Gods Spirits Ancestors

This book connects traditional religions to the thriving religious activity in Africa today.

The two primary elements were those of darkness and light: Sut was the power of darkness, Horus the power of light. In one representation the two elements were imaged by means of the black bird of Sut and the white bird, or golden hawk, of Horus. Thus we can identify two elemental powers, as old as night and day, which are primeval in universal mythology; and these two powers, or animistic souls, were divinized as the two gods Sut and Horus with the two birds of darkness and light, the black vulture and the gold hawk depicted back to back as their two representative types or personal totems. from Elemental and Ancestral Spirits, or The Gods and the Glorified It goes unappreciated by modern Egyptologists, but it is embraced by those who savor the concept of a hidden history of humanity, and those who approach all human knowledge from the perspective of the esoteric. Gerard Massey 's massive Ancient Egypt: The Light of the World first published in 1907 and the crowning achievement of the self-taught scholar redefines the roots of Christianity via Egypt, proposing that Egyptian mythology was the basis for Jewish and Christian beliefs. Here, Cosimo proudly presents Book 3 of Ancient Egypt, in which Massey explains how the original elemental spirits of early humans were transformed into deities, and how the concept of a soul developed from animalistic representations of natural forces. Peculiar and profound, this work will intrigue and delight readers of history, religion, and mythology. British author GERALD MASSEY (1828 1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including A Book of the Beginnings and The Natural Genesis.

There is an interesting knowledge trajectory that God remains incomprehensible, not imperceptible. This lends credence to the fact that religious study since the Enlightenment has dedicated itself almost entirely to the problem of reconciling the non-existence of God in the physical world with his necessary existence in the metaphysical world. When seriously examined, it would be discovered that these two aspects are logically contradictory, and this is a problem with no solution. But interpreting God not as a physical being but as a phenomenological thing changes the nature of the problem enough that a solution emerges almost automatically. In this phenomenological model, the crux of the matter is that God does not exist, but God is real. Therefore, it is imperative to return to experience and verifiability, hence, purging it of unexamined and often hidden assumptions. Phenomenological Approaches to Religion and Spirituality brings together the different disciplines and research approaches to provide a comprehensive analysis of the phenomenology of God and spirituality, as well as offering an effective epistemological apparatus capable of dealing with this concept. The book employs multidisciplinary approaches from religious studies, theology, philosophy, anthropology, and other segments to dissect the subject matter for efficient evaluation and all-inclusive findings. While covering various aspects of religion such as the testaments of the Bible, the church, the religious experience, and various aspects of spirituality, this book is intended for theologians, philosophers, religious leaders, policymakers, academicians, researchers, students, public institutions, and agencies with a special interest in religious matters, values, knowledge, and truth.

An exploration of the wild spirits that once roamed the lands and inhabited the waters and the pagan rites used to gain their good will • Explores medieval stories and folk traditions of brownies, fairies, giants, dragons, will-o’-the-wisps, and demons • Explains the specific rites performed to negotiate with the local spirits and ensure their permission before building on new land • Shows how these beliefs carried through to modern times, especially in architecture Our pagan ancestors knew that every forest has brownies and fairies, every spring its lady, and every river malevolent beings in its depths. They told tales of giants in the hills, dragons in the lakes, marshes swarming with will-o’-the-wisps, and demons and wild folk in the mountains who enjoyed causing landslides, avalanches, and floods. They both feared and respected these entities, knowing the importance of appeasing them for safe travel and a prosperous homestead. Exploring medieval stories, folk traditions, spiritual place names, and pagan rituals of home building and site selection, Claude Lecouteux reveals the multitude of spirits and entities that once inhabited the land before modern civilization repressed them into desert solitude, impenetrable forests, and inaccessible mountains. He explains how, to our ancestors, enclosing a space was a sacred act. Specific rites had to be performed to negotiate with the local spirits and ensure proper placement and protection of a new building. These land spirits often became the household spirit, taking up residence in a new building in exchange for permission to build on their territory. Lecouteux explores Arthurian legends, folk tales, and mythology for evidence of the untamed spirits of the wilderness, such as giants, dragons, and demons, and examines the rites and ceremonies used to gain their good will. Lecouteux reveals how, despite outright Church suppression, belief in these spirits carried through to modern times and was a primary influence on architecture, an influence still visible in today’s buildings. The author also shows how our ancestors’ concern for respecting nature is increasingly relevant in today’s world.

A brilliant and provocative exploration of the nature of human religious belief and what it can tell us about human psychology and evolution, in the tradition of Steven Pinker's "The Language Instinct.

Spirits in Culture, History and Mind reintegrates spirits into comparative theories of religion, which have tended to focus on institutionalized forms of belief associated with gods. It brings an historical perspective to culturally patterned experiences with spirits, and examines spirits as a locus of tension between traditional and foreign values. Taking as a point of departure shifting local views of self, nine case studies drawn from Pacific societies analyze religious phenomena at the intersection of social, psychological and historical processes. The varied approaches taken in these case studies provide a richness of perspective, with each lens illuminating different aspects of spirit-related experience. All, however, bring a sense of historical process to bear on psychological and symbolic approaches to religion, shedding new light on the ways spirits relate to other cultural phenomena.

Offerings of various kinds – food, incense, paper money and figures – have been central to Chinese culture for millennia, and as a public, visual display of spiritual belief, they are still evident today in China and in Chinatowns around the world. Using Hong Kong as a case study, Janet Scott looks at paper offerings from every conceivable angle – how they are made, sold, and used. Her comprehensive investigation touches on virtually every aspect of Chinese popular religion as it explores the many forms of these intricate objects, their manufacture, their significance, and their importance in rituals to honor gods, care for ancestors, and contend with ghosts. Throughout For Gods, Ghosts and Ancestors, paper offerings are presented as a vibrant and living tradition expressing worshippers' respect and gratitude for the gods, as well as love and concern for departed family members. Ranging from fake paper money to paper furniture, servant dolls, cigarettes, and toiletries – all multihued and artfully constructed – paper offerings are intended to provide for the needs of those in the spirit world. Readers are introduced to the variety of paper offerings and their uses in worship, in assisting worshippers with personal difficulties, and in rituals directed to gods, ghosts, and ancestors. We learn of the manufacture and sale of paper goods, life in paper shops, the training of those who make paper offerings, and the symbolic and artistic dimensions of the objects. Finally, the book considers the survival of this traditional craft, the importance of flexibility and innovation, and the role of compassion and filial piety in the use of paper offerings.