Gravenhurst And Bethune And China A Long Poem Chronicling A Road Trip From Toronto To Muskoka And Back Again

Gravenhurst And Bethune And China: A Long Poem Chronicling A Road Trip From Toronto To Muskoka And Back Again is a book with a purpose: the author makes the case for changing the name of the town of Gravenhurst to Bethune while describing iconic Canadian travels in the summertime.

After a year in China, Canadian poet Martin Avery returns to Stratford and re-imagines it.

Crazy For Stratford: A Very Long Poem is a poetic chronicle of a road trip to the Stratford Festival in the summer of 2014 to see Crazy For You and other plays in Stratford, Canada.

Swimming To China is Book #3 in the Great Wall Of China Books Series by Canadian author Martin Avery. He is the author of a dozen books of poetry and the winner of the Balzac Award for poetry, well-known as the author of How To Make Love In A Muskoka Chair and The Dorset Fire Tower Poem. Swimming To China is a marathon of poetry describing a marathon swim.

Originally published in the early 1950s, The Scalpel, the Sword celebrates the turbulent career of Dr. Norman Bethune (1890-1939), a brilliant surgeon, campaigner against private medicine, communist, and graphic artist. Bethune belonged to that international contingent of individuals who recognized the threat of fascism in the world and went out courageously to try to defeat it. Born in Gravenhurst, Ontario, Bethune introduced innovative techniques in treating battlefield injuries and pioneered the use of blood transfusions to save lives, which made him a legend first in Spain during the civil war and later in China when he served with the armies of Mao Zedong in their fight against the invading Japanese. He is today remembered amongst the pantheon of Chinese revolutionary heroes. In Canada Bethune’s strong left-wing views made him persona non grata, but this highly readable and engaging account has helped to sustain the memory of a great man.

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The core of the book revolves around the shifting nature of Ontario’s political landscape. In many ways this is a story of successive governments, ambitious politicians, diligent bureaucrats, and endless library reports straddling the decades. Their aim appears to have been making even better a system that, despite weaknesses, was clearly the best in Canada. Three distinctive trends emerged in Ontario librarianship after the 1930s: first, a growing sense of professionalism in librarianship; second, an enhanced sense of belonging to a pan-Canadian library movement that in 1946 would result in the formation of the Canadian Library Association; and third, a heightened awareness of the competing demands of high culture and popular culture. Public libraries became an important vehicle for promoting community, albeit with competing visions of “space and place,” as Canada generally and Ontario specifically experienced post-World War II immigration and the baby boom. As libraries approached the 21st century, the concerns of digital formats and the all-encompassing Internet intertwined to alter the book-centric "bricks and mortar" world of libraries. Nonetheless, public libraries were well placed to survive this new threat, just as they had with the challenges of radio, television, and telecommunication challenges in the 20th century.