God Space And City In The Roman Imagination

God, Space, and City in the Roman Imagination is a unique exploration of the relationship between the ancient Romans' visual and literary cultures and their imagination. Drawing on a vast range of ancient sources, poetry and prose, texts, and material culture from all levels of Roman society, it analyses how the Romans used, conceptualized, viewed, and moved around their city. Jenkyns pays particular attention to the other inhabitants of Rome, the gods, and investigates how the Romans experienced and encountered them, with a particular emphasis on the personal and subjective aspects of religious life. Through studying interior spaces, both secular (basilicas, colonnades, and forums) and sacred spaces (the temples where the Romans looked upon their gods) and their representation in poetry, the volume also follows the development of an architecture of the interior in the great Roman public works of the first and second centuries AD. While providing new insights into the working of the Romans' imagination, it also offers powerful challenges to some long established orthodoxies about Roman religion and cultural behaviour.

This book explores how public space in Republican Rome was an unstable category marked, experienced, and defined by multiple actors and audiences.

This volume uses the travels of Roman governors to explore how authority was defined in and by the public places of Greek cities. By demonstrating that the places where imperial officials and local notables met were integral to the strategies by which they communicated with one another, Greek Cities and Roman Governors sheds new light on the significance of civic space in the Roman provinces. It also presents a fresh perspective on the monumental cityscapes of Roman Asia Minor, epicenter of the greatest building boom in classical history. Though of special interest to scholars and students of Roman Asia Minor, Greek Cities and Roman Governors offers broad insights into Roman imperialism and the ancient city.

Edited by two pioneers in the field of sensory archaeology, this Handbook comprises a key point of reference for the ever-expanding field of sensory archaeology: one that surpasses previous books in this field, both in scope and critical intent. This Handbook provides an extensive set of specially commissioned chapters, each of which summarizes and critically reflects on progress made in this dynamic field during the early years of the twenty-first century. The authors identify and discuss the key current concepts and debates of sensory archaeology, providing overviews and commentaries on its methods and its place in interdisciplinary sensual culture studies. Through a set of thematic studies, they explore diverse sensorial practices, contexts and materials, and offer a selection of archaeological case-studies from different parts of the world. In the light of this, the research methods now being brought into the service of sensory archaeology are re-examined. Of interest to scholars, students and others with an interest in archaeology around the world, this book will be invaluable to archaeologists and is also of relevance to scholars working in disciplines contributing to sensory studies: aesthetics, anthropology, architecture, art history, communication studies, history (including history of science), geography, literary and cultural studies, material culture studies, museology, philosophy, psychology, and sociology.

Water is a global resource for modern societies - and water was a global resource for pre-modern societies. The many different water systems serving processes of urbanisation and urban life in ancient times and the Middle Ages have hardly been researched until now. The numerous contributions to this volume pose questions such as what the basic cultural significance of water was, the power of water, in the town and for the town, from different points of view. Symbolic, aesthetic, and cult aspects are taken up, as is the role of water in politics, society, and economy, in daily life, but also in processes of urban planning or in urban neighbourhoods. Not least, the dangers of polluted water or of flooding presented a challenge to urban society. The contributions in this volume draw attention to the complex, manifold relations between water and human beings. This collection presents the results of an international conference in Kiel in 2018. It is directed towards both scholars in ancient and mediaeval studies and all those interested in the diversity of water systems in urban space in ancient and mediaeval times.

This volume focuses on four cultural phenomena in the Roman world of the late Republic - the garden, a garden painting, tapestry, and the domestic caged bird. They accept or reject a categorisation as art in varying degrees, but they show considerable overlaps in the ways in which they impinge on social space. The study looks, therefore, at the borderlines between things that variously might or might not seem to be art forms. It looks at boundaries in another sense too. Boundaries between different social modes and contexts are embodied and represented in the garden and paintings of gardens, reinforced by the domestic use of decorative textile work, and replicated in the bird cage. The boundaries thus thematised map on to broader boundaries in the Roman house, city, and wider world, becoming part of the framework of the citizen's cognitive development and individual and civic identities. Frederick Jones presents a novel analysis that uses the perspective of cognitive development in relation to how elements of domestic and urban visual culture and the broader world map on to each other. His study for the first time understands the domestic caged bird as a cultural object and uniquely brings together four disparate cases under the umbrella of 'art'.

The issue of how to represent God is a concern both ancient and contemporary. In this wide-ranging and authoritative study, renowned biblical scholar Mark Smith investigates the symbols, meanings, and narratives in the Hebrew Bible, Ugaritic texts, and ancient iconography, which attempt to describe deities in relation to humans. Smith uses a novel approach to show how the Bible depicts God in human and animal forms—and sometimes both together. Mediating between the ancients’ theories and the work of modern thinkers, Smith’s boldly original work uncovers the foundational understandings of deities and space.

What kind of city was the Fascist 'third Rome'? Imagined and real, rooted in the past and announcing a new, 'revolutionary' future, Fascist Rome was imagined both as the ideal city and as the sacred centre of a universal political religion. Kallis explores this through a journey across the sites, monuments, and buildings of the fascist capital.