Global Trends In Modern And Contemporary Islamic Art

A group of renowned scholars, collectors, artists, and curators grapple with the challenging notion of defining "Islamic art."

"The first monograph to successfully address the dual questions of the development of painting in the Islamic lands in the 19th and 20th centuries and the significance of an indigenous 20th-century artistic tradition . . . presents a lucid and objective discussion of provocative questions related to the evolution of contemporary painting from Islamic lands, including the role of colonial institutions, indigenous patronage, art education, and the formation of a national artistic identity."--Layla S. Diba, associate curator for Islamic art, Brooklyn Museum In this beautifully illustrated book, Wijdan Ali offers a historical survey of the development of modern painting in the Islamic world from the 19th century to the present. She provides background on dominant artistic traditions before 1900 as well as an evaluation of the loss of traditional aesthetics under the impress of Western culture. Ali also explores the persistence and reemergence of calligraphic art as an expression of national artistic identity, and hers is the first book to consider in depth the modern calligraphic school. Ali's account begins with a descriptive survey of the development of contemporary art in the heartland of Islam, from Morocco to Iran. Her discussion incorporates the historical, political, social, and economic factors that brought about artistic and aesthetic changes in the region. Building on this survey, she analyzes the factors behind the evolution of various styles of calligraphic art, their substyles and adherents, and their respective places within the contemporary calligraphic school. In an appendix, she provides biographical data on the most influential modern Islamic artists. More than 150 color and black-and-white photographs allow the reader to see and appreciate the beauty and importance of these works. While a few recent collection catalogs have hinted at the growing interest in the art of the Islamic world, Ali's study is by far the most comprehensive yet undertaken of Islamic art in the contemporary period. It will substantially expand the study and concept of "modern art" beyond the narrow province of American and western European schools and establish a broad foundation for future investigation of modern artistic movements in the Middle East. Wijdan Ali is a painter, art historian, and lecturer at the Institute of Diplomacy, Amman, Jordan. Her most recent publications are What Is Islamic Art? (1996) and Modern Art in Jordan (1996).

This volume gives voice to cultural institutions working with collections of Islamic art and material culture globally, including many from outside Western Europe and North America. The contributions inform a vibrant, ongoing global conversation around curatorship in this field, one that embraces the responsibilities, challenges and opportunities for those engaged in it. Contributors—including art historians, curators and education specialists—discuss curatorial methodologies in theoretical and practical terms, present new exhibitions of Islamic art and culture, and explore the role of educational and engagement practices related to Islamic collections and Muslim audiences.

"Islam & Art in the Modern World: A Contemporary Perspective" is an essential read for anyone looking to truly understand the intricate relationship between "Islam and art in the modern world". Written by Ahmer Sohail, a leading authority in the field of Islamic art, the book offers a comprehensive and in-depth examination of the cultural, historical, and societal factors that shape this relationship. The author's unique "art history and psychology" background provides a well-rounded perspective unmatched in the field. Through a thorough analysis of traditional and modern art forms found in Islamic art, as well as the impact of technology on it, the book offers valuable insights into the subject. It delves into the subject of Islamic art and its role in the preservation of cultural heritage, its future and the role of Islamic art in activism and social justice. The book also examines the globalisation of culture, the impact of Islamic art on pop culture, and the representation of women in contemporary Islamic art. The author's expertise and passion for the subject are evident throughout the book, making it a must-read for scholars, students, and art enthusiasts alike. The author's in-depth research and detailed analysis provide a comprehensive understanding of the intersection of Islam and art in the modern world. If you're looking to deepen your understanding of this complex and fascinating subject, "Islam & Art in the Modern World: A Contemporary Perspective" is the book for you.

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

This textbook provides readers with evocative and analytical accounts of social processes that are linked to globalization and connectivity, which includes a wide range of multi-centred connections in history, DNA analysis, technology, art, populism and political economy. Rather than globalization, Nederveen Pieterse focuses on connectivity. His approach to globalization differs from both structuralist accounts of the world-system, and the institutionally-centred focus of much work in international studies. This synthesis will provide a new resource to reconstruct theoretical approaches to globalization and global studies. Fluently written, clearly organized and with an interdisciplinary approach, the book will be accessible to upper division undergraduates and graduates in social sciences, including students and researchers from the fields of sociology, politics, political economy, development studies and international relations.

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)