The Civil Rights Movement In American Memory

The movement for civil rights in America peaked in the 1950s and1960s; however, a closely related struggle, this time over themovement's legacy, has been heatedly engaged over the past twodecades. How the civil rights movement is currently being rememberedin American politics and culture - and why it matters - is the commontheme of the thirteen essays in this unprecedented collection.Memories of the movement are being created and maintained - in waysand for purposes we sometimes only vaguely perceive - throughmemorials, art exhibits, community celebrations, and even streetnames.

The movement for civil rights in America peaked in the 1950s and 1960s; however, a closely related struggle, this time over the movement's legacy, has been heatedly engaged over the past two decades. How the civil rights movement is currently being remembered in American politics and culture--and why it matters--is the common theme of the thirteen essays in this unprecedented collection. Memories of the movement are being created and maintained--in ways and for purposes we sometimes only vaguely perceive--through memorials, art exhibits, community celebrations, and even street names. At least fifteen civil rights movement museums have opened since 1990; Mississippi Burning, Four Little Girls, and The Long Walk Home only begin to suggest the range of film and television dramatizations of pivotal events; corporations increasingly employ movement images to sell fast food, telephones, and more; and groups from Christian conservatives to gay rights activists have claimed the civil rights mantle. Contests over the movement's meaning are a crucial part of the continuing fight against racism and inequality. These writings look at how civil rights memories become established as fact through museum exhibits, street naming, and courtroom decisions; how our visual culture transmits the memory of the movement; how certain aspects of the movement have come to be ignored in its "official" narrative; and how other political struggles have appropriated the memory of the movement. Here is a book for anyone interested in how we collectively recall, claim, understand, and represent the past.

"Owen Dwyer and Derek Alderman examine civil rights memorials as cultural landscapes, offering the first book-length critical reading of the monuments, museums, parts, streets, and sites dedicated to the African-American struggle for civil rights and interpreting them is the context of the Movement's broader history and its current scene. In paying close attention to which stories, people, and places are remembered and which are forgotten, the authors present an engaging account of an unforgettable story."--BOOK JACKET.

The history of America’s civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete history. Graphic Memories of the Civil Rights Movement showcases five vivid examples of this: Ho Che Anderson's King (2005), which complicates the standard biography of Martin Luther King Jr.; Congressman John Lewis's three-volume memoir, March (2013–2016); Darkroom (2012), by Lila Quintero Weaver, in which the author recalls her Argentinian father’s participation in the movement and her childhood as an immigrant in the South; the bestseller The Silence of Our Friends by Mark Long, Jim Demonakos, and Nate Powell (2012), set in Houston's Third Ward in 1967; and Howard Cruse's Stuck Rubber Baby (1995), whose protagonist is a closeted gay man involved in the movement. In choosing these five works, Jorge Santos also explores how this medium allows readers to participate in collective memory making, and what the books reveal about the process by which history is (re)told, (re)produced, and (re)narrativized. Concluding the work is Santos’s interview with Ho Che Anderson.

Jim Crow Wisdom: Memory and Identity in Black America since 1940

Whitewashing the South is a powerful exploration of how ordinary white southerners recall living through extraordinary racial times—the Jim Crow era, civil rights movement, and the post-civil rights era—highlighting tensions between memory and reality. Author Kristen Lavelle draws on interviews with the oldest living generation of white southerners to uncover uncomfortable memories of our racial past. The vivid interview excerpts show how these lifelong southerners reflect on race in the segregated South, the civil rights era, and more recent decades. The book illustrates a number of complexities—how these white southerners both acknowledged and downplayed Jim Crow racial oppression, how they both appreciated desegregation and criticized the civil rights movement, and how they both favorably assessed racial progress while resenting reminders of its unflattering past. Chapters take readers on a real-world look inside The Help and an exploration of the way the Greensboro sit-ins and school desegregation have been remembered, and forgotten. Digging into difficult memories and emotions, Whitewashing the South challenges our understandings of the realities of racial inequality.

Civil rights have been in the news with the rise of Black Lives Matter, Colin Kaepernick taking a knee during the national anthem at NFL games, and more. Yet civil rights activists have many other causes they are fighting for, such as calling attention to police brutality and combating racism in everyday life. The Civil Rights Movement started in the 1800s and remains a prominent movement within our modern society. Find out how activists such as Martin Luther King Jr. and Fannie Lou Hamer set the stage for activists in modern times and learn how activists are speaking out today to expand rights for African Americans.

"Boldly suggests that cultural organizing shaped the trajectory and spirit of the Civil Rights Movement."--Journal of American Ethnic History "Street brings together many different cultural strands in this work and argues cogently that they were an important part of a movement that affirmed African American self-belief at the same time as it demanded freedom and equality.”—Journal of American Studies "Draws upon a wealth of primary and secondary sources and is comprehensive yet clear and concise. . . . An absorbing examination of the relationship between politics and creative works."--North Carolina Historical Review "Eloquently reaffirms the notion that an informed understanding of Black America’s multifaceted culture is foundational to fathoming the complexities of the black freedom movement."--William L. Van Deburg, author of Hoodlums: Black Villains and Social Bandits in American Life From Aretha Franklin and James Baldwin to Dick Gregory and Martin Luther King, the civil rights movement deliberately used music, art, theater, and literature as political weapons to broaden the struggle and legitimize its appeal. In this book, Joe Street argues that the time has come to recognize the extent to which African American history and culture were vital elements of the movement. Drawing upon a wide variety of sources, from the Free Southern Theater to freedom songs, from the Cuban radio broadcasts of Robert F. Williams to the art of the Black Panther Party, Street encourages us to consider the breadth of forces brought to bear as weapons in the struggle for civil rights. Doing so also allows us to reconsider the roots of Black Power, recognizing that it emerged both from within and as a critique of the southern integrationist movement.