Growing Up In The New South Africa

Growing up in the new South Africa is based on rich ethnographic research in one area of Cape Town, together with an analysis of quantitative data for the city as a whole. The authors, all based at the time in the Centre for Social Science Research at the University of Cape Town, draw on varied disciplinary backgrounds to reveal a world in which young people's lives are shaped by an often adverse environment and the agency that they themselves exercise. This book should be read by anyone, whether inside or outside of the university, interested in the well-being of young South Africans and the social realities of post-apartheid South Africa.

This story of a middle-class white South African family unfolds between the years 1939 and 1964 - a transformative period in South Africa's political landscape. It is told through the eyes and experiences of the younger son and his rite of passage into a country of racial segregation that gradually opens his eyes to the many injustices imposed upon the majority of the country's population, coupled with a realization that his white privileges are sustained at the brutal expense of others.On a personal level the narrative is a romping journey through the adventures of post-war youth searching for self-identity in a rapidly changing world. It is also a spiritual journey and a breakaway from religious bigotry and prejudice. It is very funny, romantic and adventurous with many young people expressing greater sexual freedom than their parents and grandparents, as they enter an increasingly technological age where the stars are now the limit. The reader is introduced to a tapestry of many fascinating characters reflecting the social and political milieu of the time. To sanitize the vulgarity of its protagonist and his friends in their sometimes wild behavior and language, would be an injustice to the reality of their varied experiences, immature and lacking in discernment as they were at times.As the narration is told in the first person, the storyteller concedes that his account of the people and events recorded may find contradiction and correction in the memory of others who were also there at the time, but that is the nature of any shared experience.About the AuthorNEVILLE HERRINGTON is a former SABC radio journalist and senior lecturer in the Department of Speech and Drama at the University of Natal in Durban; he wrote and directed the double-bill "Strike" and "On Strike" which marked the opening of the university's Square Space Theatre and his political satire, "on Strike", was among the dramatic works chosen to celebrate the opening of the Asoka Theatre. He also wrote "Ulster of the Southern Cross", "The Sullivans of Skeerport", "Still Life" and "The Thorn Child" which played at the City Centre Theatre in Durban, and the Upstairs of the Market Theatre in Johannesburg. He is a recipient of a Durban Critics' Circle award for his 'distinguished contribution to the arts in Natal' and is the author of two new historical novels on the Anglo Boer War: "England Wants Your Gold" and "The Irish Boer Woman" both of which are available on Amazon books and Kindle. He has a PhD in TV drama and recently co-produced, with his wife Sandra, 'The Flawed Genius of Jan Smuts,' - a major drama-documentary set against the Anglo Boer War and the 1st and 2nd World Wars which is available in dvd format on Amazon.

This book is a short collection of memories about being white and living in South Africa during Apartheid. I wrote this book for the reader to easily understand what it was like to live in this environment. It is not a history lesson, but some personal experiences that I went through living in South Africa at the time. Living through apartheid I never even realized that it even existed, because we were brought up to believe that it was normal. Life was paradise for me and hell for others! Many of us did not know or care, and even if we did try to change the system, it would have resulted in prison or death. We believed that changing apartheid would have caused the country to fall into the hands of the communists, and many white people were fearful that black rule would have destroyed South Africa and their lives. The other side of the coin is that I cant comprehend what the lives of most blacks was like, which was excruciatingly difficult, something that I didnt personally experience. Our history books never taught us anything good about blacks. I cant remember ever learning anything positive that blacks did. What I did learn was that they were lazy, uneducated, dangerous, and drank a lot. Stay away from them, and if they bother you call the police. There were serious injustices in South Africa, and many black people suffered under the Apartheid Regime.

There is a gap between the hope for improved social conditions in post-apartheid South Africa and the grim reality of black life there is especially striking for South African children who face serious threats to their health and development as a consequence of poverty, racism, violence, and residual social inequality. Mandela's Children presents the contrasting conditions of hope and peril that characterize life in South African families, schools, and communities. Using empirical data and qualitative case studies, the authors analyze and discuss research on children's behavioral, emotional, and academic development and how they are influenced by community violence, household poverty and family functioning. This discussion is balanced by one that considers the competence, health and resilience of South African children.

Ufrieda Ho’s compelling memoir describes with intimate detail what it was like to come of age in the marginalized Chinese community of Johannesburg during the apartheid era of the 1970s and 1980s. The Chinese were mostly ignored, as Ho describes it, relegated to certain neighborhoods and certain jobs, living in a kind of gray zone between the blacks and the whites. As long as they adhered to these rules, they were left alone. Ho describes the separate journeys her parents took before they knew one another, each leaving China and Hong Kong around the early 1960s, arriving in South Africa as illegal immigrants. Her father eventually became a so-called “fahfee man,” running a small-time numbers game in the black townships, one of the few opportunities available to him at that time. In loving detail, Ho describes her father’s work habits: the often mysterious selection of numbers at the kitchen table, the carefully-kept account ledgers, and especially the daily drives into the townships, where he conducted business on street corners from the seat of his car. Sometimes Ufrieda accompanied him on these township visits, offering her an illuminating perspective into a stratified society. Poignantly, it was on such a visit that her father—who is very much a central figure in Ho’s memoir—met with a tragic end. In many ways, life for the Chinese in South Africa was self-contained. Working hard, minding the rules, and avoiding confrontations, they were able to follow traditional Chinese ways. But for Ufrieda, who was born in South Africa, influences from the surrounding culture crept into her life, as did a political awakening. Paper Sons and Daughters is a wonderfully told family history that will resonate with anyone having an interest in the experiences of Chinese immigrants, or perhaps any immigrants, the world over.

#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

I was born in Harare, the capital of Zimbabwe. My dad was a freedom fighter, waging war for an independent state: South Sudan. We lived in a small country town, in the deep south of Western Australia. I never knew black people could be Muslim until I met my North African friends. My mum and my dad courted illegally under the Apartheid regime. My first impression of Australia was a housing commission in the north of Tasmania. Somalis use this term, “Dhaqan Celis”. “Dhaqan” means culture and “Celis” means return. Learning to kick a football in a suburban schoolyard. Finding your feet as a young black dancer. Discovering your grandfather’s poetry. Meeting Nelson Mandela at your local church. Facing racism from those who should protect you. Dreading a visit to the hairdresser. House- hopping across the suburbs. Being too black. Not being black enough. Singing to find your soul, and then losing yourself again. Welcome to African Australia. Compiled by award-winning author Maxine Beneba Clarke, with curatorial assistance from writers Ahmed Yussuf and Magan Magan, this anthology brings together voices from the regions of Africa and the African diaspora, including the Caribbean and the Americas. Told with passion, power and poise, these are the stories of African-diaspora Australians. Contributors include Faustina Agolley, Santilla Chingaipe, Carly Findlay, Khalid Warsame, Nyadol Nyuon, Tariro Mavondo and many, many more. ‘A deeply moving and unforgettable read – there is something to learn from each page. FOUR AND A HALF STARS’ —Books+Publishing ‘A complex tapestry of stories specific in every thread and illuminating as a whole ... The wonderful strength of this anthology lies in the easily understood and the never imagined.’ —Readings ‘In the face of structural barriers to health care, education, housing and employment, the narratives in Growing Up African are tempered with stories of deep courage, hope, resilience and endurance.’ —The Conversation ‘Growing Up African in Australia is almost painfully timely. It speaks to the richness of a diaspora that is all too often deprived of its nuances ... Lively, moving, and often deeply affecting, it is an absolute must-read. FOUR AND A HALF STARS’ —The AU Review