Grunt Slang In Vietnam

A look at how combat, culture, and military tradition influenced soldiers’ language in Vietnam from the award-winning, USA Today–bestselling author. The slang, or unique vocabulary, of the soldiers and marines serving in Vietnam, was a mishmash of words and phrases whose origins reached back to the Korean War, World War II, and even earlier. Additionally, it was influenced by the United States’ rapidly changing protest culture, ideological and poetical doctrine, ethical and cultural conflicts, racialism, and drug culture. This “slanguage” was rendered even more complex by the Pidgin Vietnamese-English spoken by Americans and Vietnamese alike. But perhaps most importantly, it reflected the soldiers’ actual daily lives, played out in the jungles, swamps, and hills of Vietnam.

Cu Chi, (body bag), Shit-hook (Chinook helicopter), dink (Vietnamese slang for a G.I.), slope (G.I. slang for a Vietnamese), hose (kill), boom-boom (what's done in a tapioca mill, or whorehouse), Mike-Juliet (marijuana), pogey bait, DO-28, C-2A, L Zed (Aussie for landing zone), rat-turds (oak leaf clusters), thousand yard stare, Samozaryadnyi karabin (Soviet rifle), guerre a outrance (French war to the end--the viewpoint of the North): these and the 10,000 others in this dictionary are the words of the Vietnam era. They were spoken by ground pounders in the boonies and by peaceniks on U.S. campuses, by hawks, doves, Victor Charlies and hoi chanhs, Chinese advisors and the Muong people of the Central Highlands. The period covered is primarily 1963-1975, but there are terms included from as early as 1945 and as late as 1987.

In 2014, the US marks the 50th anniversary of the Gulf of Tonkin Resolution, the basis for the Johnson administration’s escalation of American military involvement in Southeast Asia and war against North Vietnam. Vietnam War Slang outlines the context behind the slang used by members of the United States Armed Forces during the Vietnam War. Troops facing and inflicting death display a high degree of linguistic creativity. Vietnam was the last American war fought by an army with conscripts, and their involuntary participation in the war added a dimension to the language. War has always been an incubator for slang; it is brutal, and brutality demands a vocabulary to describe what we don’t encounter in peacetime civilian life. Furthermore, such language serves to create an intense bond between comrades in the armed forces, helping them to support the heavy burdens of war. The troops in Vietnam faced the usual demands of war, as well as several that were unique to Vietnam – a murky political basis for the war, widespread corruption in the ruling government, untraditional guerilla warfare, an unpredictable civilian population in Vietnam, and a growing lack of popular support for the war back in the US. For all these reasons, the language of those who fought in Vietnam was a vivid reflection of life in wartime. Vietnam War Slang lays out the definitive record of the lexicon of Americans who fought in the Vietnam War. Assuming no prior knowledge, it presents around 2000 headwords, with each entry divided into sections giving parts of speech, definitions, glosses, the countries of origin, dates of earliest known citations, and citations. It will be an essential resource for Vietnam veterans and their families, students and readers of history, and anyone interested in the principles underpinning the development of slang.

Drawing on personal memoirs and interviews with Vietnam vets, the author conveys the perspectives of the American combat soldiers who bore the brunt of the fighting. He includes the political culture, recruiting, induction and training, the soldiers' experience, their homecoming, and aftermath.

Roger Martin returns to Vietnam after his friend Pete is killed there. He misses leading men in combat and is determined to get them through the war. Anna Grayson is Pete's widow. She's devoted to him, and her world is turned upside down when Pete is killed in action. Emotionally vulnerable, she turns to Roger for strength as she grieves. When Roger and Anna reunite during his R-n-R in Hawaii, things between them develop into something neither expected. Anna has now seen two men in her life go off to war, and she hopes she never goes through losing a second one. Bravo Company is a novel about men at war and the people at home who await their return.

Intense, powerful, and compelling, Matterhorn is an epic war novel in the tradition of Norman Mailer’s The Naked and the Dead and James Jones’s The Thin Red Line. It is the timeless story of a young Marine lieutenant, Waino Mellas, and his comrades in Bravo Company, who are dropped into the mountain jungle of Vietnam as boys and forced to fight their way into manhood. Standing in their way are not merely the North Vietnamese but also monsoon rain and mud, leeches and tigers, disease and malnutrition. Almost as daunting, it turns out, are the obstacles they discover between each other: racial tension, competing ambitions, and duplicitous superior officers. But when the company finds itself surrounded and outnumbered by a massive enemy regiment, the Marines are thrust into the raw and all-consuming terror of combat. The experience will change them forever. Written by a highly decorated Marine veteran over the course of thirty years, Matterhorn is a spellbinding and unforgettable novel that brings to life an entire world—both its horrors and its thrills—and seems destined to become a classic of combat literature.

Military historian and ex-marine Ronald Spector marks the upcoming 25th anniversary of the Tet offensive which presaged the worst fighting that took place the year following. Detailing the deterioration of race relations, the growth of the drug culture, and even the experience of South Vietnamese and Viet Cong soldiers, this comprehensive history may stand as one of the most important books about Vietnam.