Graham R

For fans of The Tattooist of Auschwitz ‘Heart-wrenching. Emotional. A powerful story of wartime love and devotion’ Glynis Peters, author of The Secret Orphan A powerful and incredibly moving historical novel inspired by an untold story of the Second World War.

Rosamund Marriott Watson was a gifted poet, an erudite literary and art critic, and a daring beauty whose life illuminates fin-de-siècle London and the way in which literary reputations are made--and lost. A participant in aestheticism and decadence, she wrote six volumes of poems noted for their subtle cadence, diction, and uncanny effects. Linda K. Hughes unfolds a complex life in Graham R.: Rosamund Marriott Watson, Woman of Letters, tracing the poet's development from accomplished ballads and sonnets, to avant-garde urban impressionism and New Woman poetry, to her anticipation of literary modernism. Despite an early first divorce, she won fame writing under a pseudonym, Graham R. Tomson. The influential Andrew Lang announced the arrival of a new poet he assumed to be a man. She was soon hosting a salon attended by Lang, Oscar Wilde, and other 1890s notables. Publishing to widespread praise as Graham R., she exemplified the complex cultural politics of her era. A woman with a man's name and a scandalous past, she was also a graceful beauty who captivated Thomas Hardy and left an impression on his work. At the height of her success she fell in love with writer H. B. Marriott Watson and dared a second divorce. Graham R. combines the stories of a gifted poet, of London literary networks in the 1890s, and of a bold woman whose achievements and scandals turned on her unusual history of marriage and divorce. Her literary history and her uncommon experience reveal the limits and opportunities faced by an unconventional, ambitious, and talented woman at the turn of the century.

When med student Hale is called home by his ailing mother on Halloween night, he and a group of friends are trapped in an inescapable cycle of violence.

Heidegger Explained is a clear and thorough summary of the philosophy of Martin Heidegger (1889–1976). It gives a fascinating explanation of all stages of Heidegger’s life and career, and shows his entire philosophy to emerge from one simple but profound insight. Many philosophers believe that Heidegger was the greatest philosopher of the twentieth century. His influence has long been felt not just in philosophy, but also in such fields as art, architecture, and literary studies. Yet the great difficulty of Heidegger’s terminology has often scared away interested readers lacking an academic background in philosophy. Author Graham Harman shows that Heidegger is actually one of the simplest and clearest of thinkers. All the diverse topics of his writings, and all the lengthy analyses he gives of past philosophers, boil down to a single powerful idea: being is not presence. In any human relation with the world, our thinking and even our acting do not fully exhaust the world. Something more always withdraws from our grasp. Neither being itself nor individual beings are ever fully “present-at-hand,” in Heidegger’s terminology. This single insight allows Heidegger to revolutionize the phenomenology of his teacher Edmund Husserl. The method of Husserl was to focus entirely on how things present themselves to us as phenomena in consciousness. Heidegger understood that the things are always partly hidden from consciousness, living a secret life of their own. Human beings are not lucid scientific observers staring at the world and describing it, but instead are thrown into a world where light is always mixed with shadow. For Heidegger, the entire history of philosophy has reduced being to some sort of presence, whether by defining it as atoms, consciousness, perfect forms, the will to power, or even God. In this way, past philosophers have all chosen one specific kind of privileged being to represent being itself. Yet this is impossible, since being always partly withdraws from any attempt to define it. For this reason, philosophy needs to make a new beginning, one that would be just as great as the first beginning in ancient Greece. The book ends by shedding new light on Heidegger’s concept of the fourfold, which is so notoriously difficult that most commentators avoid it altogether.