Go Home

Gordon Korman’s uproarious, outrageous, and all-too-familiar summer camp adventure is BACK! Rudy Miller really isn’t into the whole camping thing. So when his parents send him to Camp Algonkian “for his own good” all he wants to do is go home. Rudy teams up with his cabin-mate Mike for a series of carefully planned — yet hilariously bungled — escape attempts. Unfortunately, their counsellor (and nemesis) Chip is as determined to keep them there as they are to get away. Rudy and Mike spend their days plotting, playing chess, and working off punishments for their failed escapes. Hmmm, maybe it isn’t such a bad way to spend the summer after all . . .

An anthology of Asian diasporic writers musing on the notion of “home.” “Bold and devastating . . . the very definition of reclamation.” —The International Examiner Asian diasporic writers imagine “home” in the twenty-first century through an array of fiction, memoir, and poetry. Both urgent and meditative, this anthology moves beyond the model-minority myth and showcases the singular intimacies of individuals figuring out what it means to belong. “The notion of home has always been elusive. But as evidenced in these stories, poems, and testaments, perhaps home is not so much a place, but a feeling one embodies. I read this book and see my people—see us—and feel, in our collective outsiderhood, at home.” —Ocean Vuong, New York Times-bestselling author of On Earth We’re Briefly Gorgeous “To be from nowhere is the state of Asian diaspora, but there is also a wild humor and imagination that comes from being underestimated, rarely counted, hardly seen. Here, we begin to draw the hopeful outlines of a collective history for those so disparate yet often lumped together.” —Jenny Zhang, author of My Baby First Birthday “Language allows for many homes, and perhaps the writers—and readers of the anthology too—will succeed in returning home, or finding a home, through these words.” —NPR.org “Effectively dismantling all sorts of stereotypes, Buchanan’s anthology gives voice to notions of identity, belonging and displacement that are much more vast, complex and textually rich than mere geography.” —Shelf Awareness “Revolutionary for all the iterations of ‘home’ it shows through fiction, poetry, and memoir, sure to provoke a full range of emotions to swoon and clutch in my chest.” —Literary Hub

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. In July 2013, the UK government arranged for a van to drive through parts of London carrying the message 'In the UK illegally? GO HOME or face arrest.' This book tells the story of what happened next. The vans were short-lived, but they were part of an ongoing trend in government-sponsored communication designed to demonstrate toughness on immigration. The authors set out to explore the effects of such performances: on policy, on public debate, on pro-migrant and anti-racist activism, and on the everyday lives of people in Britain. This book presents their findings, and provides insights into the practice of conducting research on such a charged and sensitive topic.

This emotional and inspiring account delves into the daily struggle with Alzheimers disease that Bill shared with his mother and explores how he learned to be an effective caregiver for her. He also provides advice on recognizing the early symptoms of Alzheimers, communicating compassionately with your loved one, making your caregiving experience easier, and coping with the emotional repercussions of the disease. Despite the terrible nature of Alzheimers, you can still connect on a deep emotional level with your loved one. Find out how Bill and his mother are continuing the fight and maintaining the special bond they have as mother and son in When I Go Home.

In 1990, Gerald Conaty was hired as senior curator of ethnology at the Glenbow Museum, with the particular mandate of improving the museum’s relationship with Aboriginal communities. That same year, the Glenbow had taken its first tentative steps toward repatriation by returning sacred objects to First Nations’ peoples. These efforts drew harsh criticism from members of the provincial government. Was it not the museum’s primary legal, ethical, and fiduciary responsibility to ensure the physical preservation of its collections? Would the return of a sacred bundle to ceremonial use not alter and diminish its historical worth and its value to the larger society? Undaunted by such criticism, Conaty oversaw the return of more than fifty medicine bundles to Blackfoot and Cree communities between the years of 1990 and 2000, at which time the First Nations Sacred Ceremonial Objects Repatriation Act (FNSCORA)—still the only repatriation legislation in Canada—was passed. “Repatriation,” he wrote, “is a vital component in the creation of an equitable, diverse, and respectful society.” We Are Coming Home is the story of the highly complex process of repatriation as described by those intimately involved in the work, notably the Piikani, Siksika, and Kainai elders who provided essential oversight and guidance. We also hear from the Glenbow Museum’s president and CEO at the time and from an archaeologist then employed at the Provincial Museum of Alberta who provides an insider’s view of the drafting of FNSCORA. These accounts are framed by Conaty’s reflections on the impact of museums on First Nations, on the history and culture of the Niitsitapi, or Blackfoot, and on the path forward. With Conaty’s passing in August of 2013, this book is also a tribute to his enduring relationships with the Blackfoot, to his rich and exemplary career, and to his commitment to innovation and mindful museum practice.

Wulgar Thorrason's inability to keep his lust under control earns him the ire of a Faery Princess, who sends him forward in time to modern-day Michigan to learn the difference between lust and love. There he meets Raven Harrison, a romance author. The petite beauty piques his lust, but he sees red when she scoffs at his tale of being a time-traveling Viking. Raven is blown over by the handsome and half-dressed man who comes out of nowhere. His sensuality sends a shiver of desire straight to her feminine core. However, his tale of being curse by a Faery leads her to believe he should be locked up for his own protection. Before she can suggest just that, someone begins shooting at them, and both she and the Viking are running for their lives. A circumstance that brings them closer in more ways than one, until their unknown assailant threatens Wulf's life. Now both must make decisions that could destroy their relationship before it gets off the ground'and before the Viking is snatched back to the past.

You Can Go Home Again opens with a story of growing up black in the hostile and segregated South, where even at nine years old, Dave already realizes a striking difference between how black and white people are treated. Daves parents are law-abiding citizens and God-fearing Christians, but this is still the era of segregation with its rampant racism, and a time when a black boy faces a dismal future. Determined to beat the odds, Dave holds tight to his dreams even while chafing against his loving but strict upbringing. As soon as hes old enough, he joins the Marines and begins to discover the world. Upon his return from Japan, he moves to Philadelphia and begins to discover life and learns the hard way that dreams dont always come true. You Can Go Home Again, Freds second book, is the prequel to his first book, The Delivery Man.