Gothic Blue

A collection of short stories and poems resurrect the spirit of the Gothic Blue Book. Gothic Blue Books were short fictions popular in the 18th and 19th century. They were descendants of the chap book trade. Burial Day Books presents its second Gothic Blue Book, The Revenge Edition. The following fifteen short stories and poems honor the Gothic story. Misery, fear, despair, regret and dread are highlighted in the following pages, stirring old ghosts, witches, and awakening death. The following collection of new and established horror authors weave together brilliant tales of terror celebrating the history of the Gothic story with a new twist. Authors: Chad Brown - THE PEEPERS Tara Cleves- THE B&B OWNER M.N. Hanson - SLENDER MAN Phil Hickes - THE BEAUTIFUL DEAD Emma Hinge - PENANCE K. Trap Jones - THE FLAILING ARM Daniel Kraus - NORA AND THE GRAVEDIGGER David Massengill - BELLEVUE Carl Palmer - VISITATION Cynthia (cina) Pelayo - BLASPHEME Gerardo Pelayo - FIRST DATE CHECKLIST Cortney Philip - WHEN THE SUN STAYS DOWN Wednesday Silverwood - ANGELIQUE Jennifer A. Smith - LAST SUMMER Melissa Stanziale - THE CHLIDREN OF ORORO Editors: Cynthia (cina) Pelayo Gerardo Pelayo Cover Art: Abigail Larson

An erotic paranormal romance... At an archduke's reception, a handsome young nobleman falls under the spell of a malevolent but irresistible sorceress. Two hundred years later, Belinda Seward also falls prey to sensual forces she can neither understand nor control. Stranded by a thunderstorm at a remote Gothic priory, Belinda and her boyfriend are drawn into an enclosed world of luxurious decadence and sexual alchemy. Their host is the courteous but melancholic André von Kastel; a beautiful aristocrat who mourns his lost love. He has plans for Belinda - plans which will take her into the realms of obsessive love and the erotic paranormal.

From white trash mill village girl to Senior-Cinderella. In Alabama Blue, Toni K. Pacini, shares her tumultuous journey. A girl raised-up like an invasive weed in an Alabama cotton mill village where illiteracy, bigotry, religious fanaticism, and abuse were as commonplace as fried chicken on Sunday. From pillar to post, and coast to coast, she sought a dauntingly illusive refuge. Toni fled a life predestined for sorrow from cold cradle to cold crypt, and she made it! Her life needed a major re-write, and in Alabama Blue, she rewrote the hopelessness into hope, the sorrow into joy, and left the past to rest, as she moved forward into a new tomorrow.

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly

Gothic effigy brings together for the first time the multifarious visual motifs and media associated with Gothic, many of which have never received serious study before. This guide is the most comprehensive work in its field, a study aid that draws links between a considerable array of Gothic visual works and artifacts, from the work of Salvator Rosa and the first illustrations of Gothic Blue Books to the latest Gothic painters and graphic artists. Currently popular areas such as Gothic fashion, gaming, T.V. and film are considered, as well as the ghostly images of magic lantern shows. This groundbreaking study will serve as an invaluable reference and research book. In its wide range and closely detailed descriptions, it will be very attractive for students, academics, collectors, fans of popular Gothic culture and general readers.

This collection contains works by such writers as Poe, Hawthorne, Gaskell, Dickens and M.R. James. It brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales.

This lively collection of essays aims to chart the survival of the gothic strain - the dark, the forbidding, the alienated, the fantastic - in a spectrum of popular and 'high cultural' forms of representation.