Gothic Mash Ups

Gothic Mash-Ups explores the role of intertextuality in Gothic storytelling through the analysis of texts from diverse periods and media. Drawing on recent scholarship on Gothic remix and adaptation, the contributors examine crossover fictions, multi-source film and comic book adaptations, neo-Victorian pastiches, performance magic, monster mashes, and intertextual Gothic works of various kinds. Their chapters investigate many critical issues related to Gothic mash-up, including authorship, originality, intellectual property, fandom, commercialization, and canonicity. Although varied in approach, the chapters all explore how Gothic storytellers make new stories out of older ones, relying on a mix of appropriation and innovation. Covering many examples of mash-up, from nineteenth-century Gothic novels to twenty-first-century video games and interactive fiction, this collection builds from the premise that the Gothic is a fundamentally hybrid genre.

Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize The bestselling genre of Frankenfiction sees classic literature turned into commercial narratives invaded by zombies, vampires, werewolves, and other fantastical monsters. Too engaged with tradition for some and not traditional enough for others, these 'monster mashups' are often criticized as a sign of the artistic and moral degeneration of contemporary culture. These hybrid creations are the 'monsters' of our age, lurking at the limits of responsible consumption and acceptable appropriation. This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir's Flux Machine GIFs. Megen de Bruin-Molé uses these monstrous and liminal works to show how the thrill of transgression has been contained within safe and familiar formats, resulting in the mashups that dominate Western popular culture.

Chapter 1. Frankenfictions -- Chapter 2. Adapting the Monster -- Chapter 3. Mashing Up the Joke -- Chapter 4. Remixing Historical Fiction -- Chapter 5. Appropriating the Author -- Conclusion: The Monster Always Escapes -- Bibliography -- Index.

This is a tale of two great monsters of literature co-existing in the same story. How would the story have gone if Frankenstein's monster and Count Dracula were one and the same? Find out in this exciting new retelling of Mary Shelly and Bram Stoker's two masterful gothic novels.Victor Frankenstein, a young college student, has left home for the first time, his mind full of adventure, aspirations, and hopeful wonder. A lover of science, he is eager to start making discoveries worthy of the history books. His newfound knowledge of Galvanism gives him just the spark of inspiration he needs for a project that he deems remarkable and that will change the course of human history and our understanding of death. In an attempt to feel close to his mother--who is a descendant of Vlad The Impaler--and to escape persecution in England, Victor travels to Romania to complete his work.His discovery is remarkable alright, but not the sort that he is willing and enthusiastic to share with others. When his creation begins wreaking havoc on his loved ones, and drinking the blood of innocent bystanders, Victor realizes that he has unwittingly unleashed an undead monster upon the unsuspecting world. It is up to Victor, along with his new friends, Johnathan Harker and Jack Seward, to destroy him before he can create a race of beings like unto himself.

The first volume to provide an interdisciplinary, comprehensive history of twentieth and twenty-first century Gothic culture.

NATIONAL BESTSELLER • "Part horror tale, part mystery, part romance ... utterly fantastic.”—O, The Oprah Magazine • The bestselling, award-winning author of A Visit from the Goon Squad brilliantly conjures a world from which escape is impossible and where the keep—the tower, the last stand—is both everything worth protecting and the very thing that must be surrendered in order to survive. Two cousins, irreversibly damaged by a childhood prank, reunite twenty years later to renovate a medieval castle in Eastern Europe. In an environment of extreme paranoia, cut off from the outside world, the men reenact the signal event of their youth, with even more catastrophic results. And as the full horror of their predicament unfolds, a prisoner, in jail for an unnamed crime, recounts an unforgettable story that seamlessly brings the crimes of the past and present into piercing relation.

A lush, gothic fantasy from debut author Lyndall Clipstone about monsters and magic, set on the banks of a cursed lake, perfect for fans of Naomi Novik and Brigid Kemmerer. When Violeta Graceling and her younger brother Arien arrive at the haunted Lakesedge estate, they expect to find a monster. Leta knows the terrifying rumors about Rowan Sylvanan, who drowned his entire family when he was a boy. But neither the estate nor the monster are what they seem. As Leta falls for Rowan, she discovers he is bound to the Lord Under, the sinister death god lurking in the black waters of the lake. A creature to whom Leta is inexplicably drawn... Now, to save Rowan—and herself—Leta must confront the darkness in her past, including unraveling the mystery of her connection to the Lord Under.

This companion to "Nocturnal Witchcraft" contains exclusive material taken from the author's own "Book of Shadows." Includes nocturnal rituals for the sabbats and the Dark and Full Moons.