Grave Of Light

Selected poems from a visionary feminist poet.

Never underestimate the power of a woman on a double espresso with a mocha latte chaser high. —T-shirt Charley Davidson isn't your everyday, run-of-the-mill grim reaper. She's more of a paranormal private eye/grim reaper extraordinaire. However, she gets sidetracked when the sexy, sultry son of Satan, Reyes Farrow, moves in next door. To further complicate matters, Reyes is her main suspect in an arson case. Charley has vowed to stay away from him until she can find out the truth...but then dead women start appearing in her apartment, one after another, each lost, confused, and terrified beyond reason. When it becomes apparent that her own sister, Gemma, is the serial killer's next target Charley has no choice but to ask for Reyes' help. Arsonist or not, he's the one man alive who could protect Gemma no matter who or what came at her. But he wants something in return. Charley. All of her, body and soul. And to keep her sister safe, it is a price she is willing to pay. Charley Davidson is at it again in Fifth Grave Past the Light, the sexy, suspenseful, and laugh-out-loud funny fifth installment of the New York Times bestselling series by Darynda Jones.

A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer

Look out for the original series—starring Peyton List, Brent Rivera, Liana Liberato, Ajiona Alexus, and Dylan Sprayberry—now streaming on Hulu! McKenna’s mission to save her friends from their predicted deaths concludes in the third and final installment in the Light as a Feather series that is Riverdale meets The Chilling Adventures of Sabrina! It’s not a game anymore… McKenna has managed to rid Violet of the curse claiming the lives of so many in Willow, Wisconsin, but evil still plagues the town. McKenna’s friend Mischa now carries the curse, and when it comes for her family, she pledges revenge on those she deems responsible for their deaths...including McKenna and everyone she holds dear.

Look out for the original series—starring Peyton List, Brent Rivera, Liana Liberato, Ajiona Alexus, and Dylan Sprayberry—now streaming on Hulu! Riverdale meets Final Destination in this fast-paced and deliciously creepy novel about an innocent game that turns deadly at a high school sleepover. It was supposed to be a game… Junior year is shaping up to be the best of McKenna Brady’s life. After a transformative summer, McKenna is welcomed into the elite group of popular girls at Weeping Willow High, led by the gorgeous Olivia Richmond. For the first time in a long time, things are looking up. But everything changes the night of Olivia’s Sweet Sixteen sleepover. Violet, the mysterious new girl in town, suggests the girls play a game during which Violet makes up elaborate, creepily specific stories about the violent ways the friends will die. Though it unsettles McKenna, it all seems harmless at the time. Until a week later, when Olivia dies…exactly as Violet predicted. As Violet rises to popularity and steps into the life Olivia left unfinished, McKenna becomes convinced Olivia’s death wasn’t just a coincidence, especially when a ghost haunting her bedroom keeps leaving clues that point to Violet. With the help of her cute neighbor, Trey, McKenna pledges to get to the bottom of Violet’s secrets and true intentions before it’s too late. Because it’s only a matter of time before more lives are lost.

Brilliant, witty, perceptive essays about fly-fishing, the natural world, and life in general by the acknowledged master of fishing writers. Proving that fishing is not just a part-time pursuit, At the Grave of the Unknown Fisherman takes us through a year with America’s favorite fishing scribe, John Gierach, who dedicates himself to his passion despite his belief that “In the long run, fishing usually amounts to a lifetime of pratfalls punctuated by rare moments of perfection.” Beginning with an early spring expedition to barely thawed Wyoming waters and ending with a New Year’s Eve trip to the Frying Pan River in Colorado, Gierach’s travels find him fishing for trout, carp, and grayling; considering the pros and cons of learning fishing from videos (“video fishing seems a little like movie sex: fun to watch, but a long way from the real thing”); pondering the ethics of sharing secret spots; and debunking the myth of the unflappable outdoorsman (“masters of stillness on the outside, festering s***holes of uncertainty just under the surface”). With an appreciation of the highs, the lows, and all points between, Gierach writes about the fishing life with wisdom, grace, and the well-timed wisecrack. As he says, “The season never does officially end here, but it ends effectively, which means you can fish if you want to and if you can stand it, but you don’t have to.” As any Gierach fan knows, want to and have to are never very far apart.

In Girl at the Grave, debut author Teri Bailey Black unearths the long-buried secrets of a small 1850s New England town in this richly atmospheric Gothic tale of murder, guilt, redemption, and finding love where least expected. A mother hanged for murder. A daughter left to pick up the pieces of their crumbling estate. Can she clear her family’s name if it means facing her own dark past? Valentine has spent years trying to outrun her mother's legacy. But small towns have long memories, and when a new string of murders occurs, all signs point to the daughter of a murderer. Only one person believes Valentine is innocent—Rowan Blackshaw, the son of the man her mother killed all those years ago. Valentine vows to find the real killer, but when she finally uncovers the horrifying truth, she must choose to face her own dark secrets, even if it means losing Rowan in the end. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

First Grave on the Right is the smashing, award-winning debut novel that introduces Charley Davidson: part-time private investigator and full-time Grim Reaper. Charley sees dead people. That's right, she sees dead people. And it's her job to convince them to "go into the light." But when these very dead people have died under less than ideal circumstances (i.e., murder), sometimes they want Charley to bring the bad guys to justice. Complicating matters are the intensely hot dreams she's been having about an Entity who has been following her all her life...and it turns out he might not be dead after all. In fact, he might be something else entirely. This is a thrilling debut novel from Darynda Jones, an exciting newcomer to the world of paranormal romantic suspense. First Grave on the Right is the winner of the 2012 Rita Award for Best First Book.