Give Me The Money And I Ll Shoot

The must-have guide to traditional, emerging and creative TV funding models that are being developed and exploited by social media-savvy documentary filmmakers. Each chapter covers a different form of funding and combines advice from industry insiders - producers, buyers, specialist media agencies and corporate funding bodies - and entertaining case studies that illustrate the benefits and pitfalls of each method. With practical tips, case studies and advice it reveals what grantors, brands and NGOs are looking for in a pitch (they all have different needs and expectations), and the cultural differences that can trip up the unwary producer. Funding examples range from blue-chip TV documentaries, such as Planet Earth, which was co-funded by the BBC, Discovery NHK and CBC to The TV Book Club (More 4), which is funded by Specsavers opticians; to Lemonade Movie, which harnessed the power of Twitter to source free equipment and post-production resources. Readers will discover: the difference between co-productions, pre-sales and acquisitions; how to develop and pitch advertiser funded programming; the new rules on product placement; where to hunt for foundation and grant funding and how to fill in those fiendish application forms; the power of crowd-funding and how to harness the internet; how to sniff out grants and funds held in non-film focused organisations such as the Wellcome Trust; why corporations are keen to fund your documentary and how to get them to part with their money without giving up your editorial control.

Cities are breeding grounds for possibilities… Almost anything and everyone has a chance to be good, bad, heroic, evil, mundane, and magical. And most things, and people, are hybrids. Consider the countless opportunities for people to develop unique, innovative solutions to their problems; consider the challenge of surviving in the chaos of a teeming city where survival is a challenge; consider the opportunities for complete failure; and consider the options available. The urban environment is not forgiving and you should count on survivors using whatever tools they have at hand. You even need to expect magic. Always expect magic, even if there might be a cruder, more expedient, more obvious way of doing things, because witches are people.

Marq Wise is a talented, ambitious young writer with a good life, a gorgeous girlfriend -- and the inescapable feeling that something is missing. When he's offered a job at Fever, his favorite hip-hop magazine, Marq finally realizes just what that is. Now he can uncover the real, gritty stories -- unless his older brother, Dontay, a one-hit-wonder producer turned crack smoker, ruins everything first. As Marq immerses himself in his beloved hip-hop, his world slowly collides with Dontay's, and both begin to unravel. And the more Marq discovers about the gangsters and criminals who really run the rap game, the deeper and deadlier the danger. Black Will Shoot is a compelling look at the most impactful and influential American cultural movement of the past thirty years. Jesse Washington -- entertainment editor for the Associated Press and a former top editor at Vibe and Blaze magazines -- has written a fearless page-turner set amid the glories and evils of the rap world. His unique experience and sophisticated yet street-smart prose make this remarkable debut the first literary novel to truly capture the flavor, influence, and significance of the sound track to a generation.

In the spring of 1950, 17-year-old South Korean high school senior Won Moo Hurh dreamed of studying law at Seoul National University after graduation. His life changed irrevocably on June 25 when North Korean forces invaded his homeland. After less than three months of training, Hurh was commissioned as a second lieutenant in the Army of the Republic of Korea and sent to the front, where the casualty rate for such junior officers could reach 60 percent. In this exceptionally well written memoir, Hurh provides not only a descriptive chronicle of his wartime exploits, but also a social and psychological exploration of the absurdity of war in general. Hurh's vivid remembrances bring to life the "forgotten" Korean War from the viewpoint of a Korean officer, a perspective rarely available in English until now.

Life on the Vineyard is good. Maybe too good. The bluefish are running early, and there’s plenty of quality fishing time to be spent with ex-cop J.W. Jackson’s new baby son Joshua. But an idyllic summer hits a snag when a movie scout from Hollywood invades the beaches. Worse, a longtime nemesis turns up murdered just one day after he and J.W. come to blows, and Jackson is considered by nearly everyone to be the most likely suspect. If he hopes to spend the remainder of the season—as well as many others to come—enjoying simple family pleasures and fine, fresh seafood, J.W. will have to cast his line out and hook the real killer.

Annotation Originally offered in two separate volumes, this staple of Georgetown University Press's world-renowned Arabic language program now handily provides both the English to Arabic and Arabic to English texts in one volume.

ICE COLD Trying to escape her overbearing mother, vintage kitchenware enthusiast and soon-to-be columnist Jaymie Leighton retreats to her family’s cottage on Heartbreak Island. While there she hopes to write an article about the Ice House restaurant, owned by good friends and neighbors, siblings Ruby and Garnet Redmond. Once an actual icehouse, the restaurant is charmingly decorated with antique tools of the trade, including a collection of ice picks. One night, while working on her article, Jaymie overhears an argument and, ever the sleuth, sets out to explore. But when she stumbles upon a dead body her blood runs cold. It’s Urban Dobrinskie, whose feud with the Redmonds is no secret, and he’s got an ice pick through his heart. Now Jaymie’s got to sharpen her sleuthing skills to chip away at the mystery and prove her neighbors’ innocence—before someone else gets picked off…

"The notion that the civil rights movement in the southern United States was a nonviolent movement remains a dominant theme of civil rights memory and representation in popular culture. Yet in dozens of southern communities, Black people picked up arms to defend their leaders, communities, and lives. In particular, Black people relied on armed self-defense in communities where federal government officials failed to safeguard activists and supporters from the violence of racists and segregationists, who were often supported by local law enforcement. In We Will Shoot Back: Armed Resistance in the Mississippi Freedom Movement, Akinyele Omowale Umoja argues that armed resistance was critical to the efficacy of the southern freedom struggle and the dismantling of segregation and Black disenfranchisement. Intimidation and fear were central to the system of oppression in Mississippi and most of the Deep South. To overcome the system of segregation, Black people had to overcome fear to present a significant challenge to White domination. Armed self-defense was a major tool of survival in allowing some Black southern communities to maintain their integrity and existence in the face of White supremacist terror. By 1965, armed resistance, particularly self-defense, was a significant factor in the challenge of the descendants of enslaved Africans to overturning fear and intimidation and developing different political and social relationships between Black and White Mississippians. This riveting historical narrative relies upon oral history, archival material, and scholarly literature to reconstruct the use of armed resistance by Black activists and supporters in Mississippi to challenge racist terrorism, segregation, and fight for human rights and political empowerment from the early 1950s through the late 1970s."--Publisher's website.