Give Me The Money And I Ll Shoot

The must-have guide to traditional, emerging and creative TV funding models that are being developed and exploited by social media-savvy documentary filmmakers. Each chapter covers a different form of funding and combines advice from industry insiders - producers, buyers, specialist media agencies and corporate funding bodies - and entertaining case studies that illustrate the benefits and pitfalls of each method. With practical tips, case studies and advice it reveals what grantors, brands and NGOs are looking for in a pitch (they all have different needs and expectations), and the cultural differences that can trip up the unwary producer. Funding examples range from blue-chip TV documentaries, such as Planet Earth, which was co-funded by the BBC, Discovery NHK and CBC to The TV Book Club (More 4), which is funded by Specsavers opticians; to Lemonade Movie, which harnessed the power of Twitter to source free equipment and post-production resources. Readers will discover: the difference between co-productions, pre-sales and acquisitions; how to develop and pitch advertiser funded programming; the new rules on product placement; where to hunt for foundation and grant funding and how to fill in those fiendish application forms; the power of crowd-funding and how to harness the internet; how to sniff out grants and funds held in non-film focused organisations such as the Wellcome Trust; why corporations are keen to fund your documentary and how to get them to part with their money without giving up your editorial control.

Cities are breeding grounds for possibilities… Almost anything and everyone has a chance to be good, bad, heroic, evil, mundane, and magical. And most things, and people, are hybrids. Consider the countless opportunities for people to develop unique, innovative solutions to their problems; consider the challenge of surviving in the chaos of a teeming city where survival is a challenge; consider the opportunities for complete failure; and consider the options available. The urban environment is not forgiving and you should count on survivors using whatever tools they have at hand. You even need to expect magic. Always expect magic, even if there might be a cruder, more expedient, more obvious way of doing things, because witches are people.

ICE COLD Trying to escape her overbearing mother, vintage kitchenware enthusiast and soon-to-be columnist Jaymie Leighton retreats to her family’s cottage on Heartbreak Island. While there she hopes to write an article about the Ice House restaurant, owned by good friends and neighbors, siblings Ruby and Garnet Redmond. Once an actual icehouse, the restaurant is charmingly decorated with antique tools of the trade, including a collection of ice picks. One night, while working on her article, Jaymie overhears an argument and, ever the sleuth, sets out to explore. But when she stumbles upon a dead body her blood runs cold. It’s Urban Dobrinskie, whose feud with the Redmonds is no secret, and he’s got an ice pick through his heart. Now Jaymie’s got to sharpen her sleuthing skills to chip away at the mystery and prove her neighbors’ innocence—before someone else gets picked off…

Here is a voice we have never heard--a voice full of poetry and rage, exploding onto the page with stunning urgency and force. Here is a story of several people, each of whom has private reasons for travelling to the Big Oakland Powwow. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life together after his uncle's death and has come to work at the powwow to honour his uncle's memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather, who has taught himself traditional Indian dance through YouTube videos and has come to the powwow to dance in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and unspeakable loss. Fierce, angry, funny, heartbreaking, There There is a relentlessly paced multi-generational story about violence and recovery, memory and identity, and the beauty and despair woven into the history of a nation and its people. An unforgettable debut.

Marq Wise is a talented, ambitious young writer with a good life, a gorgeous girlfriend -- and the inescapable feeling that something is missing. When he's offered a job at Fever, his favorite hip-hop magazine, Marq finally realizes just what that is. Now he can uncover the real, gritty stories -- unless his older brother, Dontay, a one-hit-wonder producer turned crack smoker, ruins everything first. As Marq immerses himself in his beloved hip-hop, his world slowly collides with Dontay's, and both begin to unravel. And the more Marq discovers about the gangsters and criminals who really run the rap game, the deeper and deadlier the danger. Black Will Shoot is a compelling look at the most impactful and influential American cultural movement of the past thirty years. Jesse Washington -- entertainment editor for the Associated Press and a former top editor at Vibe and Blaze magazines -- has written a fearless page-turner set amid the glories and evils of the rap world. His unique experience and sophisticated yet street-smart prose make this remarkable debut the first literary novel to truly capture the flavor, influence, and significance of the sound track to a generation.

In the spring of 1950, 17-year-old South Korean high school senior Won Moo Hurh dreamed of studying law at Seoul National University after graduation. His life changed irrevocably on June 25 when North Korean forces invaded his homeland. After less than three months of training, Hurh was commissioned as a second lieutenant in the Army of the Republic of Korea and sent to the front, where the casualty rate for such junior officers could reach 60 percent. In this exceptionally well written memoir, Hurh provides not only a descriptive chronicle of his wartime exploits, but also a social and psychological exploration of the absurdity of war in general. Hurh's vivid remembrances bring to life the "forgotten" Korean War from the viewpoint of a Korean officer, a perspective rarely available in English until now.

Life on the Vineyard is good. Maybe too good. The bluefish are running early, and there’s plenty of quality fishing time to be spent with ex-cop J.W. Jackson’s new baby son Joshua. But an idyllic summer hits a snag when a movie scout from Hollywood invades the beaches. Worse, a longtime nemesis turns up murdered just one day after he and J.W. come to blows, and Jackson is considered by nearly everyone to be the most likely suspect. If he hopes to spend the remainder of the season—as well as many others to come—enjoying simple family pleasures and fine, fresh seafood, J.W. will have to cast his line out and hook the real killer.