Giving The Devil His Due

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Flannery O'Connor and Fyodor Dostoevsky shared a deep faith in Christ, which compelled them to tell stories that force readers to choose between eternal life and demonic possession. Their either-or extremism has not become more popular in the last fifty to a hundred years since these stories were first published, but it has become more relevant to a twenty-first-century culture in which the lukewarm middle ground seems the most comfortable place to dwell. Giving the Devil His Due walks through all of O'Connor's stories and looks closely at Dostoevsky's magnum opus The Brothers Karamazov to show that when the devil rules, all hell breaks loose. Instead of this kingdom of violence, O'Connor and Dostoevsky propose a kingdom of love, one that is only possible when the Lord again is king.

Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction) The first collection of essays to address Satan’s ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind’s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers’ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the “prince of darkness” merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary’s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O’Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock

When Rowland Sinclair is invited to take his yellow Mercedes onto the Maroubra Speedway, popularly known as the Killer Track, he agrees without caution or reserve. But then people start to die... The body of a journalist covering the race is found in a House of Horrors, an English blueblood with Blackshirt affiliations is killed on the race track... and it seems that someone has Rowland in their sights. A strange young reporter preoccupied with black magic, a mysterious vagabond, an up-and-coming actor by the name of Flynn, and ruthless bookmakers all add mayhem to the mix. With danger presenting at every turn, and the brakes long since disengaged, Rowland Sinclair hurtles towards disaster with an artist, a poet and brazen sculptress along for the ride.

Despite his often-unacknowledged influence, academics, intellectuals, and the general audience in America and abroad still read Leslie Fiedler’s work and draw on its concepts. He inspired both reverence (Leonard Cohen penned: "leaning over the American moonlight / like the shyest gargoyle / who will not become angry or old") and rage (Saul Bellow called him "the worst fucking thing that ever happened to American literature"). The essays in The Devil Gets His Due will reacquaint readers with the depth and breadth of Fiedler’s achievements. Tackling subjects ranging wildly from Dante, Ezra Pound, and Mary McCarthy to Rambo, Iwo Jima, and Jerry Lewis, these writings showcase Fiedler’s pioneering of an egalitarian canon that encompassed both "high" and popular literature, cinema, and history. As such, they show a powerful mind critiquing whole aspects of a culture and uncovering lessons therein that remain timely today. A lengthy introduction by Professor Samuele F. S. Pardini offers both context and history, with an in-depth profile of Fiedler and his career as both a literary critic and a public intellectual.

Leading philosopher of religion D. Z. Phillips examines the conceptual assumptions of atheistic thought.

DIVE INTO THE SANHEIM CHRONICLES: A Celtic legend and "The Legend of Sleepy Hollow" collide in The Sanheim Chronicles, a trilogy that deftly combines urban fantasy, mystery, and suspense. Book One, A Soul to Steal: "When I first downloaded 'A Soul to Steal' I had no idea I would get sucked into a series that would fire my imagination and twist mythologies so thoroughly." Book Two: Band of Demons, has earned rave reviews for its "plot twists that will leave you gasping for air." Book Three: Give the Devil His Due has been called "a masterfully crafted story" and a "stellar conclusion to one of the best trilogies I've ever read... I'm still reeling from the ending." "I am happy to cheer Mr. Blackwell on as he draws us into his supernatural thriller, The Sanheim Chronicles." -- Mark Metcalf, Actor (The Master, Buffy the Vampire Slayer) MORE ABOUT GIVE THE DEVIL HIS DUE, BOOK THREE OF THE SANHEIM CHRONICLES: The stunning conclusion to The Sanheim Chronicles trilogy... A Soul to Steal revealed an ancient Celtic myth in which a man and woman could gain tremendous power around Halloween, provided they faced and conquered their fears. Quinn O'Brion and Kate Tassel, two small-town journalists, became the Prince of Sanheim and used that power to defeat a serial killer. In Band of Demons, Quinn and Kate battled a new threat, two legendary creatures who had already destroyed everyone in their path. But Kate and Quinn's victory came at a heavy price. In Give the Devil His Due, Kate's only hope to save Quinn is to trust the man who took him from her. Don't miss the epic finale to the trilogy that has readers raving about its great characters, plot twists and deft combination of urban fantasy, mystery and suspense. The Lord Sanheim rules forever... "This third book in The Sanheim Chronicles is a masterfully crafted story that ties in all the pieces from the first two parts. Not only are Sanheim and his followers finally confronted face to face by Quinn and Kate, they are seen in a whole new light... or darkness depending on which side you are watching from." -- Indie Reader

This unique and authoritative dictionary contains over 1,100 of the most widely used proverbs in English and uses research from the Oxford English Corpus, the world's largest language databank. This edition has been revised and fully updated and includes numerous entirely new entries. It also features expanded coverage of foreign language proverbs currently in use in English. With an emphasis on examples of usage, including the earliest written evidence of its use, this A-Z guide provides a thorough - and fascinating - history for every entry. Arranged in A-Z format and with a useful thematic index, A Dictionary of Proverbs is ideal for browsing and perfectly suited for quick reference. Look up your old favourites, learn punchy new expressions to get your point across, and find the answer to that crossword clue. Seeing is believing: find proverbs relevant to every aspect of life in this entertaining and informative collection.