Greening Death

We once disposed of our dead in earth-friendly ways—no chemicals, biodegradable containers, dust to dust. But over the last 150 years death care has become a toxic, polluting, and alienating industry in the United States. Today, people are slowly waking up to the possibility of more sustainable and less disaffecting death care, reclaiming old practices in new ways, in a new age. Greening Death traces the philosophical and historical backstory to this awakening, captures the passionate on-the-ground work of the Green Burial Movement, and explores the obstacles and other challenges getting in the way of more robust mobilization. As the movement lays claim to greener, simpler, and more cost-efficient practices, something even more promising is being offered up—a tangible way of restoring our relationship to nature.

Over the last fifteen years, people have been slowly waking up to the toxic and alienating practices that have come to make up the American Way of Death. Greening Death explores this awakening, arguing that beyond the greener and more cost-efficient practices of the Green Burial Movement lies an even greater promise--tying us back to the earth.

The depletion of South Africa’s (and in some cases the world’s) natural resources and the degradation of environmental sinks (including the atmosphere, lakes and rivers, and land) are continuing at such a rate that natural resource prices are climbing and many critical ecosystem services that underpin human welfare are increasingly threatened. The concept of the ‘green economy’ has gained increasing traction in South African policy discourses over the past few years. However, in much of this discourse it is viewed in a piecemeal way as one part or sector of the economy (e.g. an industrial sector dealing with manufacture and installation of renewable energy technologies and energy-efficient equipment and appliances). In the view of the authors, ‘greening the South African economy’ requires an application of sustainability principles and practices across the full range of primary, secondary and tertiary sectors of the economy in an integrated manner. The aim of this book is therefore to apply principles of sustainability and ‘green economics’ to the entire South African socio-economic system and its major elements in an integrated and comprehensive manner.

Funeral expenses in the United States average more than $10,000. And every year conventional funerals bury millions of tons of wood, concrete, and metals, as well as millions of gallons of carcinogenic embalming fluid. There is a better way, and Elizabeth Fournier, affectionately dubbed the "Green Reaper"; walks you through it, step-by-step. She provides comprehensive and compassionate guidance, covering everything from green burial planning and home funeral basics to legal guidelines and outside-the-box options, such as burials at sea. Fournier points the way to green burial practices that consider both the environmental well-being of the planet and the economic well-being of loved ones.

The influence of Andre Green on psychoanalysis has been immeasurable - his theoretical, clinical and cultural contributions have identified him as one of the most important psychoanalytic thinkers of our times. The present book brings together a group of eminent psychoanalysts from different parts of the world, all of whom presented the papers included in this volume at the 2015 Conference on The Greening of Psychoanalysis. Every one of these texts conveys a rich sense of continuing a conversation, always creative, albeit challenging, forever engaging and fruitful, with Andre Green. This book is an invitation to the reader to join in.

Addressing a growing need to examine environmental issues from a cultural perspective, this innovative book adopts a cultural studies approach to reach a deeper understanding of the significance of ecological issues in our lives. Eco-Impacts and the Greening of Postmodernity explores such vital questions as: Can nature survive? How do academic disciplines engage with environmental crises? And, how do we map sustainable futures? The authors, Tom Jagtenberg and David McKie, bring a body of relevant literature into the debate - that stems from both cultural and environmental issues - as well as their own multidisciplinary perspectives on the subject.

The 13th edition of Death, Society, and Human Experience provides a panoramic overview of the ways that we are touched by death and dying, both as individuals and as members of society. A landmark text in the field, the authors draw on contributions from the social and behavioral sciences as well as the humanities, including perspectives offered through history, philosophy, religion, literature, and the arts, to provide thorough coverage and understanding of topics associated with the end of life and death and dying. By approaching the subject from multiple angles, the authors explain the various ways that individual, cultural, and societal attitudes influence both how and when we die and how we live and deal with the knowledge of death and loss. Originally written by Robert Kastenbaum, a renowned scholar who developed one of the world’s first death education courses, Christopher M. Moreman, who has worked in the field of death studies for two decades, has updated this edition. In addition to infusing his close areas of focus, both in afterlife beliefs and experiences and how these might affect how people live their lives, he’s weaved in new coverage of current affairs, including: The impact of COVID-19 on experiences of death, bereavement, mourning, and more Expanded legalization of physician-assisted dying in the United States and several countries Changes in bereavement rituals and traditions stemming from technology use and social media With additional content and classroom extensions available online, Death, Society, and Human Experience remains a thoughtful, exploratory, and impressively comprehensive overview for undergraduate and graduate courses in death, dying, and bereavement.

Ecohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene. Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily “other.” A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism. In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.