Grasping Things

America stocks its shelves with mass-produced goods but fills its imagination with handmade folk objects. In Pennsylvania, the "back to the city" housing movement causes a conflict of cultures. In Indiana, an old tradition of butchering turtles for church picnics evokes both pride and loathing among residents. In New York, folk-art exhibits raise choruses of adoration and protest. These are a few of the examples Simon Bronner uses to illustrate the ways Americans physically and mentally grasp things. Bronner moves beyond the usual discussions of form and variety in America's folk material culture to explain historical influences on, and the social consequences of, channeling folk culture into a mass society.

In this paper, we present a deciding technique for robotic dexterous hand configurations. This algorithm can be used to decide on how to configure a robotic hand so it can grasp objects in different scenarios. Receiving as input, several sensor signals that provide information on the object’s shape, the DSmT decision-making algorithm passes the information through several steps before deciding what hand configuration should be used for a certain object and task.

Grasping Reality addresses the methodology of a sophisticated realistic approach to scientific as well as everyday recognition by using schemes and interpretive constructs to analyze theories and the practice of recognition from a hypothesis-realistic vantage point. An appendix provides an overview regarding a realistic and pragmatic philosophy of technology, including the so-called new information technologies.

What's in a shadow? Menace, seduction, or salvation? Immaterial but profound, shadows lurk everywhere in literature and the visual arts, signifying everything from the treachery of appearances to the unfathomable power of God. From Plato to Picasso, from Rembrandt to Welles and Warhol, from Lord of the Rings to the latest video game, shadows act as central players in the drama of Western culture. Yet because they work silently, artistic shadows often slip unnoticed past audiences and critics. Conceived as an accessible introduction to this elusive phenomenon, Grasping Shadows is the first book that offers a general theory of how all shadows function in texts and visual media. Arguing that shadow images take shape within a common cultural field where visual and verbal meanings overlap, William Sharpe ranges widely among classic and modern works, revealing the key motifs that link apparently disparate works such as those by Fra Angelico and James Joyce, Clementina Hawarden and Kara Walker, Charles Dickens and Kumi Yamashita. Showing how real-world shadows have shaped the meanings of shadow imagery, Grasping Shadows guides the reader through the techniques used by writers and artists to represent shadows from the Renaissance onward. The last chapter traces how shadows impact the art of the modern city, from Renoir and Zola to film noir and projection systems that capture the shadows of passers-by on streets around the globe. Extending his analysis to contemporary street art, popular songs, billboards, and shadow-theatre, Sharpe demonstrates a practical way to grasp the "dark side" that looms all around us.

When a young, unidentified woman is pulled alive and well from Sydney Harbour in 2013, the connections to another woman - found in similar circumstances forty years earlier - present psychiatrist Kathryn Brookley with a terrible decision as the events of the present and past begin to mirror each other and the gap between truth and illusion shrinks. When the young woman goes further and declares that she has lived continuously since coming to 'understanding' in the 14th century, her vivid accounts of life, love, childbirth, and loss in the Middle Ages seem so authentic that they test Kathryn's scientific objectivity to the limit. As Kathryn delves she discovers that she is not the only one whose habitual assumptions about life have been torn asunder by an apparent experience of the miraculous in relation to the mystery woman. But it is the emotional, spiritual and mystical insights that emerge from the linking of all the facets of this mystery that affect Kathryn and others most profoundly, reflecting the commonality of human experience across the ages and the deep yearnings within all of us.

Book 1 of The Kindrily series. Leave it to Maryah Woodsen to break the one rule that will screw up eternity: Never erase your memories. Before entering this life, Maryah did the unthinkable—she erased. Now, at seventeen years old, she’s clueless that her new adoptive family has known her for centuries, that they are perpetually reincarnated souls, and that they have supernatural abilities. Oh, and she's supposed to love (not despise) Nathan, the green-eyed daredevil who saved her life. Nathan is convinced his family’s plan to spark Maryah's memory is hopeless, but his love for her is undying. After spending (and remembering) so many lifetimes together, being around an empty version of his soulmate is heart shattering. He hates acting like a stalker, but has no choice because the evil outcast who murdered Maryah in their last lifetime is still after her. While Maryah’s hunter inches closer, she and Nathan make assumptions and hide secrets that rip them further apart. Maryah has to believe in the magic within her, Nathan must have faith in the power of their love, and both need to grasp onto the truth before they lose each other forever—and discover just how lonely eternity can be. Keywords: young adult, YA, teen, romance, YA romance, paranormal, fantasy, supernatural, series, saga, reincarnation, soul mates, love story, metaphysical, magic, superpowers, Kindrily, free, freebie

"This book is a hymn to the hand. In 'Prehension,' Colin McGinn links questions from science to philosophical concerns to consider something that we take for granted : the importance of the hand in everything we do. Drawing on evolutionary biology, anatomy, archaeology, linguistics, psychology, and philosophy, among other disciplines, McGinn examines the role of the hand in shaping human evolution. He finds that the development of our capacity to grasp, to grip, to take hold (also known as 'prehension') is crucial in the emergence of Homo sapiens'"--Book jacket.