Great War Britain

Jeremy Paxman's magnificent history of the First World War tells the entire story of the war in one gripping narrative from the point of view of the British people. NOW A MAJOR BBC TELEVISION SERIES "He writes so well and sympathetically, and chooses his detail so deftly, that if there is one new history of the war that you might actually enjoy from the very large centennial selection this is very likely it" The Times We may think we know about it, but what was life really like for the British people during the First World War? The well-known images - the pointing finger of Lord Kitchener; a Tommy buried in the mud of the Western Front; the memorial poppies of remembrance day - all reinforce the idea that it was a pointless waste of life. So why did the British fight it so willingly and how did the country endure it for so long? Using a wealth of first-hand source material, Jeremy Paxman brings vividly to life the day-to-day experience of the British over the entire course of the war, from politicians, newspapermen, campaigners and Generals, to Tommies, factory workers, nurses, wives and children, capturing the whole mood and morale of the nation. It reveals that life and identity in Britain were often dramatically different from our own, and show how both were utterly transformed - not always for the worst - by the enormous upheaval of the war. Rich with personalities, surprises and ironies, this lively narrative history paints a picture of courage and confusion, doubts and dilemmas, and is written with Jeremy Paxman's characteristic flair for storytelling, wry humour and pithy observation. "A fine introduction to the part Britain played in the first of the worst two wars in history. The writing is lively and the detail often surprising and memorable" Guardian Jeremy Paxman is a renowned broadcaster, award-winning journalist and the bestselling author of seven works of non-fiction, including The English, The Political Animal and Empire.

How and why did Britain become involved in the First World War? Taking into account the scholarship of the last twenty-five years, this second edition of Zara S. Steiner's classic study, thoroughly revised with Keith Neilson, explores a subject which is as highly contentious as ever. While retaining the basic argument that Britain went to war in 1914 not as a result of internal pressures but as a response to external events, Steiner and Neilson reject recent arguments that Britain became involved because of fears of an 'invented' German menace, or to defend her Empire. Instead, placing greater emphasis than before on the role of Russia, the authors convincingly argue that Britain entered the war in order to preserve the European balance of power and the nation's favourable position within it. Lucid and comprehensive, Britain and the Origins of the First World War brings together the bureaucratic, diplomatic, economic, strategical and ideological factors that led to Britain's entry into the Great War, and remains the most complete survey of the pre-war situation.

In The Pity of War, Niall Ferguson makes a simple and provocative argument: that the human atrocity known as the Great War was entirely England's fault. Britain, according to Ferguson, entered into war based on naïve assumptions of German aims—and England's entry into the war transformed a Continental conflict into a world war, which they then badly mishandled, necessitating American involvement. The war was not inevitable, Ferguson argues, but rather the result of the mistaken decisions of individuals who would later claim to have been in the grip of huge impersonal forces.That the war was wicked, horrific, inhuman,is memorialized in part by the poetry of men like Wilfred Owen and Siegfried Sassoon, but also by cold statistics. More British soldiers were killed in the first day of the Battle of the Somme than Americans in the Vietnam War; indeed, the total British fatalities in that single battle—some 420,000—exceeds the entire American fatalities for both World Wars. And yet, as Ferguson writes, while the war itself was a disastrous folly, the great majority of men who fought it did so with enthusiasm. Ferguson vividly brings back to life this terrifying period, not through dry citation of chronological chapter and verse but through a series of brilliant chapters focusing on key ways in which we now view the First World War.For anyone wanting to understand why wars are fought, why men are willing to fight them, and why the world is as it is today, there is no sharper nor more stimulating guide than Niall Ferguson's The Pity of War.

Previous edition of this translation: 2005.

