Glastonbury

A survey of the landed endowment of Glastonbury Abbey before 1066, with a history of its estates. The early history of the religious community at Glastonbury has been the subject of much speculation and imaginative writing, but there are few sources which genuinely further our knowledge of Glastonbury Abbey in the Anglo-Saxonperiod. This has resulted in a lack of serious historical research and hence the neglect of an important ecclesiastical establishment. This study brings together the evidence of royal and episcopal grants of land and combines it with material from Domesday Book, to produce a survey of the landed endowment of Glastonbury Abbey before 1066, and an analysis of the history of its Anglo-Saxon estates. Although there is too little data to formulate a complete account of the Abbey's early landholdings, the surviving evidence, collected together here, outlines a history for each place named in connection with the pre-Conquest religious house; in addition, each case helps to establish an overall framework for the life-cycle of the Anglo-Saxon estate, building on our understanding of actual conditions of tenure and of the various fortunes ecclesiastical land might experience. LESLEY ABRAMS is Lecturer in History, Brasenose College, and Fellow of Balliol College, Oxford University.

The essays in this volume, some reprinted in their original form and some extensively revised, are concerned with the Arthurian traditions associated with Glastonbury Abbey. Certain of the essays are analytic and others provide editions of hitherto unknown texts. They all examine ways in which legendary materials and historical facts interconnected in the process by which Glastonbury Abbey came to present itself, nationally and internationally, as the custodian of King Arthur's relics and the burial place of Joseph of Arimathea, and the importance, political and ecclesiastical, that it derived from the connection. Professor JAMES CARLEY is the author of Glastonbury Abbey: The Holy House at the Head of the Moors Adventurous and a past editor of Arthurian Literature. Topics: Glastonbury Legends (WATKIN, GRANSDEN), Legend of St Joseph of Glastonbury (LAGORIO), Guinevere at Glastonbury (WOOD), Vera Historia de Morte Arthuri (BARBER, LAPIDGE), Was Mordred buried at Glastonbury? (BARBER), Glastonbury in Welsh Vernacular Tradition (LLOYD-MORGAN), Second Exhumation of Arthur's Remains, 1278 (PARSONS), Abbey Memorial Plate (GOODALL), Arthur's Epitaph/s (CARLEY, BROWN, WRIGHT, WITHRINGTON), Hardyng and Holy Grail (KENNEDY, RIDDY), Henry V and Joseph of Arimathea's Bones, Holy Cross of Waltham at Montacute, Excavation of Arthur's Grave (CARLEY), Perlesvaus (Wells fragment), Quedam Narracio de nobili rege Arthuro, De Origine Gigantum (CARLEY, CRICK, EVANS), Glastonbury tablets (KROCHALIS), Relics in 14th Century (CARLEY, HOWLEY).

Sweeping through 1500 years of history, Glastonbury tells the story of Christianity in England--from the first confrontations between druids and Christians to the dissolution of the monasteries under Henry VIII.

Discussion of site and buildings, books and manuscripts, cultural life and traditions, from the earliest Anglo-Saxon period to the later middle ages.

A description of Glastonbury that remains one of the most evocative and poignant accounts of this wild yet holy place; a power center polarizing with distant Jerusalem and linking and harmonizing the Christian way with the primeval and pagan past of England.

The Holy Thorn of Glastonbury is the stuff that legends are made of. Stories grow on it like fruit and wrap around it like creepers. It’s a shape-shifter. It’s been Catholic, Protestant, Pagan, universal. It’s succoured royalty, loyalty, defiance and subversion. It’s been condemned as patriarchal and revered as a feminine spirit. It’s been harnessed by imperialists and peacemakers and nationalists and universalists. It’s stood for better times and better days. For Christmas cheer and better nature, for all trees and all nature, for peace and for hope. This book is the biography of a symbol. “surely the definitive work on its beloved and important subject” Ronald Hutton "permanently changes our understanding of the mutable mythos without undermining our heart-felt connection to it" Paul Weston "a gem of historical writing" Maria Nita, Material Religion "a coherent and gripping narrative" Charles Watkins, Journal of Historical Geography "If you care about Glastonbury's history, and the origins of its legends, you need this book" Yuri Leitch "utterly accessible, written with flow and humour, zest and zeal" Johanna van Fessem, Glastonbury Oracle "a fusion of critical acumen and human sympathy" Jeremy Harte, Fortean Times "an amazing story unfolds from a hugely impressive mass of sources" Robert Dunning, The Local Historian Adam Stout is a writer and historian, and has been a Visiting Research Fellow at the Universities of Wales, Leicester, Exeter and Southampton. He has written and lectured widely on the idea of Glastonbury.

THE SUNDAY TIMES BESTSELLER A BOOK OF THE YEAR PICK IN THE TIMES: 'Captivating' A ROUGH TRADE BOOK OF THE YEAR: 'In-depth and inspiring' 'Beautifully compiled ... the perfect festival experience' THE SUNDAY TIMES Glastonbury 50 is the authorised, behind-the-scenes, inside story of the music festival that has become a true global phenomenon. The story begins in 1970. The day after Jimi Hendrix's death... dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows. Fast forward through five tumultuous decades and the Eavis's vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million. Tickets sell out within minutes, the show is beamed live to more than 40 countries around the globe, and over 3 million people are registered to attend. Meanwhile, the bill has expanded to include big name performers, artists and designers from every branch of the creative arts. Glastonbury Festival is now the largest outdoor green fields event in the world. In their own words, Michael and Emily Eavis reveal the stories behind the headlines, and celebrate 50 years of history in the Vale of Avalon. They're joined by a host of big-name contributors from the world of music - among them Adele, JAY-Z, Dolly Parton, Chris Martin, Noel Gallagher, Lars Ulrich and Guy Garvey. They're joined by artists - Stanley Donwood, Kurt Jackson and many more. Writers - Caitlin Moran, Lauren Laverne, Billy Bragg - and by a host of photographers, from Seventies icon Brian Walker to rock and roll legends Jill Furmanovsky and Greg Williams. Together they bring you the magic that makes Glastonbury, Glastonbury.