Greek Narratives Of The Roman Empire Under The Severans

This book explores how Greek authors who witnessed sudden political change reacted by re-imagining the larger narrative of the Roman past.

The year of the four emperors in AD 193 shows the cosmopolitan interconnectedness of the Roman Empire, yet scholarship has long framed the Severan dynasty in a narrative of descent stressing their North African and in particular their Syrian origins. The contributions of this volume question this conventional approach and instead examine more closely actual Severan policy in the Near East to detect potential local connections that determined this policy as well as how local communities and elites reacted to it. The volume thus explores new beginnings and old connections in the Roman Near East.

This book argues that Herodian uses an orderly and coherent historiographical form to reconfigure and explicate a most chaotic period of Roman history. Through patterning he offers a distinctive interpretative framework in which successive reigns and individual emperors need to be read in a dovetailed way.

The Severans analyses the colourful decline of the Roman Empire during the reign of the Severans, the first non-Italian dynasty. In his learned and exciting style, Michael Grant describes the foreign wars waged against the Alemanni and the Persians, and the remarkable personalities of the imperial family. Thus the reader encounters Julia Domna's alleged literary circle, or Elagabalus' curious private life - which included dancing in the streets, marrying a vestal virgin and smothering his enemies with rose petals. With its beautifully selected plate section, maps and extensive bibliography, this book will appeal to the student of ancient history as well as to the general reader. Michael Grant is one of the world's greatest writers on ancient history. His previous publications include: Art in the Roman Empire, Greek and Roman Historians and Who's Who in Classical Mythology all published by Routledge.

A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.

Presents a radical new reading of how Christian history was rewritten in the fourth century to suit its circumstances under Rome.

Rome – Urbs Roma: city of patricians and plebeians, emperors and gladiators, slaves and concubines – was the epicentre of a far-flung imperium whose cultural legacy is incalculable. How a tiny settlement, founded by desperate adventurers beside the banks of the River Tiber, came to rule vast tracts of territory across the face of the known world is one of the more improbable stories of antiquity. The epic scale of the Colosseum; majestically columned temples; formidable legionaries marching in burnished steel breastplates; and capricious Caesars clad in purple robes who thought themselves gods: all these images speak of a grandeur that continues to be associated with this most celebrated of ancient capitals. The glory of Rome is further underlined by enduring monuments like Hadrian's Wall, holding the line as it did against ferocious Pictish barbarians thought to be from Hyperborea: the mythic Land Beyond the North Wind. This book vividly recounts the rags-to-riches story of Rome's unlikely triumph. Perhaps the most famous example in history of modest beginnings rising to greatness, Rome's empire was never static or uniform. Over the centuries, under the 'boundless grandeur of the Roman peace' (as the Elder Pliny put it), imperial law, civilisation and language vigorously interacted with and influenced local cultures across western and central Europe and North Africa. Provincial subjects were made Roman citizens, generals and senators. In AD 98 Trajan became the first of many Romans from outside Italy to assume supreme power as Emperor. Poets, philosophers, historians and legalists – and many others besides – all participated in the brilliant intellectual constellation secured by the pax Romana. However, as Dexter Hoyos reveals, the empire was not won cheaply or fast, and did not always succeed. The Carthaginian general Hannibal came close to destroying it. Arminius freed Germania by brutally annihilating three irreplaceable legions in the Teutoburg Forest – a disaster that broke Augustus' heart. And the Romans themselves, in expanding their empire, were often ruthless. Caesar boasted of killing a million enemy fighters in his Gallic Wars, while the accusation of a Caledonian lord became proverbial: they make a desert and call it peace. Yet at the same time the Romans strove to impose moral and legal principles for directing their subjects as much as themselves, and laid down standards of government that are still valid today. Rome Victorious is a masterful new treatment of the rise of Rome – from the viewpoints both of the city itself and the people it came to rule and make its own.

Fashioning the Future in Roman Greece: Memory, Monuments, Texts uses literature, inscriptions, art, and architecture to explore the relationship of elite Greeks of the Roman imperial period to time. This wide-ranging work challenges conventional thinking about the temporal positioning of imperial Greece and the so-called 'Second Sophistic', which holds that it was obsessed above all with the Classical past. Instead, the volume establishes that imperial Greek temporality was far more complex than scholarship has previously allowed by detailing how contemporary cultural output used the past to position itself within tradition but was crafted to speak to the future. At the same time, the book emphasizes the value of interdisciplinary analysis in any explication of elite culture in Roman Greece, since abundant extant evidence reveals its purveyors were often responsible for the production of both literature and material culture. Strazdins shows how these two modes of cultural production in the hands of elites, such as Herodes Atticus, Arrian, Aelius Aristides, Lucian, Dio Chrysostom, Polemon, Pausanias, and Philostratus, exhibit a shared rhetoric oriented towards posterity and informed by a heightened awareness of the fragility of cultural and personal memory over large spans of time. The book thus provides a sophisticated analysis of the tensions, anxieties, and opportunities that attend the fashioning of commemorative strategies against the background of the 'Second Sophistic' and the Roman empire, and details the consequences of embroilment with futurity on our understanding of the cultural and political concerns of elite imperial Greeks.