Grounded Phonology

This breakthrough study argues for a significant link between phonetics and phonology. Its authors propose that phonological rules and representations are tightly constrained by the interaction of formal conditions drawn from a limited universal pool and substantive conditions of a phonetically motivated nature. They support this proposal through principled accounts of a variety of topics such as vowel harmony, neutrality, and under specification.Unlike much work on this topic, Archangeli and Pulleyblank provide an explicit account of their assumptions, defined in a comprehensive theory of phonological rules and representations. The authors survey an impressive range of data, including an investigation of cross-linguistic patterns of ATR Harmony. They demonstrate that their theory is flexible enough to account for variation in individual phonological systems, yet it is firmly constrained by a small set of well-motivated principles. Extensive references throughout the book to published and unpublished work provide a valuable roadmap through this semicharted terrain.The approach in Grounded Phonology is modular, in that it presents a theory composed of subtheories, each of which is independently motivated, and the role of each module is to constrain the range of possibilities (of wellformedness)in its domain. Differences among languages can arise from differing intramodular selections or from interaction among modules.Diana Archangeli is Associate Professor in the Department of Linguistics at the University of Arizona. Douglas Pulleyblank is Associate Professor in the Department of Linguistics at the University of British Columbia.

This breakthrough study argues for a significant link between phonetics and phonology. Its authors propose that phonological rules and representations are tightly constrained by the interaction of formal conditions drawn from a limited universal pool and substantive conditions of a phonetically motivated nature. They support this proposal through principled accounts of a variety of topics such as vowel harmony, neutrality, and under specification.Unlike much work on this topic, Archangeli and Pulleyblank provide an explicit account of their assumptions, defined in a comprehensive theory of phonological rules and representations. The authors survey an impressive range of data, including an investigation of cross-linguistic patterns of ATR Harmony. They demonstrate that their theory is flexible enough to account for variation in individual phonological systems, yet it is firmly constrained by a small set of well-motivated principles. Extensive references throughout the book to published and unpublished work provide a valuable roadmap through this semicharted terrain.The approach in Grounded Phonology is modular, in that it presents a theory composed of subtheories, each of which is independently motivated, and the role of each module is to constrain the range of possibilities (of wellformedness)in its domain. Differences among languages can arise from differing intramodular selections or from interaction among modules.Diana Archangeli is Associate Professor in the Department of Linguistics at the University of Arizona. Douglas Pulleyblank is Associate Professor in the Department of Linguistics at the University of British Columbia.

Phonology: Critical Concepts, the first such anthology to appear in thirty years and the largest ever published, brings together over a hundred previously published book chapters and articles from professional journals. These have been chosen for their importance in the exploration of theoretical questions, with some preference for essays that are not easily accessible.Divided into sections, each part is preceded by a brief introduction which aims to point out the problems addressed by the various articles and show their relations to one another.-

This book presents a development of Jean Lowenstamm's idea that phonological constituent structure can be reduced to a strict sequence of non-branching Onsets and non-branching Nuclei. The approach at hand is known as 'CVCV', and emerged from Government Phonology. Since its very beginnings in the early 80s, the central claim of this theory has been that syllable-based generalisations are due to lateral relations among constituents, rather than to the familiar arboreal structure. This book shows that Standard Government Phonology did not go far enough in implementing this idea. CVCV completes the missing steps: structure and causality are fully lateralised. Detailed discussion is offered how basic phonological objects and processes such as Codas, closed syllables, long vowels, geminates, syllabic consonants, vowel-zero alternations, closed syllable shortening, compensatory lengthening, lenition and the like can be represented within the CVCV frame. The first part of the book is called "What is CVCV ?". It presents the properties of the theory. The second part focuses on the reasons why it is worthwhile considering CVCV a valuable and viable approach. The primary goal of the book is not to engage the dialogue with other phonological theories. Rather, it aims at establishing a player in the general game: defining the properties of a theory is always prior to its comparison with other models. In the current OT-dominated phonological scene, then, CVCV appears as a true theory of the 80s insofar as it is representational at core: representations exist and are primitive, rather than arising as accidental results from a heterogeneous set of constraints. The original analyses presented in this book are grounded in the languages that the author is best familiar with, i.e. (Western) Slavic, French, German and some Semitic. Particular attention is paid to diachronic evidence in its relation to the synchronic state of languages.

This textbook describes the approaches to phonology that are most relevant to communication disorders. It examines schools of thought in theoretical phonology, and their relevance to description, explanation and remediation in the clinical context. A recurring theme throughout the book is the distinction between phonological theories that attempt elegant, parsimonious descriptions of phonological data, and those that attempt to provide a psycholinguistic model of speech production and perception. This book introduces all the relevant areas of phonology to the students and practitioners of speech-language pathology and is a companion volume to the authors’ Phonetics for Communication Disorders.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Evolutionary Phonology is a theory of sound patterns which synthesizes results in historical linguistics, phonetics and phonological theory. In this book, Juliette Blevins explores the nature of sounds patterns and sound change in human language over the past 7000–8000 years, the time depth for which the comparative method is reasonably reliable. This book presents an approach to the problem of how genetically unrelated languages, from families as far apart as Native American, Australian Aboriginal, Austronesian and Indo-European, can often show similar sound patterns, and also tackles the converse problem of why there are notable exceptions to most of the patterns that are often regarded as universal tendencies or constraints. It argues that in both cases, a formal model of sound change that integrates phonetic variation and patterns of misperception can account for attested sound systems without reference to markedness or naturalness within the synchronic grammar.

The two volumes of the Phonological Spectrum aim at giving a comprehensive overview of current developments in phonological theory, by providing a number of papers in different areas of current theorizing which reflect on particular problems from different angles. Volume I is concerned with segmental structure, and focuses on nasality, voicing and other laryngeal features, as well as segmental timing. With respect to nasality, questions such as the phonetic underpinning of a distinctive feature [nasal] and the treatment of nasal harmony are treated. As for voicing, the behaviour of voicing assimilation in Dutch is covered while its application in German is examined with an eye to its implications for the stratification of the German lexicon. In the final section of volume I, the structure of diphthongs is examined, as well as the treatment of lenition and the relation between phonetic and phonological specification in sign language.