Granta 117

The Horror issue features original cover artwork by Jake and Dinos Chapman and a line-up of contributors that includes some of the greatest names in contemporary fiction. Stephen King tells the story of a retired judge with a deadly secret. Don DeLillo imagines a moviegoer-turned-stalker and Paul Auster writes of his mother's death. Rajesh Parameswaran dips into the mind of a tiger who escapes from a zoo and terrorizes a neighbourhood. Will Self writes of his blood disease and Daniel Alarcon explores the phenomenon of staged, high-camp blood baths. Mark Doty ruminates on a close encounter between Walt Whitman and Bram Stoker. CONTRIBUTORS: Daniel Alarcon, Paul Auster, Tom Bamforth, Roberto Bolano, Don DeLillo, Mark Doty, Sarah Hall, Stephen King, Kanitta Meechubot (artist), Julie Ostuka, D.A. Powell (poem), Rajesh Parameswaran, Santiago Roncagliolo, Will Self, Joy Williams.

In 1979, Bill Buford, a young American graduate, revived an old Cambridge university magazine and created a new home for good writing of all kinds - reportage, fiction, memoir, poetry - as well as photography. In the years (and decades) that followed, Granta established itself as the one of the most prestigious literary publications in the English-speaking world. In that time Granta has published 26 Nobel Prize for Literature winners, defined new literary genres and paved the way for generations of young novelists. To celebrate forty years of brilliant publishing, Granta 147 brings together our best fiction and non-fiction from the last four decades, along with a selection of letters from behind the scenes. This will be a collector's issue and is not to be missed. Featuring... Angela Carter Kazuo Ishiguro Todd McEwen Bruce Chatwin James Fenton Primo Levi Amitav Ghosh Raymond Carver Philip Roth John Gregory Dunne Ryszard Kapuscinski Joy Williams Don DeLillo John Berger Gabriel Garca Mrquez Bill Buford Lindsey Hilsum Lorrie Moore Hilary Mantel Ian Jack Edward Said Diana Athill Edmund White Ved Mehta Alexandra Fuller Binyavanga Wainaina Mary Gaitskill Lydia Davis Jeanette Winterson Herta Mller

Beowulf's presence on the popular cultural radar has increased in the past two decades, coincident with cultural crisis and change. Why? By way of a fusion of cultural studies, adaptation theory, and monster theory, Beowulf's Popular Afterlife examines a wide range of Anglo-American retellings and appropriations found in literary texts, comic books, and film. The most remarkable feature of popular adaptations of the poem is that its monsters, frequently victims of organized militarism, male aggression, or social injustice, are provided with strong motives for their retaliatory brutality. Popular adaptations invert the heroic ideology of the poem, and monsters are not only created by powerful men but are projections of their own pathological behavior. At the same time there is no question that the monsters created by human malfeasance must be eradicated.

Nonfiction from Malcolm Gladwell, Francine Prose, Jonathan Franzen, and more: “There is not a dud in the bunch. [An] exhilarating collection.” —Publishers Weekly (starred review) Whether a personal reflection on a wife’s decline from Alzheimer’s, a critique of the overdiagnosis of mood disorders, a lighthearted look at menopause, a friend’s commentary on David Foster Wallace’s heartbreaking suicide, or a memoir of teaching underprivileged children, this collection highlights the best essays of the year with contributions from: Benjamin Anastas • Marcia Angell • Miah Arnold • Geoffrey Bent • Robert Boyers • Dudley Clendinen • Paul Collins • Mark Doty • Mark Edmundson • Joseph Epstein • Jonathan Franzen • Malcolm Gladwell • Peter Hessler • Ewa Hryniewicz-Yarbrough • Garret Keizer • David J. Lawless • Alan Lightman • Sandra Tsing Loh • Ken Murray • Francine Prose • Richard Sennett • Lauren Slater • Jose Antonio Vargas • Wesley Yang “A trove of fine writing on big issues.” —Kirkus Reviews

This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.

On the fortieth anniversary of revolution and rebellion in Chile, a searching history of the rise and fall of the world's first and only democratically elected Marxist president. On September 11, 1973, President Salvador Allende of Chile was deposed in a violent coup led by General Augusto Pinochet. The coup had been in the works for months, even years. Shortly after giving a farewell speech to his people, Allende died of gunshot wounds-whether inflicted by his own hand or an assassin's remains uncertain. Pinochet ruled Chile for a quarter century, but the short rise and bloody fall of Allende is still the subject of fierce historical debate. In a world in the throes of the Cold War, the seeming backwater of Chile became the host of a very hot conflict-with Henry Kissinger and the Western establishment aligned with Pinochet's insurgents against a socialist coalition of students, workers, Pablo Neruda, and folk singers, led by the brilliant ideologue Allende. Revolution and counterrevolution played out in graphic detail, moving the small South American nation to the center of the world stage in the dramatic autumn of 1973. Now the rising young scholar Oscar Guardiola-Rivera gives us a tour de force account of a historical crossroads, tracing the destiny of democracy, and the paths of power, money, and violence that still shadow Latin America and its relations with the United States.