Green Hills Of Magic

In the early years of this century, miners from nearly every country in Europe and Asia Minor migrated to West Virginia to seek employment in its great collieries. With them they brought many folktales and legends of then homelands. Ruth Ann Musick has collected some of the best and most representative of these stories—never before published in book form—in The Green Hills of Magic. In many instances, these tales were first related in family circles in the native languages of the tellers, later to be translated by their younger English-speaking descendants. Entertaining in themselves, the stories are also excellent examples of the diverse folk beliefs and cultural patterns of the national and ethnic immigrant groups. The tales are attractively illustrated with more than twenty black-and-white drawings.

"Wow, Mrs. Mable, you're magical!" From the eyes of four year old Lynnie, the world of her nanny, Mrs. Mable, came alive the day she discovered that secret. This is a story based on the real life relationship of that little girl and her nanny, and so begins the exciting journey they would take together.

A lone man wanders from swamp to swamp searching for himself, a wolf-girl visits Wales and eats the sheep, a Welsh criminal marries an 'Indian Princess', Lakota men re-enact the Wounded Knee Massacre in Cardiff and, all the while, mountain women practise Appalachian hoodoo, native healing and Welsh witchcraft. These stories are a mixture of true tales, tall tales and folk tales, that tell of the lives of migrants who left Wales and settled in America, of the native and enslaved people who had long been living there, and those curious travellers who returned to find their roots in the old country. They were explorers, miners, dreamers, hobos, tourists, farmers, radicals, showmen, sailors, soldiers, witches, warriors, poets, preachers, prospectors, political dissidents, social reformers, and wayfaring strangers. The Cherokee called them: ' the Moon-Eyed People'.

I hadn’t set foot in the human world for more than a few hours in over three and a half months. Sure, I was stronger and faster than I’d ever been before, and I had a shiny new sword, but I was seriously chocolate deprived. I don’t recommend quitting cold turkey. And the new sword was a problem — to my mind, anyway. It represented all the expectations of a powerful father and a new otherworldly life. A life that wasn’t the one I’d worked so hard to build. It also represented the responsibility I had to bring my foster sister Sienna to … what? Justice? I didn’t know if that was even possible. What I did know was that Sienna wouldn’t stop, and that I couldn’t just leave everything up to fate and destiny … or maybe I was. Maybe I was doing exactly what I was supposed to be doing. If you believed in that sort of thing. I just hoped that before the chaos and mayhem renewed, I’d manage to get my hands on some chocolate. It didn’t even have to be single-origin Madagascar. I was utterly prepared to lower my standards. ----------------------------- Treasures, Demons, and Other Black Magic is the third book in the Dowser series, which is set in the same universe as the Oracle, Reconstructionist, Amplifier, Archivist, and Misfits of the Adept Universe series. While it is not necessary to read all the series, in order to avoid spoilers the ideal reading order of the Adept Universe begins with Cupcakes, Trinkets, and Other Deadly Magic (Dowser 1).

All Prunella wants is to be a proper bog-witch. Unfortunately, her curses tend to do more good than harm. When her mixed-up magic allows a sneaky thief to escape her grandmother's garden, Prunella is cast out until she can prove herself. It's hard enough being exiled to the unmagical Uplands, but traveling with the smug young thief Barnaby is even worse. He's determined to gain fame and fortune by recovering the missing Mirable Chalice. And to get what she wants, Prunella must help him, like it or not.

This collection of poetry culls Karl Stead’s most lasting and memorable works into a single volume. Drawn from previously published works though his distinguished career, from his debut collection Whether the Will is Free to his recent publication The Black River, this resource also contains 22 previously unpublished poems from his early days.

The persecution of Old World German Protestants and Anabaptists in the seventeenth century--following debilitating wars, the Reformation, and the Inquisition-- brought about significant immigration to America. Many of the immigrants, and their progeny, settled in the Appalachian frontier. Here they established a particularly old set of religious beliefs and traditions based on a strong sense of folk spirituality. They practiced astrology, numerology, and other aspects of esoteric thinking and left a legacy that may still be found in Appalachian folklore today. Based in part on the author's extensive collection of oral histories from the remote highlands of West Virginia, Signs, Cures, and Witchery; German Appalachian Folklore describes these various occult practices, symbols, and beliefs; how they evolved within New World religious contexts; how they arrived on the Appalachian frontier; and the prospects of those beliefs continuing in the contemporary world. By concentrating on these inheritances, Gerald C. Milnes draws a larger picture of the German influence on Appalachia. Much has been written about the Anglo-Celtic, Scots-Irish, and English folkways of the Appalachian people, but few studies have addressed their German cultural attributes and sensibilities. Signs, Cures, and Witchery sheds startling light on folk influences from Germany, making it a volume of tremendous value to Appalachian scholars, folklorists, and readers with an interest in Appalachian folklife and German American studies.