to reality. A powerful and profoundly postmodern coming-of-age story, with a voice reminiscent of Liz Phair’s one moment and Mary McCarthy’s the next, Girl Walks into a Bar explores Saroyan’s struggle not only with who she is and who she wants to be but also with who she is in the context of what she’s supposed to embody: the iconic, media-promulgated “girl,” a twenty-first-century version of Audrey Hepburn standing outside Tiffany’s looking at diamonds. Girl Walks into a Bar takes a handful of the most striking and formative episodes of Saroyan’s life and brings them to the page as a filmmaker might, zooming in on the crucial “scenes”: Saroyan losing her virginity, starting her own riot-grrrly magazine, falling in dysfunctional love. Yet all the while she’s trailed by that other black-clad girl, the Platonic ideal of so many modern young women’s fantasies. Will the two ever meet? That question lies at the heart of Saroyan’s genre-bending memoir. Girl Walks into a Bar promises to be one of the most memorable debuts of the year.

Three years after giving up drink, Jowita Bydlowska found herself throwing back a glass of champagne like it was ginger ale. "It's a special occasion," she said to her boyfriend. And indeed it was. It was a party celebrating the birth of their first child. It also marked Jowita's immediate, full-blown return to alcoholism and all that entails for a new mother who is at first determined to keep her problem a secret. Her trips to liquor stores are in-and-out missions. Perhaps she's being paranoid, but she thinks people tend to notice the stroller. Walking home, she stays behind buildings, in alleyways, taking discreet sips from a bottle she's stored in the diaper bag. She know she's become a villain: a mother who drinks; a mother who endangers her child. She drinks to forget this. And then the trouble really starts. Jowita Bydlowska's memoir of her relapse into addiction is an extraordinary achievement. The writing is raw and immediate. It places you in the moment--saddened, appalled, nerve-wracked, but never able to look away or stop turning the pages. With brutal honesty, Bydlowska takes us through the binges and blackouts, the self-deception and less successful attempts to deceive others, the humiliations and extraordinary risk-taking. She shines a light on the endless hunger of wanting just one more drink, and one more again, while dealing with motherhood, anxiety, depression--and rehab. Her struggle to regain her sobriety is recorded in the same unsentimental, unsparing, sometimes grimly comic way. But the happy outcome is evidenced by the existence of this brilliant book: she has lived to tell the tale.

How will your night out end? You make the rules. You're at one of the hottest bars in town, all dressed up for a fabulous girls' night out with your best friend, when she cancels. What do you do now? In this novel, YOU make the decisions. Will you do body shots with a rock star? Cozy up to the hot bartender? Follow a mysterious woman to a rather unusual exhibition? Investigate a suave millionaire's box of tricks? Take a joyride with a buff bodyguard? Or maybe what you want is closer to home than you realize. . . . So many options. . . . All you have to do is choose.

Fifteen million Americans a year are plagued with alcoholism. Five million of them are women. Many of them, like Caroline Knapp, started in their early teens and began to use alcohol as "liquid armor," a way to protect themselves against the difficult realities of life. In this extraordinarily candid and revealing memoir, Knapp offers important insights not only about alcoholism, but about life itself and how we learn to cope with it. It was love at first sight. The beads of moisture on a chilled bottle. The way the glasses clinked and the conversation flowed. Then it became obsession. The way she hid her bottles behind her lover's refrigerator. The way she slipped from the dinner table to the bathroom, from work to the bar. And then, like so many love stories, it fell apart. Drinking is Caroline Kapp's harrowing chronicle of her twenty-year love affair with alcohol. Caroline had her first drink at fourteen. She drank through her yeras at an Ivy League college, and through an award-winning career as an editor and columnist. Publicly she was a dutiful daughter, a sophisticated professional. Privately she was drinking herself into oblivion. This startlingly honest memoir lays bare the secrecy, family myths, and destructive relationships that go hand in hand with drinking. And it is, above all, a love story for our times—full of passion and heartbreak, betrayal and desire—a triumph over the pain and deception that mark an alcoholic life. Praise for Drinking “Quietly moving . . . Caroline Knapp dazzles us with her heady description of alcohol's allure and its devastating hold.”—Los Angeles Times Book Review “Filled with hard-won wisdom . . . [a] perceptive and revealing book.”—San Francisco Chronicle “Eloquent . . . a remarkable exercise in self-discovery.”—The New York Times “Drinking not only describes triumph; it is one.”—Newsweek

It's the future. But only slightly. There are blackouts. No one knows what's causing them, but that doesn't stop people going missing in them. Now Steph and Bell, a schoolgirl and barmaid, have to search for their missing friend, until the outside world starts infecting the theatre that stands around them. Schoolgirl Steph walks into the seedy, empty bar where Bell works. Bell is dressed with everything short and low, and there are no longer any regulars at her bar. Whatever has happened to create this dystopian world remains a mystery, but we learn that there are frequent blackouts, people regularly go missing and women are being killed. Steph is looking for her friend Charlotte, a girl who also at some point walked into Bell's bar but then went missing. The relationship between Bell and Charlotte is unclear, as her conversations with Steph shift between truth, lies and fantasy. In this tense atmosphere, where there is a sense of growing fear, the play "forces the audience to turn detective not just to track down the elusive Charlotte but also to find meaning itself" (The Guardian). A Girl in a School Uniform (Walks into a Bar) is the third play by award-winning playwright Lulu Raczka and was produced at the West Yorkshire Playhouse in 2017 and the New Diorama Theatre in 2018.

“A game-changing look at one of our culture’s hidden problems. . . . Honest, brave and inspirational.” — Margaret Trudeau Over the past few decades, the feminist revolution has had enormous ramifications. Women outnumber their male counterparts in postsecondary education in most of the developed world and are about to do the same in the workplace. But what has not been fully documented or explored is that while women have gained equality in many arenas, they have also begun to close the gender gap on risky drinking. Binge drinking among women is on the rise, contributing exponentially to a wide array of health issues—a problem exacerbated by the alcohol industry itself. Battling for women’s dollars and leisure time, corporations have developed marketing strategies and products targeted exclusively to women. Girls’ Night Out wines, MommyJuice and Mommy’s Time Out, and berry-flavoured vodkas and fruit coolers are all aimed at the female consumer. Award-winning journalist Ann Dowsett Johnston illuminates this startling trend; dissects the psychological, social and financial factors that have contributed to its rise; and explores its long-lasting impact on our society and individual lives, including her own. In the bestselling Drink, she interweaves in-depth research and interviews with leading researchers with the moving story of her own struggle with alcohol, as well as those of many other women, from age seventeen to seventy. The result is an unprecedented and bold inquiry that is both informative and shocking.