Going To The Dogs

Going to the Dogs is set in Berlin after the crash of 1929 and before the Nazi takeover, years of rising unemployment and financial collapse. The moralist in question is Jakob Fabian, “aged thirty-two, profession variable, at present advertising copywriter . . . weak heart, brown hair,” a young man with an excellent education but permanently condemned to a low-paid job without security in the short or the long run. What’s to be done? Fabian and friends make the best of it—they go to work though they may be laid off at any time, and in the evenings they go to the cabarets and try to make it with girls on the make, all the while making a lot of sharp-sighted and sharp-witted observations about politics, life, and love, or what may be. Not that it makes a difference. Workers keep losing work to new technologies while businessmen keep busy making money, and everyone who can goes out to dance clubs and sex clubs or engages in marathon bicycle events, since so long as there’s hope of running into the right person or (even) doing the right thing, well—why stop? Going to the Dogs, in the words of introducer Rodney Livingstone, “brilliantly renders with tangible immediacy the last frenetic years [in Germany] before 1933.” It is a book for our time too.

DIVDIVDuffy is summoned to a country manor for his hairiest case yet/divDIV Vic Crowther’s housekeeper found the body. Ricky bled out after crashing through the French windows of the manor’s library. Crowther doesn’t know who did this to Ricky, but he does know whom to blame. Duffy, the security consultant who installed the dodgy burglar alarm, will have to answer for this murder./divDIV When Duffy rushes out to the country to smooth things over, he finds more than one surprise. First of all, Ricky was a dog. And Braunscombe Hall is filled to capacity with strange folks—even by Duffy’s rarefied standards. His country sojourn is extended—as are his headaches—when he finds that each of the eccentric guests has a problem that needs his expertise./divDIV/div/div

Now in paperback--the internationally acclaimed psychological thriller from Governor General's Award nominee Allan Stratton. Cameron and his mom have been on the run for five years. His father is hunting them--or at least that's what Cameron's been told. When they settle into an isolated farmhouse, Cameron soon finds himself embroiled in the unsolved mystery of a woman and child who disappeared decades ago, and he starts to hear and see things that just aren't possible. What's hiding in the night? What's buried in the past? Are there dark secrets to uncover, or is Cameron's own mind playing tricks on him? In The Dogs, acclaimed author Allan Stratton manages to deliver at once a page-turning thriller and a powerful exploration of the realities of domestic violence and its after-effects.

Greyhound racing emerged rapidly in Britain in 1926 but in its early years was subject to rabid institutional middle-class opposition largely because of the legal gambling opportunities it offered to the working class. Though condemned as a dissipate and impoverishing activity, it was, in fact, a significant leisure opportunity for the working class, which cost little for the minority of bettors involved in what was clearly little more than a ‘bit of the flutter’ , This book is the first national study of greyhound racing in Britain from its beginnings, to its heyday in the 1930s and 1940s, and up its long slow decline of the late twentieth century. Much of the study will be defined by the dominating issue of working-class gambling and the bitter opposition to both it and greyhound racing, although the attractions of this ‘American Night Out’ will also be examined.

NEW YORK TIMES BESTSELLER • A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller shares visceral memories of her childhood in Africa, and of her headstrong, unforgettable mother. “This is not a book you read just once, but a tale of terrible beauty to get lost in over and over.”—Newsweek “By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling.”—The New Yorker Though it is a diary of an unruly life in an often inhospitable place, Don’t Let’s Go to the Dogs Tonight is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller—known to friends and family as Bobo—grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don’t Let’s Go to the Dogs Tonight is more than a survivor’s story. It is the story of one woman’s unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. Praise for Don’t Let’s Go to the Dogs Tonight “Riveting . . . [full of] humor and compassion.”—O: The Oprah Magazine “The incredible story of an incredible childhood.”—The Providence Journal

From an opera-loving Labrador to a tooting bulldog, a chronicle of the character and personality of everyday dogs from a National Geographic photographer. Discover the stunning collection of photographs that shows the majesty, playfulness, and joy that is man’s best friend: As a National Geographic photographer, taking pictures of lions, tigers, and bears was a regular day’s work for Vincent Musi, but in 2017 he gave himself a new challenge: dogs. Using the same lighting and photographic techniques he uses for his National Geographic photography, Musi spent a year shooting portraits of dogs and compiling them into a book complete with all of the tail wags, wet noses, and dogs of all shapes and sizes. With delightful and informative bios displayed next to each portrait, The Year of the Dogs will have you entertained and doggedly coming back for more. “This gorgeous tribute to man’s best friend is the perfect gift for the dog-lover in your life—or anyone who needs to be convinced that dogs have just as much personality as humans.” —The Pioneer Woman “You’ve probably seen work by Vincent Musi before. He’s a regular National Geographic photographer and his work has covered topics like volcanoes, illegal immigration, global warming, hurricanes and the like. His latest book, though, is quite different in subject matter. It’s a book about dogs—your average pet pooch—and it’s fabulous . . . Paging through the book is a delight.” —Photo District News “For the dog lover who also loves photography, you can’t go wrong with this coffee table book from photographer Vincent J. Musi.” —InStyle (Holiday Gift Pick)

When Jan Nieman decided to become a mobile pet groomer, little did she know what a wild ride she was in for. Over the next 21 years, she tussled with feisty pets, wrestled with stubborn vans, chased down AWOL dogs, and learned to cope with wayward employees. Grooming more than her share of dogs and cats, not to mention the occasional wolf, she encountered a host of memorable animals and owners, that often matched their pets in style, temperament and unconventionality. In her no-holds-barred, hilarious account, Nieman not only shares the high points of her adventures, as well as the occasional horror 'tails' that are an inevitable part of a groomer's career. Through it all, her love and passion for animals shines forth from every page. By the end, after plenty of laughs, you'll know a good deal more about orphan pets, what goes on in the inner sanctum of mobile and brick-and-mortar grooming salons, and the joys and tribulations of owning a business that keeps you "going to the dogs."

From Alexandra Horowitz, #1 New York Times bestselling author of Inside of a Dog, an eye-opening, informative, and wholly entertaining examination and celebration of the human-canine relationship for the curious dog owner and science-lover alike. We keep dogs and are kept by them. We love dogs and (we assume) we are loved by them. We buy them sweaters, toys, shoes; we are concerned with their social lives, their food, and their health. The story of humans and dogs is thousands of years old but is far from understood. In Our Dogs, Ourselves, Alexandra Horowitz explores all aspects of this unique and complex interspecies pairing. As Horowitz considers the current culture of dogdom, she reveals the odd, surprising, and contradictory ways we live with dogs. We celebrate their individuality but breed them for sameness. Despite our deep emotional relationships with dogs, legally they are property to be bought, sold, abandoned, or euthanized as we wish. Even the way we speak to our dogs is at once perplexing and delightful. In thirteen thoughtful and charming chapters, Our Dogs, Ourselves affirms our profound affection for this most charismatic of animals—and opens our eyes to the companions at our sides as never before.