Great Houses Of New York 1880 1940

Michael Kathrens continues to explore magnificent residences, both celebrated and less well known, including the art- and treasure-filled houses of Henry O. Havermayer and Jeannette Dwight Bliss, the Murray Hill residence of James D. Lanier, and architect Ernest Flagg's own house that once stood at 109 E. 40th Street.

With anecdotes about the owners brightening the survey of the mansions, their construction, and architectural features, this text contains 43 entries, each illustrated with a wealth of period photos of the building's exterior and, especially, interior rooms and decor. An introduction discusses New York City's architectural history. An appendix with

This essay collection, by scholars from both the United States and Europe, carefully examines the artwork of one of the most important 20th-century American painters and printmakers, George Bellows. It builds on the Columbus Museum of Art’s 2013 exhibition, George Bellows and the American Experience, and the National Gallery of Art’s 2012 exhibition, George Bellows. The volume offers innovative research that explores his oeuvre from multiple viewpoints. The essays challenge widely held perceptions of Bellows, such as his Americanness, hyper-masculinity, patronage, response to the World War I, and his relationship to fellow artist Edward Hopper. This is an essential collection for any serious study on Bellows’ work.

Journey through the splendor and the excesses of the Gilded Age "Every aspect of life in the Gilded Age took on deeper, transcendent meaning intended to prove the greatness of America: residences beautified their surroundings; works of art uplifted and were shared with the public; clothing exhibited evidence of breeding; jewelry testified to cultured taste and wealth; dinners demonstrated sophisticated palates; and balls rivaled those of European courts in their refinement. The message was unmistakable: the United States had arrived culturally, and Caroline Astor and her circle were intent on leading the nation to unimagined heights of glory."—From A Season of Splendor Take a dazzling journey through the Gilded Age, the period from roughly the 1870s to 1914, when bluebloods from older, established families met the nouveau riche headlong—railway barons, steel magnates, and Wall Street speculators—and forged an uneasy and glittering new society in New York City. The best of the best were Caroline Astor's 400 families, and she shaped and ruled this high society with steel. A Season of Splendor is a panoramic sweep across this sumptuous landscape, presenting the families, the wealth, the balls, the clothing, and the mansions in vivid detail—as well as the shocking end of the era with the sinking of the Titanic.

Exploring the significance of places that built our cultural past, this guide is a lens into historical sites spanning the entire history of the United States, from Acoma Pueblo to Ground Zero. Historic Sites and Landmarks That Shaped America: From Acoma Pueblo to Ground Zero encompasses more than 200 sites from the earliest settlements to the present, covering a wide variety of locations. It includes concise yet detailed entries on each landmark that explain its importance to the nation. With entries arranged alphabetically according to the name of the site and the state in which it resides, this work covers both obscure and famous landmarks to demonstrate how a nation can grow and change with the creation or discovery of important places. The volume explores the ways different cultures viewed, revered, or even vilified these sites. It also examines why people remember such places more than others. Accessible to both novice and expert readers, this well-researched guide will appeal to anyone from high school students to general adult readers.

While it has always been hard to do, establishing a clear difference between mainstream media and alternative media has grown even more difficult within the past twenty years. With the emergence of such efforts as open publishing, web-logging and video-logging, video-posting websites, citizen journalism, creative-commons initiatives, and image-focused anti-corporate activism, it has become increasingly difficult to navigate within this emerging media landscape. The traditional lines between mainstream and alternative and between producers and consumers have been blurred. This growing inability to adequately map this landscape demands that these lines be reconsidered. New ways must be formed for probing implications of these new media outlets for democratization and global-justice movements. This book reconstitutes the cultural and historical roots of this protean media landscape and assesses its relevance to democratic communications. Using a comprehensively argued cultural and historical analysis, the book rethinks long-standing assumptions about alternative media and democratic communications. By providing greater understanding of historical resources, limitations, and possibilities, this book makes a key contribution not only to scholarship in this area, but also to this pressing social, political, and cultural issue.

Everything from Amos n' Andy to zeppelins is included in this expansive two volume encyclopedia of popular culture during the Great Depression era. Two hundred entries explore the entertainments, amusements, and people of the United States during the difficult years of the 1930s. In spite of, or perhaps because of, such dire financial conditions, the worlds of art, fashion, film, literature, radio, music, sports, and theater pushed forward. Conditions of the times were often mirrored in the popular culture with songs such as Brother Can You Spare a Dime, breadlines and soup kitchens, homelessness, and prohibition and repeal. Icons of the era such as Fred Astaire and Ginger Rogers, Louis Armstrong, Bing Crosby, F. Scott Fitzgerald, George and Ira Gershwin, Jean Harlow, Billie Holiday, the Marx Brothers, Roy Rogers, Frank Sinatra, and Shirley Temple entertained many. Dracula, Gone With the Wind, It Happened One Night, and Superman distracted others from their daily worries. Fads and games - chain letters, jigsaw puzzles, marathon dancing, miniature golf, Monopoly - amused some, while musicians often sang the blues. Nancy and William Young have written a work ideal for college and high school students as well as general readers looking for an overview of the popular culture of the 1930s. Art deco, big bands, Bonnie and Clyde, the Chicago's World Fair, Walt Disney, Duke Ellington, five-and-dimes, the Grand Ole Opry, the jitter-bug, Lindbergh kidnapping, Little Orphan Annie, the Olympics, operettas, quiz shows, Seabiscuit, vaudeville, westerns, and Your Hit Parade are just a sampling of the vast range of entries in this work. Reference features include an introductory essay providing an historical and cultural overview of the period, bibliography, and index.

Unsurpassed in the natural beauty of its rolling landscape and splendid harbours, the scope and