_______________________________ 'A brilliant history: The first serious and really wide-ranging history of the Home Front during the Great War for decades. Scholarly, objective and extremely well-written. Filled with surprising revelations and empathy. Heffer's eye for the telling detail is evident on almost every page. A remarkable intellectual and literary achievement.' - ANDREW ROBERTS, TELEGRAPH _______________________________ A major new work of history on the profound changes in British society during the First World War The Great War evokes images of barbed wire and mud-filled trenches, and of the carnage of the Somme and Passchendaele, but it also involved change on the home front on an almost revolutionary scale. In his hugely ambitious and deeply researched new book, Simon Heffer explores how Britain was drawn into this slaughter, and was then transformed to fight a war in which, at times, its very future seemed in question. After a vivid account of the fraught conversations between Whitehall and Britain's embassies across Europe as disaster loomed in July 1914, Heffer explains why a government so desperate to avoid conflict found itself championing it. He describes the high politics and low skulduggery that saw the principled but passive Asquith replaced as prime minister by the unscrupulous but energetic Lloyd George; and he unpicks the arguments between politicians and generals about how to prosecute the war, which raged until the final offensive. He looks at the impact of four years of struggle on everyday life as people sought to cope with dwindling stocks of food and essential supplies, with conscription into the Army or wartime industries, with air-raids and with the ever-present threat of bereavement; and, in Ireland, with the political upheaval that followed the Easter Rising. And he shows how, in the spring of 1918, political obstinacy and incompetence saw all this sacrifice almost thrown away. Throughout, he complements his analysis with vivid portraits of the men and women who shaped British life during the war - soldiers such as Lord Kitchener, politicians such as Churchill, pacifists such as Lady Ottoline Morrell, and overmighty subjects such as the press magnate Lord Northcliffe. The result is a richly nuanced picture of an era that endured suffering and loss on an appalling scale but that also advanced the emancipation of women, notions of better health care and education, and pointed the way to a less deferential, more egalitarian future. _____________________________ 'Staring at God is a vast compendium of atrocious political conduct. Refreshing. A trenchant history.' - GERARD DE GROOT, THE TIMES 'A magisterial history' - MELANIE MCDONAGH, DAILY MAIL 'Gloriously rich and spirited [...] it zips along, leavened by so many wonderful cultural and social details.' - DOMINIC SOUTHBROOK, SUNDAY TIMES 'Ambitious in its scope, content and approach. Masterly.' - CHARLES VYVYAN, STANDPOINT 'Fascinating stuff.' - SPECTATOR 'Possibly the finest, most comprehensive analysis of the home front in the Great War ever produced.' - LITERARY REVIEW 'Every bit as good as its two predecessors. Illuminating.' - EXPRESS 'Absorbing' - NEW STATESMAN

In 1914 almost one quarter of the earth's surface was British. When the empire and its allies went to war in 1914 against the Central Powers, history's first global conflict was inevitable. It is the social and cultural reactions to that war and within those distant, often overlooked, societies which is the focus of this volume. From Singapore to Australia, Cyprus to Ireland, India to Iraq and around the rest of the British imperial world, further complexities and interlocking themes are addressed, offering new perspectives on imperial and colonial history and theory, as well as art, music, photography, propaganda, education, pacifism, gender, class, race and diplomacy at the end of the pax Britannica.

A groundbreaking new history of the British home front during the First World War.

This study is the first thorough analysis of the extent of the opposition to the Great War in Wales, and is the most extensive study of the anti-war movement in any part of Britain. It is, therefore, a significant contribution to our understanding of people’s responses to the conflict, and the difficulty of mobilising the population for total war. The anti-war movement in Wales and beyond developed quickly from the initial shock of the declaration of war, to the civil disobedience of anti-war activists and the industrial discontent excited by the Russian Revolution and experienced in areas such as the south Wales coalfield in 1917. The differing responses to the war within Wales are explored in this book, which charts how the pacifist tradition of nineteenth-century Welsh Nonconformity was quickly overturned. The two main elements of the anti-war movement are analysed in depth: the pacifist religious opposition, the Fellowship of Reconciliation, and the Nonconformist dissidents who were particularly influential in north and west Wales; and the political opposition concentrated in the Independent Labour Party and among the radical left within the South Wales Miners’ Federation.