God Crucified

God Crucified presents a new proposal for understanding New Testament Christology in its Jewish context. Using the latest scholarly discussion about the nature of Jewish monotheism as his starting point, Richard Bauckham builds a convincing argument that the early Christian view of Jesus' divinity is fully consistent with the Jewish understanding of God. Bauckham first shows that early Judaism had clear ways of distinguishing God absolutely from all other reality. When New Testament Christology is read with this Jewish context in mind, it becomes clear that early Christians did not break with Jewish monotheism; rather, they simply included Jesus within the unique identity of Israel's God. In the final part of the book Bauckham shows that God's own identity, in turn, is also revealed in the life, death, and exaltation of Jesus. Originating as the prestigious 1996 Didsbury Lectures, this volume makes a contribution to biblical studies that will be of interest to Jews and Christians alike.

This is Jurgen Moltmann's best and therefore most important book. He has substantially changed the central thrust of his theology without sacrificing its most vital element, its passionate concern for alleviation of the world's suffering. -Langdon Gilkey The Crucified God rewards, as it demands, the reader's patient and open-minded attention, for its theme is nothing other than the explosive presence of the sighting and liberating Spirit of God in the midst of human life. -The Review of Books and Religion

This book is a greatly revised and expanded edition of Richard Bauckham's acclaimed God Crucified: Monotheism and Christology in the New Testament (1999), which helped redirect scholarly discussion of early Christology.

The Carolingian 'Renaissance' of the late eighth and ninth centuries, in what is now France, western Germany and northern Italy, transformed medieval European culture. At the same time it engendered a need to ensure that clergy, monks and laity embraced orthodox Christian doctrine. This book offers a fresh perspective on the period by examining transformations in a major current of thought as revealed through literature and artistic imagery: the doctrine of the Passion and the crucified Christ. The evidence of a range of literary sources is surveyed - liturgical texts, poetry, hagiography, letters, homilies, exegetical and moral tractates - but special attention is given to writings from the discussions and debates concerning artistic images, Adoptionism, predestination and the Eucharist.

From its English publication in 1973, Jrgen Moltmanns The Crucified God garnered much attention, and it has become one of the seminal texts of twentieth-century theology. Following up on his groundbreaking Theology of Hope, The Crucified God established the cross as the foundation for Christian hope. Moltmanns dramatic innovation was to see the cross not as a problem of theodicy but instead as an act of ultimate solidarity between God and humanity. In this, he drew on liberation theology, and he was among the first to bring third-world theologies into a first-world context. Moltmann proposes that suffering is not a problem to be solved but instead that suffering is an aspect of Gods very being: God is love, and love invariably involves suffering. In this view, the crucifixion of Jesus is an event that affects the entirety of the Trinity, showing that The Crucified God is more than an arresting titleit is a theological breakthrough.

Drawing on philosophical analysis and historical-critical exegesis, this study sets out to clarify the Father's will for Christ and how it relates to his death on the cross. Then, after considering the theologies of Anselm and Peter Abelard, it argues for the recovery of the early Christian category of ransom.

A dramatic tension confronts every Christian believer and interpreter of Scripture: on the one hand, we encounter images of God commanding and engaging in horrendous violence: one the other hand, we encounter the non-violent teachings and example of Jesus, whose loving, self-sacrificial death and resurrection is held up as the supreme revelation of God’s character in the New Testament. How do we reconcile the tension between these seemingly disparate depictions? Are they even capable of reconciliation? Throughout Christian history, many different answers have been proposed, ranging from the long-rejected explanation that these contrasting depictions are of two entirely different ‘gods’ to recent social and cultural theories of metaphor and narrative representation. The Crucifixion of the Warrior God takes up this dramatic tension and the range of proposed answers in an epic constructive investigation. Over two volumes, renowned theologian and biblical scholar Gregory A. Boyd argues that we must take seriously the full range of Scripture as inspired, including its violent depictions of God. At the same time, we must take just as seriously the absolute centrality of the crucified and risen Christ as the supreme revelation of God. Developing a theological interpretation of Scripture that he labels a “cruciform hermeneutic,” Boyd demonstrates how Scripture’s violent images of God are completely reframed and their violence subverted when they are interpreted through the lens of the cross and resurrection. Indeed, when read through this lens, Boyd argues that these violent depictions can be shown to bear witness to the same self-sacrificial character of God that was supremely revealed on the cross.