Graphic Memories Of The Civil Rights Movement

Winner, Charles Hatfield Book Prize, Comic Studies Society, 2020 A CHOICE Outstanding Academic Title, 2019 The history of America’s civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete history. Graphic Memories of the Civil Rights Movement showcases five vivid examples of this: Ho Che Anderson's King (2005), which complicates the standard biography of Martin Luther King Jr.; Congressman John Lewis's three-volume memoir, March (2013–2016); Darkroom (2012), by Lila Quintero Weaver, in which the author recalls her Argentinian father’s participation in the movement and her childhood as an immigrant in the South; the bestseller The Silence of Our Friends, by Mark Long, Jim Demonakos, and Nate Powell (2012), set in Houston's Third Ward in 1967; and Howard Cruse's Stuck Rubber Baby (1995), whose protagonist is a closeted gay man involved in the movement. In choosing these five works, Jorge Santos also explores how this medium allows readers to participate in collective memory making, and what the books reveal about the process by which history is (re)told, (re)produced, and (re)narrativized. Concluding the work is Santos’s interview with Ho Che Anderson.

The movement for civil rights in America peaked in the 1950s and 1960s; however, a closely related struggle, this time over the movement's legacy, has been heatedly engaged over the past two decades. How the civil rights movement is currently being remembered in American politics and culture--and why it matters--is the common theme of the thirteen essays in this unprecedented collection. Memories of the movement are being created and maintained--in ways and for purposes we sometimes only vaguely perceive--through memorials, art exhibits, community celebrations, and even street names. At least fifteen civil rights movement museums have opened since 1990; Mississippi Burning, Four Little Girls, and The Long Walk Home only begin to suggest the range of film and television dramatizations of pivotal events; corporations increasingly employ movement images to sell fast food, telephones, and more; and groups from Christian conservatives to gay rights activists have claimed the civil rights mantle. Contests over the movement's meaning are a crucial part of the continuing fight against racism and inequality. These writings look at how civil rights memories become established as fact through museum exhibits, street naming, and courtroom decisions; how our visual culture transmits the memory of the movement; how certain aspects of the movement have come to be ignored in its "official" narrative; and how other political struggles have appropriated the memory of the movement. Here is a book for anyone interested in how we collectively recall, claim, understand, and represent the past.

Growing Up in the Gutter offers new understandings of contemporary graphic coming-of-age narratives by looking at the genre’s growth in stories by and for young BIPOC, LGBTQ+, and diasporic readers. Through a careful examination of the genre, Ricardo Quintana-Vallejo analyzes the complex identity formation of first- and subsequent-generation migrant protagonists in globalized rural and urban environments and dissects the implications that these diasporic formative processes have for a growing and popular genre. While the most traditional iteration of the bildungsroman—the coming-of-age story—follows middle-class male heroes who forge their identities in a process of complex introspection, contemporary graphic coming-of-age narratives represent formative processes that fit into, resist, or even disregard narratives of socialization under capitalism, of citizenship, and of nationhood. Quintana-Vallejo delves into several important themes: how the coming-of-age genre can be used to study adulthood, how displacement and international or global heritage are fundamental experiences, how multidiasporic approaches foreground lived experiences, and how queerness opens narratives of development to the study of adulthood as fundamentally diverse and nonconforming to social norms. Quintana-Vallejo shows how openness enables belonging among chosen families and, perhaps most importantly, freedom to disidentify. And, finally, how contemporary authors writing for the instruction of BIPOC children (and children otherwise affected by diaspora and displacement) use the didactic power of the coming-of-age genre, combined with the hybrid language of graphic narratives, to teach difficult topics in accessible ways.

This engaging and educational series presents pivotal moments in the civil rights movement in a new and exciting way. Depicted in the style of a graphic novel, these incredible stories make history come alive for even the most reluctant readers. Engaging, accessible text is accompanied with captivating artwork. This vibrant approach to American history places readers in the middle of critical moments in the fight for civil rights, including the legal battles to overturn segregation laws and the famous march on Washington. Readers will be introduced to the individuals who came to personify the civil rights movement, including Rosa Parks, Thurgood Marshall, and Martin Luther King Jr. - Graphic-novel form and accessible text appeal to reluctant readers - Presents firsthand accounts of major moments in the history of the American civil rights movement - Brief introduction to each book provides historical context for the featured event - Detailed illustrations enhance understanding and excitement - Conclusion in each book details the lasting effect of each event - Glossary and index guide readers as they navigate each book

The Bible has inspired Western art and literature for centuries, so it is no surprise that Christian iconography, characters, and stories have also appeared in many comic books. Yet the sheer stylistic range of these comics is stunning. They include books from Christian publishers, as well as underground comix with religious themes and a vast array of DC, Marvel, and Dark Horse titles, from Hellboy to Preacher. Christianity and Comics presents an 80-year history of the various ways that the comics industry has drawn from biblical source material. It explores how some publishers specifically targeted Christian audiences with titles like Catholic Comics, books featuring heroic versions of Oral Roberts and Billy Graham, and special religious-themed editions of Archie. But it also considers how popular mainstream comics like Daredevil, The Sandman, Ghost Rider, and Batman are infused with Christian themes and imagery. Comics scholar Blair Davis pays special attention to how the medium’s unique use of panels, word balloons, captions, and serialized storytelling have provided vehicles for telling familiar biblical tales in new ways. Spanning the Golden Age of comics to the present day, this book charts how comics have both reflected and influenced Americans’ changing attitudes towards religion.

How the misuses of Martin Luther King’s legacy divide us and undermine democracy In the post–civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women’s rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. The Struggle for the People’s King reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy. In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King’s Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality. Powerful and persuasive, The Struggle for the People’s King demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.

A black family and a white family in 1960s Texas find common ground during the Civil Rights Movement.

This engaging and educational series presents pivotal moments in the civil rights movement in a new and exciting way. Depicted in the style of a graphic novel, these incredible stories make history come alive for even the most reluctant readers. Engaging, accessible text is accompanied with captivating artwork. This vibrant approach to American history places readers in the middle of critical moments in the fight for civil rights, including the legal battles to overturn segregation laws and the famous march on Washington. Readers will be introduced to the individuals who came to personify the civil rights movement, including Rosa Parks, Thurgood Marshall, and Martin Luther King Jr. * Graphic-novel form and accessible text appeal to reluctant readers * Presents firsthand accounts of major moments in the history of the American civil rights movement * Brief introduction to each book provides historical context for the featured event * Detailed illustrations enhance understanding and excitement * Conclusion in each book details the lasting effect of each event * Glossary and index guide readers as they navigate each book