Graphic Narratives Of Organised Crime Gender And Power In Europe

This book presents a unique series of graphic narratives which offer a new way to recount the lived experiences and life stories of women involved in transnational organised crime groups, from victims to perpetrators. Based on ethnographic interviews, and police files, academic Felia Allum and artist Anna Mitchell together seek to tell individual stories while also contributing to broader discourses about crime, power relations and victimhood. The four graphic stories cover cutting-edge issues in crime including County lines and British gangs, Nigerian syndicates, Italian Mafias, and Albanian drug gangs, and all stories effectively and forcefully depict the voices of those who are often voiceless and hidden in a more complex social and criminal phenomenon. This book is suitable for students and scholars in criminology, sociology, gender studies and comics studies, as well as for the general reader.

Women of the Mafia dives into the Neapolitan criminal underworld of the Camorra as seen and lived by the women who inhabit it. It tells their life stories and unpacks the gender dynamics by examining their participation as active agents in the organization as leaders, managers, foot soldiers, and enablers. Felia Allum shows that these women are true partners in crime. The author offers an innovative interdisciplinary analysis that demystifies the notion that the Camorra is a sexist, male-centric organization. She links her analysis of Camorra culture within the wider Neapolitan context to show how mothers and women act and are treated in the private sphere of the household and how the family helps explain the power women have found in the Neapolitan Camorra. It is civil society and law enforcement agencies that continue to see the Camorra using traditional gender assumptions which render women irrelevant and lacking independent agency in the criminal underworld. In Women of the Mafia, Allum debunks these assumptions by revealing the power and influence of women in the Camorra.

This book examines the fictional female bodies of four stylistically distinct comics artists in the United States—Chris Ware, Emil Ferris, Ebony Flowers, and Tillie Walden—whose work has attracted significant attention. These bodies showcase how comics and its unique visual language can both critique and re-envision some of the most challenging social issues of our time. The characters analyzed in this book illustrate diverse techniques for projecting the complex humanity and "truth" of U.S. women’s unruly bodies onto a two-dimensional page. All of the protagonists qualify as "outsider" in some way, whether by gender identity, sexuality, ability, religion, race, class, ethnicity, age, or a combination of these and other categories. These bodily expressions of outsider identity both resist traditional categorization and stereotypes, and sometimes harness and employ those stereotypes for the purposes of parody or social critique. The language of comics affords a unique opportunity for complex representation of these disparate women’s bodies, especially when comics artists use the full range of tools at their disposal, such as style, materials, narrative direction, the space of the gutter, and the friction between word and image. This is an a timely and important intervention suitable for researchers and students in comics studies, gender studies, literature and queer studies.

Super-Girls of the Future: Girlhood and Agency in Contemporary Superhero Comics investigates girl superheroes published by DC and Marvel Comics in the first two decades of the twenty-first century, asking who the new-and-improved super-girls are and what potentials they hold for imagining girls as agents of change, in the genre as well as its socio-cultural context. As super-girls have grown increasingly numerous and diverse since the turn of the millennium, they provide an opportunity for reconsidering representations of gender and power in the superhero genre. This book offers the term agentic embodiment as an analytical tool for critiquing the body politics of superhero comics, particularly concerning youth, femininity, whiteness, and violence. Grounded in comics studies and informed by feminist cultural studies, the book contributes a critical and hopeful perspective on the diversification of a genre often written off as irredeemably conservative and patriarchal. Super-Girls of the Future is a key title for students and scholars of comics studies, visual culture, US popular culture, and feminist criticism.

Bringing together leading experts and case studies, this book considers the infiltration of organised crime in legitimate business around Europe, considering the purposes and methods of infiltration and the implications for policy and research.

The organized crime group that dominates much of the socioeconomic life of contemporary Naples, the Camorra, is organized by kin and geography, and it is notoriously the most violent, fractious, and disorganized mafia in Italy. The Camorra controls local extortion rackets, the drug and counterfeit trades, and other legal and illicit activities as well as wielding substantial political influence throughout Naples and its environs. Felia Allum has been researching the Camorra for twenty years, and in The Invisible Camorra she reveals a surprising alteration in Camorra behavior when operatives live outside the Neapolitan base. When gang members move away from Naples, having been forced out by intense policing and gang competition, they are attracted by business opportunities that, on the whole, fit in with their usual activities. When they move to other parts of Western Europe and are therefore no longer criminals simply by virtue of "mafia association" as they are in Italy, they become largely invisible. Gang members avoid the spectacular deployment of violence, they merge quietly into local life, they keep themselves to themselves, and, when necessary, use legitimate local actors such as lawyers and accountants to further their economic well-being. Allum has constructed a meticulous description and analysis of Camorra activities abroad. To build accounts of the Camorra in Germany and the Netherlands, France, Spain, and the United Kingdom, she has interviewed investigating magistrates, police officers, and confessed criminals; done substantial mining of Italian and European police data; and made extensive use of judicial investigations, court records and transcripts as well as of journalistic accounts. The result is the first systematic analysis of the overseas activities of this major criminal organization.

This edited collection explores how the relationship between comic art and feminism has been shaped by global, transnational, and local trends, curating analyses of multinational comic art that encompass themes of gender, sexuality, power, vulnerability, assault, abuse, taboo, and trauma. The chapters illuminate in turn the defining features of the aesthetics, materiality, and thematic content of their source material – often expressed with humorous undertones of self-reflection or social criticism – as well as recurring strategies of visualising and narrating female experiences. Broadening the research perspective of feminist comics to include national comics cultures peripheral to the cultural centers of Anglo-American, Franco-Belgian, and Japanese comics, the anthology explores how the dominant narrative or history of canonical works can be challenged or deconstructed by local histories of comics and feminism and their transnational connections, and how local histories complement or challenge the current understanding of the relationship between feminism and comic art. This is an essential collection for scholars and students in comics studies, women and gender studies, media studies, and literature.

This volume represents the first attempt to systematically compare organised crime concepts, as well as historical and contemporary patterns and control policies in thirteen European countries. These include seven ‘old’ EU Member States, two ‘new’ members, a candidate country, and three non-EU countries. Based on a standardised research protocol, thirty-three experts from different legal and social disciplines provide insight through detailed country reports. On this basis, the editors compare organised crime patterns and policies in Europe and assess EU initiatives against organised crime.