Gorillaz Almanac

A compendium of artwork, essays, and more that celebrates the twenty-year anniverary of the virtual British band Gorillaz.

The Gorillaz Art Book is here! Featuring brand new artwork by Jamie Hewlett, who has invited more than 40 creators to offer new interpretations of 2D, Murdoc Niccals, Noodle, and Russel Hobbs in one expansive volume of original artwork. Contributing artists include Ruff Mercy, Kim Jung Gi, Robert Smith, Kerbscrawler Ghost, Robert Valley, Craig McCracken and Tim McCourt & Max Taylor. Celebrating 20 years of Gorillaz, this latest Z2 partnership sees Hewlett expand the band’s collaborative vision to fellow visual artists in The Gorillaz Art Book, a stunning visual feast of 288 pages.

Reveals the complete story behind the virtual British band, from childhood to Gorillaz inception, through albums, tours, videos, influences, breakdowns, and break-ups.

Damon Albarn is the frontman of Blur and the face of Britpop. While his peers have gradually fallen by the wayside, Albarn has reinvented himself as the mastermind behind Gorillaz. With his eclectic solo projects--such as the much-revered The Good, the Bad & the Queen--and his work with legends like Bobby Womack, he has proven that he is one of British music's most innovative and important personalities. With the 2015 release of Blur's first album for more than a decade, Damon Albarn took his place once more as an iconic jewel in the crown of the British music scene. This updated book covers his multiple musical personas in depth, with first-hand interviews by those close to Albarn in his formative years, as well as social and musical context that covers the Britpop era and Albarn's reemergence as the Godfather to the iPod generation.

'Gorillaz' have always been as much about the visuals as they are about the music. Featuring art from and designed by Jamie Hewlett, this rock autobiography is the full story of Murdoc, 2D, Noodle and Russel Hobbs.

Kid Crazy Carlson thirsts for adventure in the far-off and bustling City of Ever. One day he meets a robot that warns him of the grumpy Kilowatt King that rules there–who forces people to sing for him. Despite the robot's warning, Kid decides to make the voyage to the city and the two travel in a car made of bread through candy bar men, robot travelers, and dancing elephants to reach their destination. Finally, Kid stands before the sour King Kilowatt and teaches him a lesson in manners: the value of the word "please."

The Superstate is everywhere, and it's authority is absolute. Yoga Town is a city divided. While they wait to leave the earth, the 1% can bend reality to their will, they live in a consequence free world where anything goes. Meanwhile, the masses are pacified by a drugged out, government mandated digital dreamscape while they wait to perish on this dying planet. But there is still hope, for angels roam the earth. With their help, maybe some rebellious spirits can start to make a change. Experience 15 surreal and disturbing tales of rebellious fembots, celebrity turkey shoots, violent astral projection and an all-new take on the TV dinner.

African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.