Going Dutch Gone American

Overzicht in woord en beeld.

This volume investigates the place of Dutch history and Dutch-derived culture in America over the last four centuries. It considers how the Dutch have fared in America, and it explores how American conceptions of Dutchness have developed, from Henry Hudson's historic voyage to Manhattan in 1609 through the rise of Dutch design at the turn of the twenty-first century. Essays probe a rich array of topics: Dutch themes in American arts and letters; the place of Dutch paintings in American collections; shifting American interests in Dutch art, literature, and architecture; the experience of Dutch immigrants in America; and the Dutch Reformed Church in America. "Going Dutch" presents a much needed overview of the Dutch-American experience from its beginnings to the present. Contributors include: Julie Berger Hochstrasser, Willem Frijhoff, Joyce D. Goodfriend, Hans Krabbendam, Joseph Manca, Nancy T. Minty, Mark A. Peterson, Christopher Pierce, Judith Richardson, Louisa Wood Ruby, Benjamin Schmidt, Robert Schoone-Jongen, Annette Stott, Tity de Vries, and Dennis P. Weller.

The Greek and Roman Musical Studies is the first and, at present, the only specialist periodical that publishes papers in the fields of ancient Greek and Roman music, including musical theory, musical archaeology and musical iconography in Classical antiquity, as well as on its reception in later times.

The uncomfortable contemporary realities of immigration, enmeshed as they are in economic, human rights, and national security issues, have once again propelled foreign immigration to the United States toward the top of the list of U.S. domestic policy concerns. Three respected authorities on immigration and international affairs here present a carefully calibrated history of U.S. immigration in primary source documents, tracing the roots of the current debate in the history of our profoundly divided and surprisingly cyclical response to foreign immigration. This book documents this national ambivalence, identifying the major waves of immigration and clarifying the ways in which the existing social and political fabric conditioned both the response to the newcomers and their prospects of eventual integration into American society. Part I introduces the historical record: • The early days of the Republic, when most immigrants arrived from northern Europe • The most important wave of immigration to the United States in the country's history, over 1880-1920, when most immigrants arrived from Asia or from southern and eastern Europe • Virulent post-World War I anti-immigration sentiment • The World War II-era absorption of huge numbers of displaced persons fleeing the misery and devastation of Europe • Transition from a quota system to a preference system • Heightened debate in the 1980s and 1990s • The immigration policy repercussions of the terrorist attacks of September 11, 2001 Part II takes up special issues in the contemporary immigration debate, including the security debate and immigration, immigration and the U.S. judiciary, the immigration debate and the economy, and the spectrum of public opinion on immigration revealed during the 2008 presidential election campaign. The authors demonstrate that today's highly polarized immigration reform debate in many respects recapitulates the antagonisms and chaotic policies of the 1980s and 1990s, when Ronald Reagan's Republican administration implemented an amnesty program while the state of California adopted the punitive Proposition 187. Paramount in today's immigration debate, however, are the homeland security concerns rendered acute by the 2001 bombing of the World Trade Center in New York City. The controversial USA PATRIOT Act of 2001 and the Homeland Security Act of 2002 are among the documents surveyed in relation to the contemporary immigration debate.

ONE OF ENTERTAINMENT WEEKLY’S 10 BEST DEBUT NOVELS OF THE YEAR “A charming, well-observed debut,” (NPR) featuring a gay male graduate student who falls for his brilliant female classmate, “you’ll tear through this tale of a thoroughly modern love triangle” (Entertainment Weekly). Exhausted by dead-end forays in the gay dating scene, surrounded constantly by friends but deeply lonely in New York City, and drifting into academic abyss, twenty-something graduate student Richard has plenty of sources of anxiety. But at the forefront is his crippling writer’s block, which threatens daily to derail his graduate funding and leave Richard poor, directionless, and desperately single. Enter Anne: his brilliant classmate who offers to “help” Richard write his papers in exchange for his company, despite Richard’s fairly obvious sexual orientation. Still, he needs her help, and it doesn’t hurt that Anne has folded Richard into her abundant lifestyle. What begins as an initially transactional relationship blooms gradually into something more complex. But then a one-swipe-stand with an attractive, successful lawyer named Blake becomes serious, and Richard suddenly finds himself unable to detach from Anne, entangled in her web of privilege, brilliance, and, oddly, her unabashed acceptance of Richard’s flaws. As the two relationships reach points of serious commitment, Richard soon finds himself on a romantic and existential collision course—one that brings about surprising revelations. “Intelligent, entertaining and elegantly written” (Adelle Waldman, author of The Love Affairs of Nathaniel P.) Going Dutch is an incisive portrait of relationships in an age of digital romantic abundance, but it’s also a heartfelt and humorous exploration of love and sexuality, and a poignant meditation on the things emotionally ravenous people seek from and do to each other. “This marvelously witty take on dating in New York City and the blurry nature of desire announces Gregor as a fresh, electric new voice” (Publishers Weekly, starred review).

A comprehensive history of bilateral relations between the Netherlands and the United States.

What to do and what not to do when traveling almost anywhere—an entertainment for the armchair or the intrepid traveler Why shouldn't you offer to pay for your share of the meal in China? Or use the thumbs-up sign to mean "that's excellent" in Sardinia? Because, of course, despite the ease with which we can now communicate with and visit one another, they still do things differently over there. In China your host will "lose face" if you don't let him pick up the tab. In Sardinia a raised thumb means, literally, "Sit on this!" Going Dutch in Beijing offers a lighthearted and informative guide to everything from first meeting to last rites. Subjects covered include the opening contact between strangers; greetings, gestures, handshakes, and getting names right; as well as more complex traditions and how to behave if you decide to stick around for good. Whether you are heading abroad or staying at home, Going Dutch in Beijing is a delightful and indispensable handbook designed to ensure that your sense of the world is informed and your travel is happy.