Gold Digger 248

With the sentient forests of Jade-Realm having named Brianna as their Arch-Druid, the other mystical nations are edgy over her exponentially growing power and influence. Brianna goes to meet with their council to assuage their fears, but her easily offended subordinates act like they might end up taking the council hostage!

Leprechaun Princess O'Lura has just received a nasty surprise from her father, King Shamus: All wee folk, Leprechauns included, are critically low on Sprinkles, a key element of their magic, and he forbids her to restock! Not wanting her people to face a less magical future when she eventually takes the throne, O'Lura takes a covert task force to find more -- but they're not the only ones!

Gold was discovered in Australia in 1851, and within a year the infant colony was transformed from a sump for convicts to a Land of Opportunity. Robyn Annear's lively history describes in detail life on the diggings: the mud of winter and dust of summer, the pluckiness of the women and children, the grog shanties, the flies, the mania of mining, the despair and the delirium, and the much hated licensing system which was to culminate in the Eureka Stockade. 'Robyn Annear tells the story of the 1852 gold rushes in imaginative detail ... she tells us how it felt to be there. You find yourself worrying about the problems long ago resolved, sharply aware of the gold diggers' hopes and ordeals, diverted by the high comedy of a chaotic life. Like all good narratives, it looks easy because it is so easily read and enjoyed ... She makes a mosaic out of small moments of experience ... The physical realities of the diggings are evoked, with all the ingenious ways of managing tent space, cooking, guarding gold, finding feed for horses, keeping off wind and rain, ants and mice.' Brenda Niall Robyn Annear was born in Melbourne in 1960. She spends her time writing and researching, typing for other people and looking after her family. She is also a part-time bookseller and President of the Friends of the Castlemaine Library. 'History from the inside; wonderfully entertaining.' Age 'A welcome addition to Australian history, pointing to badly needed ways in which history can be made more reader-friendly.' Quadrant

This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include:* auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.

Calumet, Claiborne, King Ranch—these iconic names are among the owners and breeders revered by Thoroughbred industry professionals and racing fans around the world. As campaigners of many of the 20th century's top racehorses, their prestige has been confirmed by decades of competition in the Triple Crown, the most esteemed series in American Thoroughbred racing. Even with these substantial legacies, their success is measured against the benchmark set by one of racing's earliest dynasties, the historic Belair Stud. The story of this legendary operation began with William Woodward's childhood memories of grand days at the racetrack, inspiring dreams of breeding a champion or two of his own. During a year working for the American Ambassador to the United Kingdom, Woodward frequented English racetracks, rekindling that childhood dream of breeding and owning champion Thoroughbreds. Woodward turned those dreams into reality, building Belair Stud on his family's Maryland estate, launching what would become the preeminent Thoroughbred breeding and racing empire in America and chasing racing's biggest prizes in both the United States and England. The defining moment for Belair came when Woodward bred the imported stallion Sir Gallahad III to his mare Marguerite. Their colt, Gallant Fox, became only the second horse in history to win the Preakness Stakes, the Kentucky Derby, and the Belmont Stakes in the same year. In 1935, the farm cemented the Triple Crown as the gold standard for three-year-olds when Gallant Fox's son, Omaha, duplicated his sire's trio of victories, a sweep that sealed the farm's legacy and carved its name in the annals of racing history. In The Foxes of Belair: Gallant Fox, Omaha, and the Quest for the Triple Crown, Jennifer Kelly examines the racing legacies of Gallant Fox and Omaha and how William Woodward's service to racing during the 20th century forever changed the landscape of the American Thoroughbred industry.

Urban Comics: Infrastructure and the Global City in Contemporary Graphic Narratives makes an important and timely contribution both to comics studies and urban studies, offering a decolonisation and reconfiguration of both of these already interdisciplinary fields. With chapter-length discussions of comics from cities such as Cairo, Cape Town, New Orleans, Delhi and Beirut, this book shows how artistic collectives and urban social movements working across the global South are producing some of the most exciting and formally innovative graphic narratives of the contemporary moment. Throughout, the author reads an expansive range of graphic narratives through the vocabulary of urban studies to argue that these formal innovations should be thought of as a kind of infrastructure. This ‘infrastructural form’ allows urban comics to reveal that the built environments of our cities are not static, banal, or depoliticised, but rather highly charged material spaces that allow some forms of social life to exist while also prohibiting others. Built from a formal infrastructure of grids, gutters and panels, and capable of volumetric, multi-scalar perspectives, this book shows how urban comics are able to represent, repair and even rebuild contemporary global cities toward more socially just and sustainable ends. Operating at the intersection of comics studies and urban studies, and offering large global surveys alongside close textual and visual analyses, this book explores and opens up the fascinating relationship between comics and graphic narratives, on the one hand, and cities and urban spaces, on the other.

Badly Behaved Women is the illustrated story of the past 100 years of the women's movement, from suffrage, alleged bra burning and the politics of hair to Beyoncé, body positivity and #MeToo. In the early twentieth century, through ceaseless dedication and fearless campaigning, the women's movement achieved what had previously been unimaginable: a woman's right to vote. Four waves of feminism and a century on, the rich cultural history of this movement is truly worthy of celebration. Accompanied by stunning photographs, personal testimony essays from key figures and archive material from sources around the world, Anna-Marie Crowhurst's compelling and entertaining retelling of this multi-stranded, global and ongoing story also examines the flaws of the movement and the future of feminism.

Between 1896 and 1899, thousands of people lured by gold braved a grueling journey into the remote wilderness of North America. Within two years, Dawson City, in the Canadian Yukon, grew from a mining camp of four hundred to a raucous town of over thirty thousand people. The stampede to the Klondike was the last great gold rush in history. Scurvy, dysentery, frostbite, and starvation stalked all who dared to be in Dawson. And yet the possibilities attracted people from all walks of life—not only prospectors but also newspapermen, bankers, prostitutes, priests, and lawmen. Gold Diggers follows six stampeders—Bill Haskell, a farm boy who hungered for striking gold; Father Judge, a Jesuit priest who aimed to save souls and lives; Belinda Mulrooney, a twenty–four–year–old who became the richest businesswoman in town; Flora Shaw, a journalist who transformed the town's governance; Sam Steele, the officer who finally established order in the lawless town; and most famously Jack London, who left without gold, but with the stories that would make him a legend. Drawing on letters, memoirs, newspaper articles, and stories, Charlotte Gray delivers an enthralling tale of the gold madness that swept through a continent and changed a landscape and its people forever.