Gods And Cults In Scandinavian Rock Carvings

The Bronze Age in Scandinavia is a period of significant societal changes where religious cult activity thrived. The rock carvings scattered throughout the landscape hold incredible cultural value and perhaps the key to unlocking the mystery of the religion of the time. However, the absence of written sources and the complexities of interpretation have left much of the meaning shrouded in enigma. The author, inspired by the local rock carvings in Askim and around western Sweden, aims to unravel their secrets, particularly their religious significance to the Bronze Age peoples. Although the interpretations of rock carvings vary, the author aims to identify religious elements and provide a complementary picture of their connections and parallels to later religious practices. The book explores the development of worldview from the Bronze Age to the Viking Age mythology and examines whether there are traces of cultural and religious exchanges with other parts of the world. By comparing the petroglyphs with symbolism worldwide, the author shows the intimate relationship between spirituality, religion, society, and humans. The book serves as a testament to the afterworld, attempting to shed light on the enigmatic Scandinavian petroglyphs and archaeologists' interpretations of them. Despite extensive studies of the petroglyphs, the mysterious and arcane nature of these ancient carvings often leaves more questions than answers.

The Bronze Age in Scandinavia is a period of significant societal changes where religious cult activity thrived. The rock carvings scattered throughout the landscape hold incredible cultural value and perhaps the key to unlocking the mystery of the religion of the time. However, the absence of written sources and the complexities of interpretation have left much of the meaning shrouded in enigma. The author, inspired by the local rock carvings in Askim and around western Sweden, aims to unravel their secrets, particularly their religious significance to the Bronze Age peoples. Although the interpretations of rock carvings vary, the author aims to identify religious elements and provide a complementary picture of their connections and parallels to later religious practices. The book explores the development of worldview from the Bronze Age to the Viking Age mythology and examines whether there are traces of cultural and religious exchanges with other parts of the world. By comparing the petroglyphs with symbolism worldwide, the author shows the intimate relationship between spirituality, religion, society, and humans. The book serves as a testament to the afterworld, attempting to shed light on the enigmatic Scandinavian petroglyphs and archaeologists' interpretations of them. Despite extensive studies of the petroglyphs, the mysterious and arcane nature of these ancient carvings often leaves more questions than answers.

Social and behavioral scientists study religion or spirituality in various ways and have defined and approached the subject from different perspectives. In cultural anthropology and archaeology the understanding of what constitutes religion involves beliefs, oral traditions, practices and rituals, as well as the related material culture including artifacts, landscapes, structural features and visual representations like rock art. Researchers work to understand religious thoughts and actions that prompted their creation distinct from those created for economic, political, or social purposes. Rock art landscapes convey knowledge about sacred and spiritual ecology from generation to generation. Contributors to this global view detail how rock art can be employed to address issues regarding past dynamic interplays of religions and spiritual elements. Studies from a number of different cultural areas and time periods explore how rock art engages the emotions, materializes thoughts and actions and reflects religious organization as it intersects with sociopolitical cultural systems.

This book provides a general self-reflexive review and critical analysis of Scandinavian rock art from the standpoint of Chris Tilley’s research in this area over the last thirty years. It offers a novel alternative theoretical perspective stressing the significance of visual narrative structure and rhythm, using musical analogies, putting particular emphasis on the embodied perception of images in a landscape context. Part I reviews the major theories and interpretative perspectives put forward to understand the images, in historical perspective, and provides a critique discussing each of the main types of motifs occurring on the rocks. Part II outlines an innovative theoretical and methodological perspective for their study stressing sequence and relationality in bodily movement from rock to rock. Part III is a detailed case study and analysis of a series of rocks from northern Bohuslän in western Sweden. The conclusions reflect on the theoretical and methodological approach being taken in relation to the disciplinary practices involved in rock art research, and its future.

As in many other areas in south Scandinavia, the region surrounding the city of Simrishamn in south-east Scania has a great many Bronze Age mounds that are still visible in the landscape, and records from the museums demonstrate that the area is rich in bronze metalwork. Nevertheless, it is the figurative rock art that makes this region stand out as distinct from surrounding areas that lack such images. The rock art constitutes a spatially well-defined tradition that covers the Bronze Age and the earliest Iron Age, c. 1700-200 BC and, although the number of sites is comparatively small, a characteristic and unusual feature is the large representation of various kinds of metal axes. Significantly these images are tightly distributed inside the core zone of metal consumption in southernmost Scandinavia. This beautifully illustrated new addition to the Swedish rock Art series presents a detailed reassessment of the Simrishamn rock art and examines the close relationship between iconography displayed on metals and that found in rock art. in so doing it raises some important questions of principle concerning the current understanding of the south Scandinavian rock art tradition.

While there has always been a large public interest in ancient pictures painted or carved on stone, the archaeological study of rock art is in its infancy. But intensive amounts of research has revolutionized this field in the past decade. New methods of dating and analysis help to pinpoint the makers of these beautiful images, new interpretive models help us understand this art in relation to culture. Identification, conservation and management of rock art sites have become major issues in historical preservation worldwide. And the number of archaeologically attested sites has mushroomed. In this handbook, the leading researchers in the rock art area provide cogent, state-of-the-art summaries of the technical, interpretive, and regional advances in rock art research. The book offers a comprehensive, basic reference of current information on key topics over six continents for archaeologists, anthropologists, art historians, and rock art enthusiasts.

These sixteen articles, written by prominent Scandinavian scholars, take an interdisciplinary approach--combining Nordic archaeology, the history of religion, and Old Norse language and literature--to discuss common problems of sources and methods of interpretation.