God Bless America Sheet Music

(Piano Vocal). An arrangement of Irving Berlin's beloved favorite for piano and voice with guitar chord frames.

(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.

After sitting in a drawer unused and unnamed for twenty years, Irving Berlin's "God Bless America" became the unofficial national anthem of the United States. From World War II battlefronts to professional baseball stadiums, and even the steps of the United States Capitol after the 9/11 attacks, "God Bless America" invokes a feeling of peace and unity in the hearts of many Americans. This captivating book takes its readers on a journey through time on the back of an immigrant's song that has comforted a nation during some of its most challenging times. Complete with easy-to-read sheet music kids can use to play the song, modern uses of the song, and information about the song's journey to fame, this book is sure to engage young readers.

A family of bears experiences America in an illustrated version of the classic song.

"God Bless America" is a song most Americans know well. It is taught in American schools and regularly performed at sporting events. After the attacks on September 11th, it was sung on the steps of the Capitol, at spontaneous memorial sites, and during the seventh inning stretch at baseball games, becoming even more deeply embedded in America's collective consciousness. In God Bless America, Sheryl Kaskowitz tells the fascinating story behind America's other national anthem. It begins with the song's composition by Irving Berlin in 1918 and first performance by Kate Smith in 1938, revealing an early struggle for control between composer and performer as well as the hidden economics behind the song's royalties. Kaskowitz shows how the early popularity of "God Bless America" reflected the anxiety of the pre-war period and sparked a surprising anti-Semitic and xenophobic backlash. She follows the song's rightward ideological trajectory from early associations with religious and ethnic tolerance to increasing uses as an anthem for the Christian Right, and considers the song's popularity directly after the September 11th attacks. The book concludes with a portrait of the song's post-9/11 function within professional baseball, illuminating the power of the song - and of communal singing itself - as a vehicle for both commemoration and coercion. A companion website offers streaming audio of recordings referenced in the book, links to videos of relevant performances, appendices of information, and an opportunity for readers to participate in the author's survey. Based on extensive archival research and fieldwork, God Bless America sheds new light on cultural tensions within the U.S., past and present, and offers a historical chronicle that is full of surprises and that will both edify and delight readers from all walks of life.

After Pearl Harbor, Tin Pan Alley songwriters rushed to write the Great American War Song—an "Over There" for World War II. The most popular songs, however, continued to be romantic ballads, escapist tunes, or novelty songs. To remedy the situation, the federal government created the National Wartime Music Committee, an advisory group of the Office of War Information (OWI), which outlined "proper" war songs, along with tips on how and what to write. The music business also formed its own Music War Committee to promote war songs. Neither group succeeded. The OWI hoped that Tin Pan Alley could be converted from manufacturing love songs to manufacturing war songs just as automobile plants had retooled to assemble planes and tanks. But the OWI failed to comprehend the large extent by which the war effort would be defined by advertisers and merchandisers. Selling merchandise was the first priority of Tin Pan Alley, and the OWI never swayed them from this course. Kathleen E.R. Smith concludes the government's fears of faltering morale did not materialize. Americans did not need such war songs as "Goodbye, Mama, I'm Off To Yokohama", "There Are No Wings On a Foxhole", or even "The Sun Will Soon Be Setting On The Land Of The Rising Sun" to convince them to support the war. The crusade for a "proper" war song was misguided from the beginning, and the music business, then and now, continues to make huge profits selling love—not war—songs.

(E-Z Play Today). 30 moving favorites in our world-famous E-Z Play notation: Abraham, Martin and John * Amazing Grace * America, the Beautiful * Count Your Blessings Instead of Sheep * Eternal Father, Strong to Save * From a Distance * Give Me Your Tired, Your Poor * God Bless America * I Believe * If I Had a Hammer * My Country, 'Tis of Thee (America) * Precious Lord, Take My Hand * The Star Spangled Banner * Stars and Stripes Forever * This Is My Country * This Land Is Your Land * United We Stand * You'll Never Walk Alone * and more.