Grey Is The Color Of Hope

If it ever falls to you, my reader (though God forbid!) to see your name written on a prison wall and followed by the letters 'LYMTL', that will simply mean 'Love You More Than Life'. These letters are no harder to remember than 'KGB'. GREY IS THE COLOUR OF HOPE is the searing account of the author's experiences in a brutal Soviet labour camp. Only twenty-eight when she was imprisoned for her poetry, Irina Ratushinskaya was already regarded as a leading writer of her generation, in the line of Mandelstam and Pushkin. She nearly died from maltreatment and a series of hunger strikes before eventually finding freedom. With surprising moments of humour, her inspiring memoir reveals how a group of incarcerated women built for themselves a life of selfless courage, order and mutual support.

The gulag memoirs of a brave woman, a distinguished dissident and poet--Ratushinskaya gives her account of the four years she spent in a "strict regime" labor camp at Barashevo, where she endured several types of abuse.

The Christian life, says Richard Dahlstrom, should be guided by the intentional goal of blessing the lives of the friends, loved ones, and strangers in our midst. We are called to impact a culture that, for all the rhetoric about hope, is overwhelmingly preoccupied with personal peace, prosperity, protection, and survival. Christians should be artists who paint with the colors of hope in a broken world, embodying Christ's redemptive presence in our personal lives, our work, and our relationships. This inspiring and practical book offers tools for living out this vision in daily life, with special attention given to the challenges we face in staying focused on the mission of imparting hope to others even while dealing with our own personal issues. Anyone who wishes they could have an impact on the world will cherish this unique book.

The New York Times bestseller and “a rich brew of dystopic fantasy and deadpan goofiness” (The Washington Post) from the author of the Thursday Next series and Early Riser Welcome to Chromatacia, where the societal hierarchy is strictly regulated by one's limited color perception. And Eddie Russet wants to move up. But his plans to leverage his better-than-average red perception and marry into a powerful family are quickly upended. Juggling inviolable rules, sneaky Yellows, and a risky friendship with an intriguing Grey named Jane who shows Eddie that the apparent peace of his world is as much an illusion as color itself, Eddie finds he must reckon with the cruel regime behind this gaily painted façade.

Waterstones Scottish Children’s Book of the Month Years ago, the Emperor used dark magic to steal all the colour from the world. Now he keeps it for himself, enjoying its life-giving power while everyone else must exist in cold shades of grey. That is, until a miracle baby is born – everything she touches turns to colour. But the child’s life is in danger from her very first breath. Soon the Emperor’s murderous Ripper Dogs and Black Coats come hunting. Can the girl and her adopted father survive in the forest – and what will it take to return colour and hope to the world?

The Color of Hope: People of Color Mental Health Narratives is a project that sheds light on mental health in communities of color by sharing stories by those affected by mental illness. By sharing our stories, we open up discussion around the topic and break through stigma and shame. The contributors represent those living with or affected by loved ones with depression, bipolar disorder, borderline personality disorder, post-traumatic stress disorder, schizophrenia, and other conditions. They are men and women, children and adults, political prisoners, college students, politicians, musicians, business people, artists, fathers, mothers, daughters...all of African, Latino, and Asian descent. Their narratives add to the tapestry of the human experience and without them, our history is incomplete.

Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period. The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship.