Goodbye Lizzie Borden

One Thursday morning, August 1892, in the safe and sleepy mill town of Fall River, Massachusetts, Andrew and Abby Borden were savagely hacked to death in their home. Their upstanding and respectable younger daughter, Lizzie, was suspected and tried for their murders but was acquitted of the crime. Fall River, Massachusetts, is a port town on Mount Hope Bay, at the mouth of the Taunton River. The city has numerous historical buildings and tourists come to see the famous battleship USS Massachusetts from World War 2. The ancient Indian name for the area is Quequechan, which means "falling water." In 1656 the community was established by settlers hailing from Plymouth Colony. In 1811, the first cotton mill was established, and in time the city became well-known for its textile mills, which brought it prosperity well into the 1920s. It was these mills in large part that made Lizzie Borden's father, Andrew, a rich man by 1892. David Rehak spent eight years (four years of study, two years of research, and two more years of writing and revision) in the production of this book. He became intrigued with Lizzie Borden after viewing an A&E television biography on her in 1996. According to Mr. Rehak, Lizzie was an average, unremarkable woman, and the most extraordinary, criminal or criminal suspect in history. She was a tiny grain of sand, an absolute nobody who no one took much notice of, and if she had not been accused of murder, she would have lived a low profile life and vanished from the world's memory like the flame of a candle. But after she was accused of murder, she became an unforgettable symbol and legend, an absolute somebody. The debate on whether Lizzie Borden was innocent or guiltybrings out passionate feelings and disagreements in every sort of person. In fact, during the trial, according to the New York Times, it was estimated that about nineteen hundred marriages ended in divorce because of the intense difference of opinion between husbands and wives that the controversy created. Included in this book are strikingly rare, new and unpublished revelations about Lizzie's private life. The book also contains photographs, cartoons, original artwork, quotes, and poetry, most of which are rare and never before seen. Did Lizzie Borden take an "axe" and kill her parents? The divide between those who believe she did the crime and those who don't, sometimes runs deep. This book reveals certain probabilities that should not be suppressed or ignored, probabilities that deserves scholarly and thoughtful consideration.

In Cara Robertson’s “enthralling new book,” The Trial of Lizzie Borden, “the reader is to serve as judge and jury” (The New York Times). Based on twenty years of research and recently unearthed evidence, this true crime and legal history is the “definitive account to date of one of America’s most notorious and enduring murder mysteries” (Publishers Weekly, starred review). When Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892, the arrest of the couple’s younger daughter Lizzie turned the case into international news and her murder trial into a spectacle unparalleled in American history. Reporters flocked to the scene. Well-known columnists took up conspicuous seats in the courtroom. The defendant was relentlessly scrutinized for signs of guilt or innocence. Everyone—rich and poor, suffragists and social conservatives, legal scholars and laypeople—had an opinion about Lizzie Borden’s guilt or innocence. Was she a cold-blooded murderess or an unjustly persecuted lady? Did she or didn’t she? An essential piece of American mythology, the popular fascination with the Borden murders has endured for more than one hundred years. Told and retold in every conceivable genre, the murders have secured a place in the American pantheon of mythic horror. In contrast, “Cara Robertson presents the story with the thoroughness one expects from an attorney…Fans of crime novels will love it” (Kirkus Reviews). Based on transcripts of the Borden legal proceedings, contemporary newspaper accounts, unpublished local accounts, and recently unearthed letters from Lizzie herself, The Trial of Lizzie Borden is “a fast-paced, page-turning read” (Booklist, starred review) that offers a window into America in the Gilded Age. This “remarkable” (Bustle) book “should be at the top of your reading list” (PopSugar).

Presents information on the axe murders of Andrew and Abby Borden in 1892, a crime for which their daughter Lizzie went to trial, featuring reproductions of articles from forty-one newspapers across the U.S., official correspondence and transcripts, and discussion of the plays, opera, and ballet inspired by the crimes.

Due to a burgeoning print marketplace during the late nineteenth century, urban newspapers felt pressure to create entertaining prose that appealed to readers, drawing on popular literary genres such as travel adventures, detective tales, and historical romances as a way of framing the news for readers. Using current events for their source documents, reporters fashioned their own dramas based on those that readers recognized from a broadly drawn literary culture. The desire to spin attractive, popular tales sometimes came at the expense of factual information. This novel, commercialized, and sensationalistic style of reporting, called new journalism, was closely tied to American fiction. In Narrating the News Karen Roggenkamp examines five major stories featured in three respected New York newspapers during the 1890s - the story of two antebellum hoaxes, Nellie Bly's around-the-world journey, Lizzie Borden's sensational trial, Evangelina Cisneros's rescue from her Spanish captors, and the Janet Cooke Jimmy's World scandal - to illustrate how new journalism manipulated specific segments of the literary marketplace. on vital topics in literary and cultural studies - gender, expansionism, realism, and professionalization. Unlike previously published studies of literature and journalism, which focus only on a few canonical figures, Roggenkamp looks at part of the history of mass print communications more generally exposing the competitive and reinforcing interplay between specific literary genres and their journalistic revisions. Narrating the News provides an original, significant contribution to the fields of literature, journalism history, and cultural studies.

Get a behind-the-scenes glimpse of what it takes to be considered one of the worst figures in history, with this fourth book in a nonfiction series that focuses on the most nefarious historical figures. Lizzie Borden took an axe, gave her mother forty whacks. When she saw what she had done, she gave her father forty-one. On August 4, 1892, the murders of wealthy and prominent Andrew and Abby Borden rocked the small town of Fall River, Massachusetts. The accused? Mild-mannered and highly respected Lizzie Borden, daughter of Andrew and stepdaughter of Abby. But did she actually do it? And if she did, why? Lizzie had as much to gain from the death of her father as anyone. Despite his wealth, Andrew did not believe in spending money and Lizzie had grown frustrated with the situation. And her actions in the days before the murder—trying to buy a type of strong poison—as well as those after the murder—burning a dress she claimed was stained—didn’t help. On August 11, Lizzie was arrested. But after a sensational trial, she was found not guilty. Rumors lingered. Stories persisted. And Lizzie continues to fascinate even today.

The case of Lizzie Bordon is one of the most infamous in criminal history having spawned songs, plays and a range of publications. It also ranks as one of the most puzzling. Having been acquitted of the axe murders of both her parents, Borden then simply returned home and carried on as before only to be roundly ostracised by the stoutly religious local community. Prosecutors never charged anyone else with the crimes leaving the case naggingly unsolved. Here, author Ronald Bartle revisits the events which occurred in Fall River, Massachussets in 1892. He explains how her answers to police questions were at times strange and contradictory and her accounts to them often bizarre. With so many pointers to her involvement the trial has been compared to that of O J Simpson in the modern day. It is immortalised in legal and other folklore as well as in the children’s rhyme: Lizzie Borden took an axe And gave her mother forty whacks. When she saw what she had done, She gave her father forty-one. A refreshing account of a very famous case. Contains legal and other analysis. A fly-on-the-wall view of the nineteenth century USA justice system. A true story that reads like a thriller.