Greek And Roman Sculpture In America

Offers analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, and art history.

This book is an introduction to the art of sculpture in ancient Greece and Rome, written in an accessible style for a general audience. It includes chapters on the major styles and forms of Greek and Roman sculpture, as well as an overview of the historical and cultural contexts in which these works were created. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A landmark volume on the uses and reuses of statuary in late antiquity.

This handbook is a richly illustrated guide to the world of Greek and Roman sculpture. It provides detailed descriptions and analyses of individual works, along with historical and artistic context. This is an essential guide for art historians, students of ancient history, and anyone interested in classical art and sculpture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The meeting assembled an interdisciplinary group of nearly 50 archaeologists and art historians, geologists and geochemists from the U.S.A. and 14 European and Near Eastern countries to discuss the provenance, quarrying, transport and use of stone from prehistoric to early Christian times, both in Europe and in the Near East. The papers which reflect a merger between classicism and geotechnology, thus deal with (1) quarries from the Bronze Age to the Byzantine period, their technology and organization, (2) quarry prospection through satellite imaging, (3) dressing of artifacts near the quarries, (4) trade, availability and archaeological use of certain stones in antiquity, (5) determination of obsidian, flint, granite, marble, limestones, sandstones and arkoses from Europe, Asia Minor and the Near East by means of petrological and chemical analysis, trace element analysis, electron microprobe and stable isotope analysis, ESR spectroscopy, X-ray fluorescence and X-ray powder diffradtometry, mercury porosimetry, cathodoluminiscence, light diffustion from laser-irradiated stones, computer assisted assessment of coloured stones or amulti-method appraoch, and (6) provenance determination applied to ancient artifacts.The volume is highly recommended for those who wish to combine a journey into classical scholarship with geochemical sciences.

A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.