God As Symbol

Already hailed as a landmark in contemporary Catholic theology, Jesus Symbol of God surveys scriptural data, the key moments in the development of doctrine, and the distinctive horizons of our contemporary world to develop a comprehensive and systematic christology for our time. The task of christology is to explain what it means to say that Jesus is the bearer and revealer of God in the Christian community, the decisive mediation of God's salvation -- or, in other words, the symbol of God.

Much blood has been spilled and is still being spilled over the question, Is there such a thing as a true religion? To answer No, is to give up on religion. To answer Yes seems dangerous and naive. Yet there is a way of understanding religion that avoids the danger and is both emotionally and intellectually satisfying.

Although this work is written from a Christian viewpoint, it also presents the symbolic visions of the non-believer. The symbolic examination of God helps us to uncover what it means to be human, and where we are heading as a species. Symbols aid in conveying the abstract ideas that human languages are too limited to express. In the broadest sense, God symbolizes all the mysteries of existence. Any thinking person must ask the question, 'what is the ultimate significance of this frail and vulnerable flesh that clothes the human ego?' God symbolizes these important mysteries and beckons us to approach him for answers.

Jesus Symbol of God surveys scriptural data, the key moments in the development of doctrine, and the distinctive horizons of our contemporary world to develop a comprehensive and systematic christology for our time. The task of christology is to explain what it means to say that Jesus is the bearer and revealer of God in the Christian community, the decisive mediation of God's salvation--or, in other words, the symbol of God. Book jacket.

'A mere metaphor', 'only symbolic', 'just a myth' - these tell tale phrases reveal how figurative language has been cheapened and devalued in our modern and postmodern culture. In God and the Creative Imagination, Paul Avis argues the contrary: we see that actually, metaphor, symbol and myth, are the key to a real knowledge of God and the sacred. Avis examines what he calls an alternative tradition, stemming from the Romantic poets Blake, Wordsworth and Keats and drawing on the thought of Cleridge and Newman, and experience in both modern philosophy and science. God and the Creative Imagination intriguingly draws on a number of non-theological disciplines, from literature to philosophy of science, to show us that God is appropriately likened to an artist or poet and that the greatest truths are expressed in an imaginative form. Anyone wishing to further their understanding of God, belief and the imagination will find this an inspiring work.

Symbols of Jesus is a systematic theology focusing on what makes Jesus important in Christianity.

Roger Haight reflects on the foundations upon which all theological statements rest, exploring how theologians go about the task of theology. His goal is to provide the fundamental grounds for the retrieval of traditional doctrine in new creative interpretations that come to bear upon life in our world today. In a new Afterword, Haight looks ahead from his methodological principles here to their application in his acclaimed Jesus Symbol of God. Book jacket.

This book constitutes the first volume of a three-volume study of Christian testimonies to divine suffering: God's Wounds: Hermeneutic of the Christian Symbol of Divine Suffering, Divine Vulnerability and Creation. This study first develops an approach to interpreting the contested claims about the suffering of God. Thus, the larger study focuses its inquiry into the testimonies to divine suffering themselves, seeking to allow the voices that attest to divine suffering to speak freely, to discover and elucidate the internal logic or rationality of this family of testimonies, rather than defending these attestations against the dominant claims of classical Christian theism that have historically sought to eliminate such language altogether from Christian discourse about the nature and life of God. Through this approach this volume of studies into the Christian symbol of divine suffering then investigates the two major presuppositions that the larger family of testimonies to divine suffering normally hold: an understanding of God through the primary metaphor of love (God is love); and an understanding of the human as created in the image of God, with a life (though finite) analogous to the divine life--the imago Dei as love. When fully elaborated, these presuppositions reveal the conditions of possibility for divine suffering and divine vulnerability with respect to creation.